Today we are talking to an electrifying live performer who has made a major mark in the theatrical realm with his work as the title character in THE PHANTOM OF THE OPERA AT THE ROYAL ALBERT HALL - PHANTOM 25 for short - as well as the originator of the role in its musical sequel, LOVE NEVER DIES - to say nothing of his long-standing and upcoming association with LES MIERABLES, at the O2, in Toronto this Fall and beyond - the one and only Ramin Karimloo. Espousing on the many major musical theatre roles he has essayed thus far as well as what he would like to take on in the future, Karimloo grants unprecedented access into his background and illustrates his experiences participating in some already classic once-in-a-lifetime events, such as PHANTOM 25 and LES MIZ at the 02. Most importantly, Karimloo clues us in on what we can expect from his series of shows this week at SubCulture as well as explains the history and future plans for his Broadway and Bluegrass - aka Broadgrass - tour. Additionally, Karimloo discusses the finer points of his forthcoming headlining role as Jean Valjean in the Toronto kick-off of the brand new LES MISERABLES revival and shares his memories of appearing on the Academy Awards this year with the film's cast. Also, Karimloo offers first news on his upcoming series of EPs, reflects on his past solo albums and how they developed, as well as comments on his recent UK TV recurring role on THE SPA ROOM and desire to pursue more TV/film work in the future, as well as shares his enthusiasm for GLEE - and much, much more!

Today, BroadwayWorld presents an exclusive look behind the scenes at the innovative new Bruce Springsteen documentary SPRINGSTEEN & I, presented by Fathom-equipped movie theaters nationwide for two special showings on July 22 and 30 only, by talking to the talented creator and director of the project, Baillee Walsh. Walsh has previously displayed his musical documentary skills with the Oasis project LORD DON'T SLOW ME DOWN, as well as shown off his cinematic skills with the feature film FLASHBACKS OF A FOOL, starring frequent collaborator Daniel Craig. In addition to film work, Walsh also enjoys success as a music video director - having helmed a dozen Massive Attack videos, among others - as well as a designer commercial director, for brands such as Cartier, all of which he touches upon in this expansive chat. Most of all, Walsh examines the many layers of the new Springsteen salute, featuring fan-submitted footage and never-before-seen vintage and recent live concert captures of The Boss himself live, onstage, in action - and in charge, as always. Walsh discusses Springsteen's support of the film as well as master director/producer Ridley Scott's instructive involvement, as well as what fans can expect from the LIFE IN A DAY-esque music/film experience. Plus, Walsh expresses his enthusiasm for Fathom Events in general and expounds upon the role of technology in entertainment today. All of that and much, much more in this spotlight on one of the most unique and electric music films of the 21st century.

Last night I had the privilege of taking a look back on an incredibly impressive recent string of major musicals starring the phenomenally talented Brandon Victor Dixon with the leading man himself, ranging from his work last year Off-Broadway in RENT as well as the Williamstown Theatre Festival mounting of FAR FROM HEAVEN, both directed by Michael Greif, through to his acclaimed performance in Kander & Ebb's THE SCOTTSBORO BOYS through to his new role portraying music titan Berry Gordy himself in the audience hit of the 2012-2013 season, MOTOWN. In addition to eloquently expounding on his various starring roles in those four major musicals and reflecting upon his time spent in each production, Dixon also opens up about his passion for performance in general and the importance of collaboration in the creation of any musical from the ground-up. Dixon also comments upon his experiences originating a role in Oprah Winfrey's recent stage venture THE COLOR PURPLE as well as recounts his association with COTTON CLUB PARADE - set to premiere on Broadway under a new title later this year - as well as the various incarnations of his stage piece based on the life and career of Ray Charles. Most importantly, besides all about MOTOWN and his work with Gordy and the cast on the hit show, Dixon also previews what we can expect from the cast of the show on tonight's A CAPITOL FOURTH PBS concert extravaganza, featuring Dixon alongside MOTOWN standout Saycon Sengbloh. All of that, first news on Dixon's upcoming self-penned solo album project, memories of working on THE GOOD WIFE, thoughts on GLEE and the modern performing arts revolution and much, much more!

Today we are talking to a passionate and prolific performer who has appeared in a number of impressive properties over the course of his career thus far - Milky White in the most recent Broadway revival of INTO THE WOODS to his starring roles in MEMPHIS and beyond - the charming Chad Kimball.

