One of the top-tier performers of a promising new generation of young stars on Broadway, Matt Doyle has appeared in both dramatic musicals and plays in establishing a versatile stage and screen career ranging from a multi-episode arc on GOSSIP GIRL to starring in SPRING AWAKENING on Broadway, as well as the recent revival of BYE BYE BIRDIE, in addition to his most recent New York credit, the highly acclaimed WAR HORSE at Lincoln Center. Equally at home in musicals and straight drama, Doyle's most recently released film venture is an intriguing and compelling independent feature showcasing his WAR HORSE co-star and fellow InDepth InterView participant Seth Numrich with a stylish and intense military school-set adaptation of ROMEO & JULIET titled PRIVATE ROMEO that, fortunately for all of us, also allows Doyle the chance to sing. Having studied at the Royal Academy in London, Doyle was perfectly prepared for his Shakespearean role in PRIVATE ROMEO and that training was also was influential to his success in the aforementioned musicals and plays he has starred in, as he generously fills us in on many memorable moments in his career to date and even shares his most recent experiences doing Michael John LaChiusa's GIANT. Exciting projects coming up next include a sequel to his 2011 EP, DAYLIGHT, titled - appropriately enough - SUNSET, as well as roles in theatre pieces currently in development. Plus, Doyle and I discuss sharing the stage with the starry original cast of SPRING AWAKENING such as GLEE stars Lea Michele and Jonathan Groff and much, much more!

Known for her many memorable roles on stages and screens large and small, many from the canon of William Shakespeare (OTHELLO, MACBETH) and Edward Albee (THE LADY FROM DUBUQUE, SEASCAPE, WHO'S AFRAID OF VIRGINIA WOOLF? & LISTENING), Maureen Anderman is making her grand return to the realm of Shakespeare onstage in New York with the new BAM production of RICHARD III directed by Sam Mendes, starring Kevin Spacey. In addition to illustrating many aspects of the rapturously received revival of the historical tragedy as she has traveled with it around the world, Anderman and I also discuss her affiliation with Shakespeare and what she derives from performing his greatest works, with RICHARD III being the central focus. Also, Anderman details her experiences working with Edward Albee on the original Broadway productions of THE LADY FROM DUBUQUE and SEASCAPE, as well as offering some candid observations on some of her favorite feature film and television appearances over the years - THE DAYS AND NIGHTS OF MOLLY DODD and LAW & ORDER included. As well as all of that, Anderman also shines a light on her recent standby duties for Vanessa Redgrave in THE YEAR OF MAGICAL THINKING and DRIVING MISS DAISY, as well as the forthcoming Westport Country Playhouse production of MAGICAL THINKING in which she will be starring later this year.

Today we are talking to a stand-up comedienne celebrated for her caustic wit, erudite political humor and illuminating social observations who has also made a name for herself over the last two decades as an actress by appearing in over 100 feature films and television shows, including recurring roles on the TV series SATURDAY NIGHT LIVE, THE BEN STILLER SHOW, THE LARRY SANDERS SHOW and 24, as well as her film resume, ranging from roles in ROMY & MICHELE'S HIGH SCHOOL REUNION to WET HOT AMERICAN SUMMER to REALITY BITES, COP LAND, THE CABLE GUY, NOW AND THEN and many more - the one and only Janeane Garofalo. In addition to a twenty-year career retrospective, touching upon many of her most notable big screen and small screen appearances - sharing comments on many of her favorite colleagues and co-stars along the way - Garofalo also opens up about the theatrically attuned work she has previously done - such as HBO's THE LARAMIE PROJECT - and, most importantly, fills us in on the new play she is starring in for The New Group, RUSSIAN TRANSPORT, directed by Scott Elliott. Besides all about RUSSIAN TRANSPORT, her character in it and the political and social issues the new original play bravely tackles, Garofalo shares her enthusiasm for her newfound experiences in the theatre world and her intention of pursuing a theatre career further. Also, she clues us in on her upcoming film projects, BAD PARENTS and GENERAL EDUCATION, and offers her classic views on current politics as only she can, in her own delightfully droll and ingratiatingly idiosyncratic fashion - plus, much, much more!

