Tonight's the night! Just in time for the season finale of DROP DEAD DIVA on Lifetime at 9 PM, we have an exclusive, extensive conversation with the show's stupendous star, Brooke Elliott, in which we talk all about the first three seasons of the hit Lifetime dramedy as well as what we can expect from tonight's highly-anticipated finale and the just-announced fourth season of the show coming in 2012, in addition to casting a look back at her favorite moments so far, backstage stories and guest star dish. Plus, Brooke shares reminiscences of her time starring in the Broadway production of TABOO and working with Rosie O'Donnell and Raul Esparza on it and some of her aspirations for the future as well as much, much more!

Today we are closing out our first season of interviews with the star players of USA's breakout hit series NECESSARY ROUGHNESS with the show's star, the endearing and scrappy Callie Thorne. In addition to all about the first season of the freshman smash - which has just this week has been greenlit for Season Two - Thorne illustrates what makes the show work so well and what initially drew her to her complex character and the show itself, as well as describing what working with show creator Craig Shapiro is like and how she has collaborated with him and her costars to help further shape her role on the sports themed dramedy. In addition to all of that, we touch on her assortment of cast-mates and the previous participants in this column - Marc Blucas, Scott Cohen, Mehcad Brooks and Andrea Anders included - as well as what she thinks the themes and ideas the show presents mean to men, women and the world at large in 2011. We also touch on her stage roots, having appeared alongside Sam Rockwell and Eric Bognosian in THE LAST DAYS OF JUDAS ISCARIOT, directed by InDepth InterView participant Philip Seymour Hoffmann, as well as her extensive theatre training (at the Lee Strasberg Institute, no less) and how that background informs all of her work, on NECESSARY ROUGHNESS and beyond - and how to endure big game-time injuries, as a result. Plus, comments on HOMICIDE, the final season of RESCUE ME, her new film MEET MY BOYFRIEND and more!

Today we are continuing the male-centric portion of our ongoing series of interviews with the stars of Lifetime's DROP DEAD DIVA with the boss of the legal practice on the show and the main love interest for Kate Levering's character, Kim: the affable and charming stage and screen star Josh Stamberg. In addition to dishing all about Season 3 of DROP DEAD DIVA and the future for Parker, Kim and company at the legal firm, Stamberg and I also discuss many of the various guest stars on the show this season and seasons past - Liza Minnelli, Sharon Lawrence and Faith Prince included - as well as how he sees Parker himself, his own insights into the complex character and what he feels the future holds for his relationships on the show - Kim, Jane and beyond. In addition to all things DIVA-related, Stamberg and I also discuss his many past stage and screen appearances, including: his unforgettable work as Sarge on SIX FEET UNDER and what it was like working with creator Alan Ball, as well as his role on the Aaron Sorkin-scripted series STUDIO 60 ON THE SUNSET STRIP, plus: working at the Williamstown Theatre Festival and Atlantic Theatre Company, doing the workshop of A STEADY RAIN (and eventually getting replaced by Hugh Jackman), doing FRACTURED with Ryan Gosling and Anthony Hopkins, acting alongside Leonardo DiCaprio and Naomi Watts in Clint Eastwood's forthcoming film J. EDGAR, his favorite work experiences so far, roles he is yearning to essay in the future both near and far and much, much more! Over the course of the last several weeks, we have been taking an extensive look at the sights and sounds both onscreen and onset of the hit TV dramedy series DROP DEAD DIVA - new episodes airing Sunday nights at 9 PM on Lifetime - featuring exclusive interviews with the leading lady divas and stalwart supporting men on the LA-based supernatural legal series. Featuring a memorable collection of musical performances and Broadway guest stars over the years - Paula Abdul, Rosie O'Donnell, Delta Burke and many more included - DROP DEAD DIVA is the quintessential TV series for Broadway babies looking for some laughs and levity - the latter available in many more ways than one, given the show's heavenly aspirations. DROP DEAD DIVA centers on a legal eagle named Jane whose body acts as the means for the indomitable spirit of a model, Deb, who loses her life, to make a second chance and how the girl inside must learn to adjust to looking like the woman on the outside that she is now. In other words, a model finds out what it means to look like everybody else in a delightfully quirky twist of fate - and learns to be a lawyer along the way, as well. Season Three picked up with the cliffhanger car crash that closed last season in a dark and shocking way. Questions and posed and answered so far: What will Grayson remember of the conversation he had with Jane pre-crash? What will Jane do to save him? What about his engagement (to somebody else)? What will happen back at the office with Teri, Kim and Parker? What about Stacy and Fred? Indeed, all of these questions and many more will most assuredly be answered come the next two Sunday nights! Plus, as always, there's always a musical number or two not too far off if you stay tuned - such as last month's BroadwayWorld exclusive world premiere of "Lean On Me"! Will there be a musical grand finale after all? We shall soon see! Also, don't forget to check out the past interviews in this BRIDGING TV & THEATRE series - Margaret Cho, Kate Levering, April Bowlby, Sharon Lawrence, Faith Prince and Jackson Hurst included! There are only a few episodes of Season Three left - airing Sundays at 9 PM on Lifetime, as always, throughout September until the finale on September 25 - so be sure to check back here in coming weeks for chats with Ben Feldman and the titular diva herself, plus maybe even a surprise or two, too!