Today we are talking to a spectacularly talented composer/lyricist noted for his incredibly impressive and accomplished oeuvre thus far, having collectively composed more than twenty full-length musicals, operas and specialty performance pieces - Michael John LaChiusa. Discussing his vast array of projects from BUZZSAW BERKELEY to FIRST LADY SUITE, HELLO AGAIN and THE PETRIFIED PRINCE Off-Broadway through to his double-header in the 1999-2000 millennial season with MARIE CHRISTINE and THE WILD PARTY both on Broadway to his Off-Broadway, regional and international successes since, ranging from LITTLE FISH to another two-show-season in 2006 with BERNARDA ALBA and SEE WHAT I WANNA SEE as well as THE HIGHEST YELLOW and the recent Americana-themed epic musical pseudo-trilogy of LOS otros, QUEEN OF THE MIST and GIANT. Additionally, LaChiusa touches upon some of his lesser-known work, such as his musical revue HOTEL C'EST L'AMOUR, various operatic pieces, additional material he provided for pieces such as THE SEVEN DEADLY SINS and his previous and upcoming solo musicals for continuing collaborator Audra McDonald, such as SEND (who are you? i love you) and MARLENE DIETRICH'S ABCs OF LOVE. Most importantly, LaChiusa takes us behind the scenes of the sparkling new deluxe cast album for GIANT, starring Brian D'Arcy James, and discusses the themes, ideas and adaptation of the Edna Ferber novel itself in a fascinating and revealing analysis of the vast, enveloping and vivid score he has composed for GIANT. Also, LaChiusa offers the 411 on this year's Tony Awards specialty song composed for host Neil Patrick Harris and some starry cohorts (Megan Hilty, Laura Benanti and Andrew Rannells), as well as previous Tony show one-offs penned for Hugh Jackman and others. Plus, LaChiusa clues us in on his upcoming projects - including FIRST DAUGHTER SUITE - and much, much more in this career-spanning conversations with one of modern musical theatre's most daring and prolific artists.

Today we are talking to a titanically talented and charismatic actor coming to a whole new audience this week with the highly anticipated premiere of the exceptional new USA series GRACELAND, although he is assuredly already known to audiences for his formidable stage and screen performances in a vast array of exciting and impressive roles over the course of his career - ranging from his early work in Shakespeare's TWELFTH NIGHT in Central Park through to Richard Greenberg's TAKE ME OUT, and, most recently, CYRANO DE BERGERAC on Broadway to memorable TV roles on series like RESCUE ME, 30 ROCK and SEX & THE CITY to his appearances in films like last year's THE DARK KNIGHT, as well as GONE, THE DEVIL WEARS PRADA and many more - Daniel Sunjata. Touching upon many of his most celebrated previous roles onstage and onscreen, Sunjata eloquently explicates his process as an actor in playing various characters thus far - most of all, and with a special focus, on his current (and future) one on GRACELAND - in this extensive conversation. Additionally, Sunjata discusses his preferences for plays over musicals, teases his upcoming film LULLABY, expresses his enthusiasm for a DEVIL WEARS PRADA follow-up film, reminisces about 30 ROCK, recounts working with Woody Allen on MELINDA & MELINDA and more.

Today we are talking to an inordinately talented triple-threat performer who made his name on Broadway in some landmark productions, such as the original multi-Tony Award-winning HAIRSPRAY and THE LIGHT IN THE PIAZZA, in addition to his peerless work in Lincoln Center's lauded SOUTH PACIFIC revival, who now is best known to audiences around the world for his headlining role on FOX's mega-hit musical dramedy series GLEE - the charismatic Matthew Morrison. Sharing stories from his Broadway days as well as looking ahead to the new season of GLEE airing in September, Morrison paints a vivid picture of his musical theatre career thus far and touches upon his experiences in the aforementioned musicals on the Great White Way as well as THE ROCKY HORROR SHOW, A NAKED GIRL ON THE APPIAN WAY and more, detailing his ascent from chorus boy to superstar. More importantly, Morrison offers us the complete 411 on his new solo album, WHERE IT ALL BEGAN, discussing its conception, recording, production, and, now, its release - as well as elaborating on working with legendary producer Phil Ramone on it and the song selection process itself. Furthermore, Morrison reveals the most influential artists and performers to him and how that inspiration formed the basis for WHERE IT ALL BEGAN, both the album itself as well as his current concert tour in promotion of it - arriving in NYC at 54 Below this weekend, as a matter of fact - and his PBS special, airing this month. Additionally, Morrison candidly comments on some characters he would enjoy essaying in the future (hint: a demon barber of Fleet Street), reflects on his favorite GLEE moments to date, recounts wild ROCKY HORROR antics involving rock star Sebastian Bach - and much, much more!