Today we are kicking off our trio of InDepth InterViews with the leading ladies of the new BAM production of RICHARD III by talking to stage and screen star Gemma Jones all about her role in the politically-themed Shakespeare historical drama, which continues performances at the Brooklyn Academy of Music through March 4.

On Friday, I had the exceptional honor of talking to the most successful composer in the world, Lord Andrew Lloyd Webber, all about the unprecedented new HD film version of his thrilling new musical coming to movie theaters in February, a continuation of the story begun in THE PHANTOM OF THE OPERA, titled LOVE NEVER DIES. In addition to outlining the impossibly detailed process of bringing a production as complex as the Simon Phillips Australian staging of LOVE NEVER DIES to the big screen, we also discuss the genesis of the show and what an immense achievement it is to now have the original musical - in the form of the 25th anniversary Royal Albert Hall production of THE PHANTOM OF THE OPERA - as well as the sequel - LOVE NEVER DIES - committed to celluloid, mere months apart. Also, 2012 is certainly the year of the Lord on Broadway thanks to new revivals of two of his most beloved musicals, JESUS CHRIST SUPERSTAR and EVITA (the latter starring Ricky Martin), as well as the 10,000th performance of PHANTOM on Broadway. Plus, Lloyd Webber clues us in on which musical of his he would like to film next - SUNSET BOULVEVARD, with either Madonna or original Tony-winning star Glenn Close - and he also elaborates on the indescribable allure of the Phantom legend, now, nearly thirty years after the original show's debut and expresses his enthusiasm for the revolutionary new age of theatre-on-film we are experiencing now - all of that and much, much more!

Today we are talking to a star of many notable films and television shows who initially surprised many viewers with his commanding presence as the voice of the Beast in Disney's classic animated film BEAUTY & THE BEAST, now back in theaters for its twentieth anniversary (in 3D) - the one and only Robby Benson. In addition to telling us all about his impressions of and experiences working on BEAUTY & THE BEAST and what he thinks of the new 3D movie experience, he also shares his affection for co-stars Angela Lansbury and Paige O'Hara - both having been previous InDepth InterView participants, as well - and what the storied legacy of the film means to him. Also, Benson discusses his talented family, including his rock star wife, Karla DeVito, and their daughter, a star-on-the-rise in her own right, Lyric (her Benson-produced debut album, LYRIC'S LOVE LIGHT REVOLUTION, is available here) and details the many hats he wears as an actor, director, producer, author, singer and recording artist. Plus, recollections on ICE CASTLES and its haunting Marvin Hamlisch theme, directing FRIENDS and EVENING SHADE, his vivid memories of performing in OLIVER!, THE ROTHSCHILDS, THE PIRATES OF PENZANCE on Broadway and a discussion of his own semi-auto-biographical musical, OPEN HEART, and, of course, what it was like being suggested by Francis Ford Coppola to George Lucas for a role in STAR WARS - and much, much more!

On Friday, I had the enviable privilege of talking to ROCK OF AGES Tony Award nominee and AMERICAN IDOL star Constantine Maroulis all about the new musical he is starring in at the Alley Theater in Houston as it eyes Broadway, THE TOXIC AVENGER. In addition to discussing all aspects of the science fiction-themed musical spoof and its creators, David Bryan and Joe DiPietro - of MEMPHIS fame - Maroulis and I also take a look back at his career onstage thus far and his essaying of roles in RENT, JESUS CHRIST SUPERSTAR, THE WEDDING SINGER and JACQUES BREL IS ALIVE AND WELL AND LIVING IN PARIS and ROCK OF AGES, as well as what we can expect from him in the future, near and far. Additionally, he shares his reflections on appearing on AMERICAN IDOL Season 4 and being mentored by fellow InDepth InterView participant Simon Cowell, as well as the immense impact that that entertainment entity, along with GLEE, has had on a whole new generation of theatregoers in the 21st century. Plus, Constantine clues us in to the exciting expansions that have been made to ROCK OF AGES for the forthcoming feature film version that he makes an appearance in, directed by HAIRSPRAY's Adam Shankman, and also shares his experiences recording the ASTEP benefit album A NEW YORK CITY CHRISTMAS, his new role as a dad and much, much more!

