Review: FAMEHUNGRY, The Place
by Josh Maughan - October 04, 2024
In 70 minutes, Louise Orwin's performance piece aims to successfully interrogate the fastest growing and one of the most popular social media platforms in the world; Tik Tok. Is it perfect? No. But her form is smart, her commentary is sharp, and she’s a joyous performer....
Review: THE RIVER, Greenwich Theatre
by Matthew Paluch - October 04, 2024
I think Jez Butterworth must love fishing, as his 2012 play The River spends quite a lot of the time talking about the intricacies of the pastime. If one doesn't partake it can make the text a little monotonous at times…but of course there's more to take from the overall experience.
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Review: ONE OF THE BOYS, The Playground Theatre
by Cindy Marcolina - October 04, 2024
Tim Edge’s sophomore project is described as a nail-biting show that uncovers the dark truths of vicious competition and ferocious career moves. The production over-promises and under-delivers. It’s not only plagued by a debilitating case of women-written-by-a-man, it’s also predictable and formulai...
Review: WHITE RABBIT RED RABBIT, @sohoplace
by Mica Blackwell - October 03, 2024
Beyond its simple gimmick, White Rabbit Red Rabbit remains a refreshingly authentic piece of theatre in a time when even the most improvised works have an element of rehearsal....
Review: BIRDSONG, Richmond Theatre
by Gary Naylor - October 03, 2024
Touring production will pull in fans of the book, but needs to find something more to say if it is to convert those new to the story...
Review: PORT CITY SIGNATURE, The Hope Theatre
by Christiana Rose - October 03, 2024
**** PORT CITY SIGNATURE at The Hope Theatre is a timeless, tense and tenacious tale of seaside noir with a strong cast and playful thrills @TheHopeTheatre @BlackBatUK #londontheatre
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