Today we are presenting a specially-focused InDepth InterView centering upon Audra McDonald's sensational new solo album, GO BACK HOME, which is available now and will be accompanied by a PBS TV special tonight, featuring the five-time Tony Award-winning performer at her very, very best. McDonald and I parse the finer points of GO BACK HOME, analyzing the song selection process itself as well as the meanings behind the myriad masterful musical moments present on the new release and what inspired her exquisite performances of these songs by Broadway's absolute best. McDonald also shares stories and insights into composers covered on GO BACK HOME, including frequent collaborators Stephen Sondheim, Michael John LaChiusa and Adam Guettel as well as Kander & Ebb, Rodgers & Hammerstein, Jule Styne, Comden & Green and many more. In addition to all about GO BACK HOME, McDonald and I also discuss the two brand new compositions on the album originating in the new specially-penned solo musical written expressly for her by LaChiusa, MARLENE DIETRICH'S ABC, and what the future potentially holds for that fascinating stage endeavor and take a look back at her other LaChiusa musicals, MARIE CHRISTINE, SEND (WHO ARE YOU? I LOVE YOU) and specialty material included. Also, McDonald fills us in on her recent and upcoming film appearances, such as last year's RAMPART with Woody Harrelson and the upcoming I FOUGHT THE LAW. Plus, McDonald expresses her enthusiasm for her continuing role as host of LIVE FROM LINCOLN CENTER, reveals her opinions on the current movie musical renaissance and the popularity of GLEE, as well as clues us in on her iPod favorites, practicing playing the piano to relax and the possibility of even accompanying herself onstage someday, reflections on Laura Nyro and other favorite pop artists, future plans to pursue more Shakespeare onstage (and musings on what parts), the distinct possibility of essaying the title role in GYPSY sometime soon, appearing on the web series IT COULD BE WORSE - and much, much more!

Today we are talking to a five-time Tony Award-winning director/choreographer celebrated for her stupendous work on CRAZY FOR YOU, THE PRODUCERS, CONTACT, THE FROGS, THOU SHALT NOT, YOUNG FRANKENSTEIN, THE SCOTTSBORO BOYS and many more - the master musicals director Susan Stroman. In discussing a vast array of topics, Stroman and I touch upon many of her past projects as well as look ahead to her current and future endeavors - that is: the forthcoming Broadway bow of the new musical BIG FISH, starring Norbert Leo Butz, as well as the world premiere of Ahrens & Flaherty's LITTLE DANCER next year. Most importantly, Stroman shines a light on her enduring artistic partnership with Mel Brooks in bringing to life the screen-to-stage musical adaptations of both THE PRODUCERS and YOUNG FRANKENSTEIN, with BLAZING SADDLES on the way - their rich collaboration also being highlighted in this week's AMERICAN MASTERS tribute to Mel Brooks on PBS. Additionally, Stroman reflects on some of her lesser-known entities and casts a light on some of her foremost influences as well as candidly discusses her specialty work for a bevy of major stars - such as at SONDHEIM: A CELEBRATION AT CARNEGIE HALL in 1992 - and the finer points of working with Stephen Sondheim and Nathan Lane on Sondheim's most recent original Broadway musical, THE FROGS. Plus, Stroman shares first details of her upcoming collaboration with comedy master Woody Allen on the musical stage adaptation of Allen's Academy Award-winning BULLETS OVER BROADWAY and also offers the 411 on the upcoming Los Angeles and West End productions of Kander & Ebb's THE SCOTTSBORO BOYS - including the real-life role the musical has played in the pardoning of the originally accused nine just last month. Stroman also comments on her work with Hal Prince on the career revue PRINCE OF BROADWAY, opening in Japan in 2015, and also touches upon her ongoing desire to pursue a film adaptation of her multi-Tony Award-winning and genre-redefining 2000 Best Musical, CONTACT. All of that and much, much awaits in this wide-ranging conversation!