Discussing all aspects of her sensitive, charming and emotional new collection of songs, MY LIFELONG LOVE, today we are talking to composer Georgia Stitt, a uniquely gifted artist whose moving new album is an ideal representation of the many facets of her songwriting abilities as well as a portal into her own genre-spanning inspirations and projects from which a number of these songs are culled - many musicals included! In addition to all about MY LIFELONG LOVE and the fabulous Broadway personalities appearing on it - such as Jessie Tyler Ferguson, Susan Egan, Shoshana Bean and Brian D'Arcy James - Stitt also illustrates how her personal life and role as a mother to two daughters has influenced her craft and career, as well as what we can expect from her in the future - like the new jukebox musical, HELLO! MY BABY, and the original musical, BIG RED SUN. Plus, working on the recording of the new ballet, THE TRUMPET OF THE SWAN, with her husband, Tony-winner Jason Robert Brown; music directing and acting as vocal coach on AMERICA'S GOT TALENT and GREASE: YOU'RE THE ONE THAT I WANT, an overview of the musicals she is working on currently - and much, much more!

John Logan, the playwright responsible for the Mark Rothko-inspired 2010 Tony Award winner for Best Play, RED, is also a name familiar to movie buffs around the world who may very well have enjoyed his considerable contributions to cinema - among them, the screenplays for 2000 Best Picture Oscar-winner GLADIATOR (directed by Ridley Scott), Oliver Stone's ANY GIVEN SUNDAY, Martin Scorsese's THE AVIATOR, Tim Burton's film adaptation of Stephen Sondheim's SWEENEY TODD: THE DEMON BARBER OF FLEET STREET (2008 Golden Globe winner for Best Picture, Musical Or Comedy) and many more. Discussing his collaborations with those lauded directors as well as his work for the stage - going all the way back to his Chicago roots - Logan and I also touch on some of his incredibly exciting upcoming projects - the new Sam Mendes James Bond film, SKYFALL; the Ralph Fiennes-directed adaptation of Shakespeare's CORIOLANUS; Martin Scorsese's critically lauded HUGO, now in theaters; and, Steven Spielberg's forthcoming biopic of LINCOLN, co-written with Tony Kushner and starring Daniel Day-Lewis. Additionally, Logan illustrates his appreciation for RED Tony-winning leading man Eddie Redmayne, who also starred in the Kathryn Bigelow-directed HBO pilot of Logan's aborted Broadway-themed musical series, A MIRACULOUS YEAR. All of that, plus early casting ideas for Sweeney and Mrs. Lovett, as well as much, much more!

If only for originating the title role in the longest-running and most successful musical in world history - THE PHANTOM OF THE OPERA - which is merely one of the many impossibly impressive moments in a fifty-year career that truly defies description - Michael Crawford is known and loved the world over. From the Broadway and West End stage to the concert stage; the recording studio to the movie studio; performing everywhere imaginable - he has conquered it all. In a resume-spanning conversation that takes us from Broadway to Hollywood and to the stage of the London Palladium where he is now starring as the eponymous WIZARD OF OZ in Andrew Lloyd Webber's new theatrical adaptation of the classic film, Crawford and I take a look back at his many notable stage roles - among them, BILLY, BARNUM, DANCE OF THE VAMPIRES and, most recently, Andrew Lloyd Webber's THE WOMAN IN WHITE - and he also generously shares stories and recollections of the esteemed figures he has collaborated with over the years, including Barbra Streisand, John Lennon, Oliver Reed, David Foster, Stephen Sondheim, Hal Prince, Sarah Brightman and many more! Additionally, Crawford shares his insightful opinions on the state of theatre today and how it has changed over the course of his decades spent in show business, as well as looks ahead to returning to the concert stage following his departure from THE WIZARD OF OZ in the West End in February. So, catch Crawford while you can - and your little dog, too!