Today we are talking to a terrifically talented twosome who are being touted as the next songwriting duo to take New York by storm - and, with DOGFIGHT appearing Off-Broadway at Second Stage last year and A CHRISTMAS STORY setting Broadway alight for a limited run this past holiday season, they are certainly on the fast-track to success - Benj Pasek and Justin Paul. Revealing their reaction to last week's 2013 Tony Award nominations for their stupendous score for the screen-to-stage adaptation of A CHRISTMAS STORY as well as all about the creation and ultimate execution of the show itself, Pasek & Paul open up about their creative process and illustrate what makes their music work so well in a theatrical milieu. Most importantly, the songwriters discuss DOGFIGHT - the inspiration for it, writing of it, the recent Off-Broadway production directed by Joe Mantello, and, now, the absolutely spectacular cast album now available on Ghost light - to say nothing of next week's concert celebrating the album release. Additionally, Pasek & Paul share stories of the songs that make up their popular and frequently-produced EDGES, new and old, as well as their plans for future shows. Plus, all about the new material recently written by the duo for NBC's musical drama series SMASH, details about their stage adaptation of Roald Dahl's seminal children's book JAMES & THE GIANT PEACH as well as opinions on fellow songwriting teams and other influential musical theatre icons, as well as much, much more!

Today we are talking to a legendary triple-threat performer who over the course of her unique career has become one of a select few in show business to have attained the entertainment quadruple crown - Emmy, Grammy, Oscar and Tony, that is; commonly referred to as the EGOT - the exceptionally gifted Rita Moreno. Exploring many aspects of her revealing and absorbing new autobiography RITA MORENO: A MEMOIR, Moreno opens up about her unique and boundary-breaking career in Hollywood and on Broadway, having appearing in three of the greatest movie musicals of all time - SINGIN' IN THE RAIN, THE KING & I and WEST SIDE STORY - as well as in the Mike Nichols classic CARNAL KNOWLEDGE, in addition to an impressive list of TV and theatre credits. Additionally, Moreno reveals her insights into the creative process itself and the strides she made in the industry as the first Latin American actress to win an Academy Award. Plus, memories of starring in Terrence McNally's THE RITZ on Broadway and its subsequent film adaptation, as well as a rich recounting of her time starring in the original West End production of Andrew Lloyd Webber's SUNSET BOULEVARD as the one and only screen icon Norma Desmond. Also, Moreno reveals plans to revisit her one woman show from which sprung her stupendous new book, titled LIFE WITHOUT MAKE-UP, as well as shares her thoughts on Broadway today, remarks upon favorite recent films, shows and performers as well as offers an update on her new family-friendly film MICKEY DEUCE and touched upon her current small-screen role in HAPPILY DIVORCED - and much, much more!

Today we are talking to a versatile stage and screen actress who has scored in a number of unique roles on Broadway and around the country in addition to making a recent mark with her work on the Broadway-themed web series IT COULD BE WORSE - the passionate and compelling Alison Fraser. Discussing her vast resume and some of her most fondly remembered performances to date, Fraser opens up about her remarkable career thus far - including her work originating parts in IN TROUSERS, MARCH OF THE FALSETTOS, THE SECRET GARDEN, ROMANCE/ROMANCE, GUNMETAL BLUES, THE DIVINE SISTER and more - and looks ahead to her most recent projects, current, upcoming and beyond. Most importantly, Fraser details the finer points of LOVE THERAPY, the new Wendy Beckett play she stars in Off-Broadway and outlines her continuing collaboration onstage with the playwright, having previously starred in CHARITY CASE, as well as what we can expect from the realistic new drama, opening April 29. Additionally, Fraser sheds some light on her recent work in the world premiere of the Tennessee Williams play IN MASKS OUTRAGEOUS AND AUSTERE and how that led to her new solo revue, THE TENNESSEE WILLIAMS SONGBOOK. Plus, memories of appearing in GYPSY on Broadway with Patti LuPone and working with Arthur Laurents on that as well as his own final play, cameoing on SMASH, reflections on her memorable musical partnerships with husband Rusty Magee and noted FALSETTOS songwriter William Finn, as well as thoughts on the contemporary theatre scene and her various theatre-related web projects, favorite recent shows and much, much more!

Today we are talking to a charming and affable presence onstage and onscreen who has scored in a wide range of roles in the West End and throughout the UK from his work as Bobby in COMPANY to MERRILY WE ROLL ALONG, MARGUERITE and many more to, now, starring in the Theatre du Chatelet production of SUNDAY IN THE PARK WITH GEORGE in the title role, Julian Ovenden. In addition to revealing details about the Paris Sondheim production, Ovenden also offers thoughts on his Sondheim work in general. Additionally, Ovenden illustrates his impressions of two spectacular small screen ventures - essaying the role of JFK in the musical-within-the-series on SMASH as well as preparing to play a pivotal role in the new season of DOWNTON ABBEY. Most importantly, Ovenden shares his deep affection for the music of Rodgers & Hammerstein and discusses his participation in the stupendous RODGERS & HAMMERSTEIN AT THE MOVIES and his continuing collaboration with master conductor John Wilson. Plus, Ovenden muses on potential future parts he would consider playing, shares details of his time in Maury Yeston's DEATH TAKES A HOLIDAY Off-Broadway, working with Sarah Brightman on the new feature film 1ST NIGHT - and much, much more!

Today we are talking to a uniquely gifted talent who has found a featured spotlight of late with some of his most celebrated tunes being included on NBC's musical drama series SMASH just as his new album project and series of 54 Below shows kick off this month - songwriter Joe Iconis. Illuminating the composition of, inspiration behind and depiction on SMASH of both the memorable “Broadway, Here I Come” as well as the forthcoming emotional coda “The Goodbye Song”, Iconis reveals facets of the moving melodies only the creator himself could possibly hope to provide. Additionally, Iconis explores many of the standout songs on the brand new Ghostlight album THE JOE ICONIS ROCK N ROLL JAMBOREE and the sterling host of talents involved with it. Also, Iconis shares details about what we can expect from his string of upcoming shows at cabaret venue 54 Below beginning April 15 through May 5 and the story behind his storied Family, including NEW NORMAL star Andrew Rannells (who appears at the April 15 54 Below show) and SMASH standout Krysta Rodriguez (who appears on the album. Plus, Iconis opens up about his many theatre projects, new and old, including an upcoming solo musical written expressly for Annie Golden and a Hunter S. Thompson biomusical, as well as reveals first news about a new production of THE BLACK SUITS. All of that and much, much more awaits!

Last week I had the distinct pleasure of speaking with Broadway headliner and SMASH Season Two Breakout star Jeremy Jordan about a wide range of topics, covering the vast majority of his career thus far in anticipation of the upcoming New York Pops Stephen Schwartz concert event, THE WIZARD & I: THE MUSICAL JOURNEY OF STEPHEN SCHWARTZ, on April 12 at Carnegie Hall. So, today, in this all-encompassing conversation, Jordan and I discuss his preparation for the sure-to-be sensational Schwartz event and provides analysis and ideas on the songs he will be performing as well as Schwartz's oeuvre in general. Also, Schwartz reveals a plethora of information about Season Two of NBC's musical drama series SMASH and what we can expect from the series over the next several weeks as the drama heats up and HIT LIST hits the stage. Also, Jordan reveals preliminary information about the forthcoming feature film adaptation of Jason Robert Brown's celebrated Off Broadway musical THE LAST FIVE YEARS, co-starring fellow Broadway/Hollywood crossover Anna Kendrick, and he shares some initial impressions of the project, as well as new details about what we can expect from the highly anticipated Richard LaGravenese-directed movie musical that is set to start shooting in June. Additionally, Jordan reflects upon his time playing Tony in WEST SIDE STORY under the direction of Arthur Laurents, in addition to remarking upon roles he would enjoy pursuing in the future, near and far, as well as much, much more!

Today we are talking to the originator of Jean Valjean in LES MISERABLES onstage and a preeminent Phantom (and the first to actually play the role) in THE PHANTOM OF THE OPERA who has clearly made a major mark with his performances in the theatre - not to mention his work on the original concept albums of EVITA and JEKYLL & HYDE - who now makes the leap to the big screen in his featured role in the super-successful feature film iteration of the Claude-Michel Schonberg/Alain Boublil musical based on the Victor Hugo novel - the titanically talented Colm Wilkinson. Opening up about his work in the original Royal Shakespeare Company production of LES MISERABLES and his collaboration with the creative team and cast of actors as well as his association with producer Cameron Mackintosh, director Trevor Nunn and more, Wilkinson details the finer points of creating one of the modern musical theatre's most memorable characters, from his first audition through to the West End, Broadway and beyond. Additionally, Wilkinson reveals all about shooting the feature film version, with Broadway/Hollywood superstar Hugh Jackman taking over the leading role and whether he would consider taking on another character in the show after having essaying Jean Valjean onstage and the Monsignor onscreen - maybe Javert? Plus, Wilkinson shares backstage stories involving fellow theatrical luminaries like Trevor Nunn, Tim Rice, Andrew Lloyd Webber and more in this career-spanning conversation with one of the mega-musical era's most major of stars - - all of that and much, much more awaits!