Last night, I spoke to two-time Tony-winner Katie Finneran all about her new Fox sitcom I HATE MY TEENAGE DAUGHTER, co-starring Jaime Pressly, which premiered yesterday at 9:30 PM. Additionally, Finneran and I discuss her recent role in the terrific live performance film adaptation of Stephen Sondheim's COMPANY, co-starring Neil Patrick Harris and Patti LuPone, and we also take a look back at her two Tony-winning Broadway roles from earlier this decade - the lauded Jeremy Sams revival of the comedy NOISES OFF, as well as Rob Ashford's revival of the Burt Bacharach/Hal David/Neil Simon PROMISES, PROMISES. Also, Finneran describes the feeling of reaching a career peak such as she has achieved this year - a new Tony Award, the COMPANY film and headlining a sitcom of her own - and also relates how her role as a new mom has influenced her participation on the battle-of-the-generations comedy. All of that - plus, reminiscences of working on DAMAGES, OZ, roles she would like to play in the future (Dolly, Mame and The Baker's Wife included) and much, much more!

Having composed the musical scores for some of the biggest films of the century so far, Alexandre Desplat has displayed an uncanny ability to tap into the thoughts, emotions and even the very dramatic themes inherent in properties as diverse as - just to use his most recent projects as examples - TWILIGHT: NEW MOON, HARRY POTTER & THE DEATHLY HALLOWS, Roman Polanski's THE GHOST WRITER and CARNAGE, Stephen Daldry's upcoming EXTREMELY LOUD AND INCREDIBLY CLOSE, George Clooney's THE IDES OF MARCH (another stage-to-screen adaptation like CARNAGE), Terrence Malick's THE TREE OF LIFE, as well as the main theme for MY WEEK WITH MARILYN - performed on the soundtrack by noted pianist Lang Lang. Discussing all aspects of his compositional process as well as outlining his interactions with the respective directors of each entity - his ongoing collaboration with Roman Polanski, first and foremost - Desplat and I delve into the delicate art of film composing and how he has achieved such great success and international acclaim for his incredibly impressive work on a heady list of projects in a relatively short period of time - last year's Best Picture Oscar-winner THE KING'S SPEECH included. Desplat and I also touch on some of his own favorite film composers and he shares his opinions on Broadway and Hollywood music icons such as Bernstein, Sondheim, Cole Porter, Michel Legrand, fellow Modern Music Master Mark Isham and also sheds some light on his plans for the future - and much, much more!

Noted thespian and master theatre and film director Kenneth Branagh has found himself at a career peak in 2011, excelling in both entertainment arenas with his striking, visionary blockbuster THOR being one of the year's biggest hits as well as his simply incredible portrayal of Laurence Olivier in the new film MY WEEK WITH MARILYN generating considerable Oscar buzz. Sharing his cordial and candid insights on a number of topics ranging from his beginnings in Shakespeare to his directing and acting in a string of Shakespearean stage plays and films - his iconic films of HENRY V and HAMLET among them - Branagh also illustrates his impressions of fellow acting titans such as Sir Anthony Hopkins, Sir John Gielgud, Ralph Fiennes, Dame Judi Dench, Simon Callow and many more. Plus, he shares his deep affection for the most famous musical theatre Shakespeare adaptation of all time - the classic WEST SIDE STORY; based on ROMEO & JULIET - as well as his love of the work of Stephen Sondheim as a composer/lyricist in his own right. Plus, news on his desire to do Broadway in the future, as well as all about Branagh's new lead role in the Belfast-to-West End transfer of THE PAINKILLER - and much, much more!

Today we are talking to one of the brightest stars on Broadway whose career has virtually exploded over the last few years with recurring roles on Fox's hit musical dramedy series GLEE, as well as NBC's multi-award-winning 30 ROCK - in addition to his newly minted classic character in the canon of unforgettable personalities on Larry David's HBO series CURB YOUR ENTHUSIASM - the astonishingly gifted Cheyenne Jackson. Talking all about his Broadway roots and starring in musicals such as XANADU, FINIAN'S RAINBOW, ALL SHOOK UP and more, Jackson and I also discuss some of his favorite performers and co-stars and he shares fond remembrances of musicals and appearances past, as well as looks ahead to what he would like to do in the future, both near and far. Jackson also reveals what the next few months hold - the early 2012 return of 30 ROCK; the release of his new film THE GREEN - and describes what audiences can expect from his 50s and 60s-themed Carnegie Hall concert on November 18, CHEYENNE JACKSON'S COCKTAIL HOUR: MUSIC OF THE MAD MEN ERA. Plus, first news on his self-penned solo album with collaborator/muse Sia, as well as his upcoming film appearances - and much, much more!

Today we are talking to a Broadway stalwart with a string of hit shows on his resume - CATS, A CHORUS LINE, JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT, THE WHO'S TOMMY, CHICAGO and more included - as well as hit solo albums of his own, such as his new release CHANGE BEGINS WITH ME; the one and only Matt Zarley. He also shares all about the shoot for the three music videos for the songs on his new dance album - "WTF" and "Forgive Me" included. Additionally, he shares his thoughts on Broadway now versus when he started out in the late-80s, Gillian Lynne versus Michael Bennett, as well as opinions on GLEE, his own favorite shows and scores, co-stars' careers and much, much more!

Today we are going to continue our ongoing interview series focusing on composers whose work transcends merely one medium with this highly-lauded and respected film and television composer known for over 100 film scores in his thirty year career - such as his Academy Award-nominated work on CRASH; as well as this year's WARRIOR starring Tom Hardy, in theaters now - the immensely talented Mark Isham! Detailing the challenge of scoring each and every episode of ABC's hit new fairytale-themed series ONCE UPON A TIME and what it is like bringing the magical Disney wonderland of the show to musical life every week - as well as some hints of what we can expect in future episodes - we also look back at many of his most notable collaborations over his accomplished career, many with some of the finest theatre and film directors of our age - Sidney Lumet, Robert Altman and David Mamet included. Additionally, Isham shares insights into the work of fellow composers soon to be featured in this column - such as Alexandre Desplat and Alan Menken - as well as what we can look forward to from him in the future, near and far - on screens, both small and large! Plus - much, much more!

Fiercely idiosyncratic and refreshingly impassioned, actress and performance artist Roslyn Hart is entirely her own entity unto herself - and with this year's previous hit solo show, SHELLS, and, now, next week's NEVER SLEEP ALONE, she is carving out a distinctively hip and edgy corner of the new 21st century theatre world as she takes her unique one-woman-shows around the world - and, always, back to New York. Talking all aspects of her new dating seminar-style spoof show, NEVER SLEEP ALONE, as well as its origins and inspirations - an engagement that defies description and which arrives with ample audience participation opportunities; as Hart is wont to offer so that all involved may relish her uproarious responses - Hart and I delve into the deep, dark depths of the dating pool in 2011 and discuss the finer aspects of the densely detailed characters she creates in her solo spotlight shows, new and old. Additionally, Hart also shares exciting news about SHELLS being developed into a television comedy, as well as her experience appearing earlier this year on HBO's BORED TO DEATH. Plus, what audiences can expect from NEVER SLEEP ALONE and the future appearances she may make as her freshly-born alter-ego, sexual psychologist and music therapist Dr. Alex Schiller - and much, much more!