Earlier today I had the distinct pleasure of speaking with Broadway headliner and SMASH Season Two breakout star Jeremy Jordan. In discussing a wide range of topics and covering the vast majority of his career thus far in anticipation of the NY Pops Stephen Schwartz concert event, THE WIZARD & I: THE MUSICAL JOURNEY OF STEPHEN SCHWARTZ, on April 12 at Carnegie Hall, Jordan revealed preliminary information about the forthcoming feature film adaptation of Jason Robert Brown's celebrated THE LAST FIVE YEARS, co-starring Anna Kendrick, and what follows are some of his initial impressions of the project, as well as new details about what we can expect from the highly anticipated Richard LaGravenese-directed movie musical that begins rehearsals this weekend and set to start shooting in June.

Today we are talking to a divinely gifted triple-threat talent who made a name on the Great White Way with her starring parts in 9-TO-5 and WICKED and has shot to international stardom with her leading role on NBC's musical drama series SMASH - the gorgeous vocal powerhouse Megan Hilty. Analyzing all aspects of her new solo album, the expressive and sexy IT HAPPENS ALL THE TIME, Hilty shares her inspirations, considerations, ruminations and dedications in regards to the new release, explicating the meanings behind both the original songs and covers. In addition to all about IT HAPPENS ALL THE TIME, Hilty also shares stories about some of her own favorite performers, songs and performances as well as what elements had to converge in order to create this fantastic first solo album. Additionally, Hilty shares details about her day job on SMASH Season Two and what we can expect in the coming weeks - including behind-the-scenes stories involving guest stars Bernadette Peters and Liza Minnelli, no less - as well as what musical material we will be hearing from the reclaimed bombshell of BOMBSHELL, Marilyn Monroe, now that she is back in the show. All of that, news on sharing a soundtrack duet with GLEE star Lea Michele in LEGENDS OF OZ: DOROTHY'S RETURN and her experiences working on that upcoming animated film and much, much more awaits!

Today we are talking to a tremendously talented triple-threat who has been seen by millions on screens large and small for most of her life and can now be seen weekly on Lifetime's hit dramedy series THE CLIENT LIST, the gorgeous and convivial Jennifer Love Hewitt. Discussing all aspects of her role as star and executive producer of the hit Lifetime series, now in its second season, Hewitt offers forth her candid insights into her character on the show as well as the larger issues being dealt with in the universe of THE CLIENT LIST. Also, Hewitt comments upon her impressive array of co-stars and guest stars, among them Broadway regulars Loretta Devine and Cybil Shepard, as well as clues us in on what we can expect from this Sunday's show. Most importantly, Hewitt gives us the 411 on her super-sexy and seriously impressive new music video promoting THE CLIENT LIST featuring her belting the SMOKEY JOE'S CAFE barn-burner “I'm A Woman” in showstopping - and heart-stopping - style, produced by AMERICAN IDOL's Randy Jackson and directed by famed photographer Matthew Roliston. Plus, in addition to an all access pass to THE CLIENT LIST, Hewitt opens up about her affection for performing and her plans to pursue more singing, dancing and theatre in the future, packed schedule permitting. Additionally, Hewitt offers up memories of lighting up the small screen in presence and song as part of A CHRISMAS CAROL, featuring a score by Alan Menken and Lynn Ahrens, as well as working with Marc Shaiman as a pre-teen chorus member on SISTER ACT 2. All of that, reflections on what I KNOW WHAT YOU DID LAST SUMMER and PARTY OF FIVE co-stars she would like to have appear on THE CLIENT LIST, favorite movie musicals, KIDS, INCORPORATED memories, thoughts on singing more SWEET CHARITY sometime soon (especially following last year's smashing “Big Spender” music video) - and much, much more!