Pioneer, innovator and the voice of an entire new musical theatre generation coming in the dawning of the age of GLEE, Tony Award recipient and Grammy-winning composer, lyricist and performer Lin-Manuel Miranda has merged the worlds of the two most significant of original American art forms - musicals and rap - in such a striking and surprisingly inventive way with his hit musical IN THE HEIGHTS - currently touring the country - and is setting out to do the same with his fresh collaboration with Pulitzer Prize-winning NEXT TO NORMAL composer Tom Kitt on their new musical BRING IT ON!, currently in previews out of town in Los Angeles as it eyes New York. In addition to discussing the development of IN THE HEIGHTS and BRING IT ON! in detail, Miranda and I also outline his experience working alongside the two modern-day masters of the musical theatre - Stephen Sondheim and the recently deceased Arthur Laurents - on the Spanish translation and new lyrics for the recent bilingual revival of WEST SIDE STORY - in addition to his forthcoming ALEXANDER HAMILTON project, which Miranda recently performed a medley from for President Obama himself at the White House Poetry Jam. As if all of that were not enough, we also delve into his thought process as he sets out to take on one of Sondheim's most challenging roles in all of musical theatre - that of Charley Kringas in MERRILY WE ROLL ALONG at Encores!, under the direction of James Lapine. Plus, news on his new feature film THE ODD LIFE OF TIMOTHY GREEN, as well as recollections of his fondest Broadway shows, scores, cast albums, movie musicals and general musical and theatrical inspirations - and his favorite Shakespeare plays, too - as well as much, much more!

With one of the most refreshingly unique career trajectories in recent show business history, the quirky late-80s/early-90s film star known for her outlandish John Waters comedies - HAIRSPRAY, CRY-BABY and SERIAL MOM included - parlayed her big screen success to a decade-long running eponymous talk-show in the 90s and early 00s that is still talked about to this day - look no further than Nicki Minaj's verse on the remix of Britney Spears' "Hold It Against Me" for proof - and, now, with news of the 2012 syndicated return of a new iteration of her show, a new memoir, as well as her current compelling casting on the new season of DANCING WITH THE STARS, Ricki Lake has clearly reached a new career high. Imparting her contagious energy and enthusiasm and amply displaying why she is the foremost queen of gab, Lake generously shares her thoughts on a range of topics - Broadway, Hollywood, GLEE, Sondheim, BOOK OF MORMON and much more included - and reveals details about her many upcoming projects and passion, as well as her ongoing star turn on TV's hottest reality competition, DANCING WITH THE STARS. While in rehearsal on Friday night, talking to me from the backstage costume fitting for DANCING/STARS - tutu included - and on the road back to her LA home - before attending Chaz Bono's party later that evening - Lake and I cover it all and she shows why she has been a TV fixture in millions of homes for twenty years and most likely will continue to be so for the next twenty or more - if we are lucky, that is. Plus, she also happens to be a big BroadwayWorld fan, to boot! Who could ask for anything more?

Acing the tailor-made lead role in GLEE creators' Ryan Murphy and Brad Falchuk's new supernaturally-themed FX series AMERICAN HORROR STORY, the former FRIDAY NIGHT LIGHTS star Connie Britton is finding herself at a career peak (look no further than the cover of this week's Entertainment Weekly that just hit newsstands yesterday). Britton's bright beginnings at the Neighborhood Playhouse and study under acclaimed acting instructor Sanford Meisner - as well as her Off-Broadway and stage work - have clearly prepared her well for the tricky ROSEMARY'S BABY-esque role of a lifetime that Murphy, Falchuk and company have devised for her on the star-studded nighttime soap thriller - which also features TV heavyweight Dylan McDermott, as well as two-time Oscar-winner Jessica Lange and Tony-winner (and TRUE BLOOD's King of the Vampires), Denis O'Hare. Discussing all aspects of the first three episodes of the surprise hit horror series, as well as offering some hints as to what we can expect from the forthcoming two-part Halloween special and upcoming episodes (including a Rubber Man tease), Britton and I dissect the complex inter-workings of the Harmon family and the house from Hell that they now reside in - as well as its ghostly inhabitants. Will they somehow make it out alive? And, who exactly is the new ghost in house, revealed just this week, played by previous InDepth InterView participant Lily Rabe? What can we expect from Zachary Quinto's first appearance coming up this week? And, what about The Infatata? As Murphy's original pitch's tagline states, "The House Wins," but, as far as AMERICAN HORROR STORY goes, the actors do, too. In addition to all about AMERICAN HORROR STORY, Britton and I also discuss her passionate dedication to Bono's ONE charity, as well as her participation in supporting the African Children's Choir, who will be performing at a gala raising awareness and funds on Monday at The Highline Ballroom.

In just a few short years since his sensational debut in Lawrence Kasdan's MUMFORD, rising star Jason Ritter has carved out an impressive indie resume - including noted standouts such as THE EDUCATION OF CHARLIE BANKS, HAPPY ENDINGS and GOOD DICK - in addition to a successful TV career - having appeared in featured roles in JOAN OF ARCADIA and THE CLASS before his leading role on THE EVENT last season - but theatre fans are certainly aware of considerable stage skills, as well, having performed in plays for many esteemed directors and premiering works by the likes of Neil LaBute and Wendy Wasserstein. While there has been the occasional big budget vehicle, too - SWIMFAN and FREDDY VS. JASON included - it is Ritter's fierce commitment to fine storytelling and intriguing projects that make him truly one to watch. Discussing many aspects of his busy career from THE DREAMER OF OZ opposite his iconic father, John - now available on the WIZARD OF OZ Blu-ray box-set - all the way up to his forthcoming films such as THE PERFECT FAMILY co-starring two previous InDepth InterView participants, Kathleen Turner and Sharon Lawrence, plus THE FIVE STAGES OF GRIEF, FREE SAMPLES, an untilled Mark Webber project, I AM I and his new Disney animated series, GRAVITY FALLS. With an emphasis on his theatre background and insights into the currently running LA Theatreworks presentation of COMPLETENESS, Ritter and I shine some light on a career that, based on what we have already seen from him onstage and onscreen, clearly knows no bounds whatsoever. Some people can do it all and do it all brilliantly and Jason Ritter has clearly proven he is one of those select, special few.

Earlier today, prior to his appearance at Comic Con, I had the pleasure of speaking to WALKING DEAD lead actor Jon Bernthal all about his theatre background and his Ovation Award-nominated performance in SMALL ENGINE REPAIR, and, also, his critically praised work on the monster AMC hit series THE WALKING DEAD, which makes its grand return tomorrow night for the launch of its hotly-anticipated second season. I am also happy to share that I was just lucky enough to view the episode myself and I can tell you that it has certainly been worth the wait since THE WALKING DEAD was last seen on TV last year - although the pay-off certainly won't pay off completely until next week given the grisly occurrences in the premiere (and the mind-blowing cliffhanger)! Discussing all aspects of his WALKING DEAD character and what we can expect from tomorrow night's zombie apocalypse shocker - as well as the rest of Season Two - Bernthal and I shed some light on the production of the second season of the hit show so far and how the series will now fare without former show-runner Frank Darabont at the helm. Most importantly, Bernthal shares his deep understanding and passion for theatre and his devotion to his craft - musing on Brecht, Shakespeare and more - as we trace his career trajectory onstage and onscreen from his founding of the Fovea Floods theatre company and the film version of the hit Off-Broadway interactive play TONY N' TINA'S WEDDING in the early 1990s all the way up to HBO'S THE PACIFIC and Roman Polanski's THE GHOST WRITER more recently. Bernthal is also kind enough to share with us what we can look forward to coming up in the near future: RAMPARTS, co-starring fellow InDepth InterView participant Steve Buscemi! Plus, his comments on previous castmates Jason Ritter, Andrea Anders and more!