Today we are talking to a Grammy Award-winning performer who has carved out a unique career in the entertainment industry between his many platinum albums, notable contributions to film soundtracks and numerous live performances in solo shows and various musicals over the course of his twenty-five-year career in show business - the charming and talented Jon Secada. Discussing various aspects of many of his most memorable recordings to date and his process in capturing them in the studio, as well as reflecting upon the ever-chaning recording industry itself, Secada opens up about his work with some of the biggest names in music - Jennifer Lopez, Gloria Estefan, Frank Sinatra, Alan Menken, Stephen Schwartz and more included - as well as all about his new single, music video and his most recent sold-out appearances around the globe. Plus, Jon recounts his experiences performing on Broadway in the hit 1990s revivals of GREASE and CABARET, as well as his most recent stage work in JOSEPH & THE AMAZING TECHNICOLOR DREAMCOAT on the road. Plus, Secada shares his thoughts on iTunes, favorite artists and much, much more!

Today we are talking to a tremendously talented triple-threat who headlined the 2007 feature film adaptation of the Tony Award-winning Best Musical HAIRSPRAY as Tracy Turnblad and who will be appearing in a recurring role on SMASH Season Two starting tonight - the spunky and adorable Nikki Blonsky. In this all-encompassing conversation, Blonsky and I dissect the HAIRSPRAY phenomenon and she reveals her affection for collaborators such as director Adam Shankman, co-stars John Travolta and Christopher Walken, as well as two more pairs of instrumental creative team members: songwriters Marc Shaiman and Scott Wittman as well as producers Craig Zadan and Neil Meron, all four of whom serve the same roles on SMASH. Of course, Blonsky reveals details about her new SMASH character and what we can expect from her multi-episode arc, as well as her experiences sharing the small screen with Anjelica Huston, Christian Borle, Debra Messing and more. Additionally, Blonsky opens up about her exciting upcoming film projects, namely: THE ENGLISH TEACHER, co-starring Julianne Moore and Nathan Lane, as well as GEOGRAPHY CLUB, co-starring GLEE's Alex Newell. Plus, all about her collaboration in the recording studio with Duncan Sheik, her thoughts on HAIRSPRAY 2 and much, much more!

Largely responsible for the movie musical revolution of the 21st century, setting the stage first with their mega-successful work on TV in the 1990s like GYPSY, CINDERELLA and ANNIE, then, with their feature film entries since - beginning with CHICAGO and continuing with HAIRSPRAY and many more - executive producers Craig Zadan and Neil Meron have bridged the gap between Broadway and Hollywood like no other producers - and, all the while, on their own terms. Opening up about a vast array of projects, ranging from the aforementioned modern classic TV musicals all the way through to the films and stage shows - successful revivals of PROMISES, PROMISES and HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING included - and their affiliation with NBC's musical drama series SMASH, Zadan and Meron paint a vivid portrait displaying their fierce dedication to the performing arts and desire for excellence in all of their many, many endeavors. Plus, most importantly, Zadan and Meron clue us in on what we can anticipate from this Sunday's Academy Awards telecast, which they are producing - such as their experiences collaborating with controversial triple-threat host Seth MacFarlane, amassing the starriest assortment of musical performers in Oscar history (Barbra Streisand, Adele, Shirley Bassey, Norah Jones, Catherine Zeta-Jones and Jennifer Hudson among the performers announced so far), creating spectacular tributes to both James Bond in his fiftieth year on film and the modern movie musical revolution (showcasing no less than the reunions of cast members from CHICAGO, DREAMGIRLS and this year's multi-nominated hit LES MISERABLES) as well as what will make this show truly unique. Additionally, Zadan and Meron shed some light on their current and future plans and productions, among them: a BONNIE & CLYDE miniseries for the History Channel starring Emile Hirsch; the currently-running second season of NBC's musical drama series SMASH; two original movie musicals in development and original stage projects, too. All of that, memories of the remarkable LIFE WITH JUDY GARLAND: ME & MY SHADOWS, Lifetime's record-breaking broadcast of a new STEEL MAGNOLIAS, comments on DROP DEAD DIVA's recent cancellation, news on the upcoming e-book edition of Zadan's peerless SONDHEIM & CO. biography, the NBC TV version of THE SOUND OF MUSIC starring Carrie Underwood and much, much more!