Today we are featuring the luminescent and golden-voiced Melissa Errico and talking to her all about her sumptuous new album LEGRAND AFFAIR - featuring the music of famed Broadway and Hollywood composer Michel Legrand - and how the labor of love five years in the making has finally come to light with this week's highly-anticipated release of the romantic and moving album. In addition to analyzing the process of putting the project together alongside the legendary Legrand, Errico also shares her thoughtful and passionate insights into the many different worlds inherent in the evocative songs themselves - many with lyrics by Barbra Streisand's constant collaborators, Alan and Marilyn Bergman - and how closely Errico worked with album producers Phil Ramone and Richard Jay-Alexander on perfecting the sound, style, mood and final song list of LEGRAND AFFAIR. Additionally, Errico and I also travel back in time and touch upon her many notable stage appearances over the years - including illustrative comments on her Broadway debut in MY FAIR LADY, as well as starring in HIGH SOCIETY, FINIAN'S RAINBOW, DRACULA, Legrand's own AMOUR, and, most recently, WHITE CHRISTMAS - and she also shares her excitement for the upcoming tenth anniversary reunion concert of SUNDAY IN THE PARK WITH GEORGE at the Kennedy Center in 2012, co-starring Raul Esparza. Plus, news on her forthcoming appearance on Patrick Wilson's A GIFTED MAN on CBS and all the details on her charity organization, Bowery Babes, as well as much, much more!

Bright, sunny, clarion-voiced leading lady Liz Callaway is not only known for her roles in the Broadway productions of MERRILY WE ROLL ALONG, BABY, CATS, MISS SAIGON and THE LOOK OF LOVE, but also for her string of highly-successful studio albums - among them, the sensational 60s ode THE BEAT GOES ON and the musical theatre-centric THE STORY GOES ON, in addition to last year's superlative PASSAGE OF TIME - and, she is also well-loved for stunning live stage double-bills with her sister, Ann Hampton Callaway - represented on record by SIBLING RIVALRY and, now, the new live album and show all about baby boomers and their sensational music, titled BOOM! In this all-encompassing conversation, Callaway and I parse her predilection for certain composers - Burt Bacharach, Jimmy Webb, Stephen Sondheim and many more included - as well as her memories of working with some of the most important musical theatre creators of the twentieth century over the course of her thirty-year career, such as legendary director Hal Prince and Sondheim himself on projects diverse as MERRILY WE ROLL ALONG, A STEPHEN SONDHEIM EVENING and FOLLIES: IN CONCERT. Plus, we also talk about Callaway's various musical influences, her childhood, her first Broadway show and first Broadway onstage experience, revisiting MERRILY twenty years later with the entire original cast, live versus studio performing, as well as what's coming up next for her in the coming months and new year - including the Christmas stage spectacular, YULETIDE - and more!

Today we are talking to one of the world's foremost cabaret artists and jazz vocalists - also known for her famous rapport with sibling and fellow Broadway baby Liz Callaway - who has written and recorded hundreds of songs over her thirty-year career - including 'I've Dreamed Of You' for Barbra Streisand's A LOVE LIKE OURS, among many others - but, perhaps she is most famous for the unforgettable theme from the highly syndicated hit 90s sitcom THE NANNY starring Fran Drescher - the one and only Ann Hampton Callaway! Discussing all aspects of her brand new album and duets show with sister Liz - titled after the music of their youth; so, being baby boomers growing up with the music of the 1960s and 1970, the oh-so-apropos title is BOOM! Covering Cole Porter to Rosemary Clooney to Ella Fitzgerald, Carly Simon, Stephen Sondheim and Laura Nyro, Callaway and I dissect many facets of songwriting, singing, performing and the nature of live versus studio recording, memories of starring in the musical revue SWING! on Broadway, and, she also reveals her own fondest recollections of working with her sister and many of her most fascinating collaborators over the years. Plus, we have first news of her new Streisand-based symphony show coming up in 2012, as well as the new Christmas show she is starring in with Liz later this year, YULETIDE, as well as her thoughts on filming THE GOOD SHEPARD and soundtrack scoring, as well as her opinions on GLEE, AMERICAN IDOL and much, much more!