Today we are talking to a notable presence on Broadway and in Hollywood who has appeared in countless celebrated entities - ranging from her Tony Award-winning work in BUTTERFLIES ARE FREE and in the original cast of Harold Pinter's BETRAYAL on Broadway along with dozens of other credits; to starring in feature films like THE PRINCE OF TIDES with Barbra Streisand, and, perhaps most famously the MEET THE FOCKERS franchise; to her newest star turn to date, that of featured player in the hit original Gershwin revue NICE WORK IF YOU CAN GET IT - the elegant and accomplished Blythe Danner. Discussing various roles in a number of wide-ranging projects that she has taken on over the course of her idiosyncratic career thus far - such as memorable turns in four Woody Allen films (HUSBANDS & WIVES, ALICE, CRIMES & MISDEMEANORS and ANOTHER WOMAN) and the classic movie musical adaptation of 1776 all the way to her most recent work with Robert De Niro, Ben Stiller and the Fockers clan in the FOCKERS films as well as THE LUCKY ONE with Zac Efron, DETACHMENT with Adrien Brody, TV pilots and much more. Additionally, Danner shares memories of appearing in the 2001 revival of Stephen Sondheim & James Goldman's FOLLIES, as well as appearing on WILL & GRACE with recent InDepth InterView participant Eric McCormack. Most importantly, she offers her thoughts on NICE WORK IF YOU CAN GET IT as an entertainment experience, Gershwin music in general, her co-stars Matthew Broderick and Kelli O'Hara, choreographer and director Kathleen Marshall as well as what drew her to the hit revue in the first place. All of that, working on one of 2012's most memorable films, DETACHMENT, collaborating with Ryan Murphy and Jonathan Groff on the daring (if ultimately unsuccessful) pilot for PRETTY/HANDSOME, thoughts on her daughter, Gwyneth Paltrow's Emmy-winning work on Glee and much, much more awaits in this career-spanning conversation!

Once in a generation, if we are lucky, an extraordinary talent like no other arises - one who can ceaselessly, effortlessly caress the loftiest heights of comedy and drama onstage (and sometimes onscreen), while, simultaneously, imbuing musical theatre roles with the same skill set, plus a powerhouse, quintessentially unique and resplendent vocal instrument; and, of course, that indescribable 'it' factor, too - such is the tale of Broadway's grand dame, Patti LuPone. Ms. LuPone is a part of that great pantheon of leading ladies of lore led by Ethel Merman, Mary Martin, Angela Lansbury, Elaine Stritch and Bernadette Peters - that is, musical theatre royalty. Taking a look back at many moments in her long and varied career thus far, LuPone candidly opines about a vast array of topics and opens up about many of the remarkable figures who have played roles in her astounding time spent on Broadway, in Hollywood and on TV - among them: Stephen Sondheim, Hal Prince, Andrew Lloyd Webber, Marc Shaiman & Scott Wittman, Steven Spielberg, David Mamet, Ryan Murphy and many more. Most importantly, LuPone discusses various aspects of her ever-expanding new solo show upon which her sensational live album, FAR AWAY PLACES, is based - the songs, the stories, the themes, the collaborators and her future plans for the piece (such as her series of 54 Below shows coming up in February). Additionally, LuPone addresses appearing on GLEE, reflects on working with Jennifer Lopez and Jason Statham on PARKER, shares her thoughts on her favorite films of the year, expounds upon what roles she would like to pursue and teases about her concert with David Yazbek and the debut of her new Carnegie Hall concert as well as a return to London where she made her mark with her Olivier-winning original Fantine in LES MISERABLES - all of that and much, much more!

Today we are talking to a tremendously successful recording artist and performer who has won the hearts of millions with his five best-selling studio albums and chart-topping songs, as well as with his copious concert appearances and theatrical endeavors - the charming and immensely gifted Josh Groban. Analyzing all aspects of this evening's Fathom live concert event - available to view in select cities nationwide at 7:30 PM - Groban and I shine a light on what we can expect from the unprecedented concert showcase (including a live Q&A) as well as what songs culled from his vast oeuvre we can anticipate enjoying. Also, Groban opens up about the inspiration, song selection process, recording and refining of his new album, ALL THAT ECHOES, and shares stories and insights into his previous efforts, as well. Plus, Groban shares his enthusiasm for CHESS and recounts backstage stories of his participation in two legendary presentations of the iconic 1980s rock opera - including cast-mates like Idina Menzel, Kerry Ellis, Adam Pascal, Sutton Foster, Raul Esparza and many more - and reveals his desire to pursue doing the show again in the future. Additionally, Groban and I discuss his appearances on GLEE and THE OFFICE, the possibility of a Broadway show in the near future, his affection for the music of Stephen Sondheim and much, much more in this career-spanning chat!