Starring in the most successful movie musical of all time is a surefire way to cement yourself in the pop culture and Hollywood pantheon, but Olivia Newton-John's participation in that generational touchstone, GREASE, was actually only the beginning of her rise to the top of the pop charts as one of the biggest entertainers in the world in the 1970s and 1980s, setting the charts afire with a string of smash hit singles such as "Physical", "I Honestly Love You", "Totally Hot", "Heart Attack" and many more. Discussing various aspects of her show business career and the entertainment legacy left by GREASE, XANADU and many of her film, television and concert appearances, Ms. Newton-John also opens up about her nearly completed construction of the $250 million Olivia Newton-John Cancer And Wellness Centre in Australia and why the cause is particularly close to her heart (literally), as well as all about co-hosting Sunday's cancer research fundraising benefit Pink And Blue For Two with football superstar Terrell Owens - an event created by her nephew Ethan promoting not only breast cancer awareness, but prostate cancer awareness, as well. As if all of that were not enough, we also shed some light on her appearances on Fox's hit musical comedy series GLEE and all about working with Jane Lynch, Ryan Murphy and company on the remake of "Physical", as well as the possibility of a return to the series in the future. Plus, all about the Broadway version of XANADU and her reaction to it on opening night, the new 2011 remix of "Magic" she has just released, her new film (complete with a newly-penned song she sings in it) A FEW BEST MEN, opinions on John Farrar's musical adaptation of HEATHCLIFFE written with Sir Tim Rice, her opinions on fellow divas such as Barbra Streisand, Liza Minnelli, Julie Andrews, Cher and Lady Gaga - as well as much, much more!

Having appeared in more than seventy films so far in his distinguished career, multi-talented leading man Dermot Mulroney is playing one of strangest and most memorable characters of his career in the new independent comedy THE FAMILY TREE, which opens in select cities this weekend. Talking all aspects of shooting THE FAMILY TREE and working with co-stars Hope Davis, Jane Seymour, Chi McBride and fellow InDepth InterView participant Shad 'Bow Wow' Moss, Mulroney also sheds some light on his many beloved past roles onscreen - from MY BEST FRIEND'S WEDDING with Julia Roberts to GEORGIA RULE with Lindsay Lohan to KANSAS CITY directed by Robert Altman to ABOUT SCHMIDT with Jack Nicholson and Hope Davis to ZODIAC with Robert Downey, Jr. to YOUNG GUNS and far beyond. Additionally, Mulroney and I discuss his little-known musical abilities and his desire to appear on GLEE, the life of the working actor and what he is most remembered for by fans, and he also kindly clues us all in on the spate of supremely exciting new films he is currently working on or about to shoot - among them: Clint Eastwood‘s J. EDGAR starring Leonardo DiCaprio; as well as STOKER with Nicole Kidman and Matthew Goode; ABDUCTION with Taylor Lautner; THE GREY with Liam Neeson; and, of course, his recent directorial debut, LOVE, WEDDING, MARRIAGE, starring Kellan Lutz and Mandy Moore. As if all of that were not enough, Mulroney also just finished shooting Emmy-winning GLEE star Chris Colfer's feature film screenwriting debut, STRUCK BY LIGHTNING, with fellow FAMILY TREE co-star Christina Hendricks, and he shares his experience shooting that this Summer and acting alongside Colfer in it. All of that and much, much more awaits!

Having racked up multiple top ten hits while still a mere teenager since he burst upon the music scene in 1999, songwriter and performer Shad Moss was once known as Lil Bow Wow and now goes by just Bow Wow, though he is building up a considerable enough film resume to consider now using only his Christian name to differentiate his various talents. Between LIKE MIKE, ROLL BOUNCE, THE FAST AND THE FURIOUS: TOKYO DRIFT, Tyler Perry's MADEA'S BIG HAPPY FAMILY most recently, and, now, his villainous new role in THE FAMILY TREE, Moss has transitioned from rapper to leading man in much the same way that he seamlessly moved from boy wonder to the man behind his own music at Cash Money Records. With news on his forthcoming album UNDERRATED featuring collaborations with Snoop Dogg, Chris Brown and Nicki Minaj, among others, as well as a look back at his past albums and appearances - such as his movie musical debut in MTV's CARMEN: A HIP-HOPERA co-starring Beyonce Knowles, Mekhi Pfeiffer and Mos Def; as well as his memorable stint on ENTOURAGE - Moss also shares his individual observations on how the music industry has changed and morphed in the last fifteen years since he started out as Jermaine Dupri's protégé, as well as all about his upcoming film thriller RECALLED and working with the cast, crew and creatives of THE FAMILY TREE - Hope Davis, Dermot Mulroney and Chi McBride included - and much, much more! THE FAMILY TREE opens in select cities today.

Today we are talking to a singular literary talent who has written for Broadway, Hollywood, television and film, but, besides her Pulitzer Prize-winning Broadway debut, ‘NIGHT MOTHER, which opened on Broadway in 1982, she is perhaps best known as the Tony-winning book-writer for two particularly beloved musicals of the last few decades: THE SECRET GARDEN and THE COLOR PURPLE. Generously covering her varied career writing for stage and screen, Ms. Norman and I discuss her process, her passions, her many projects old and new, and, most importantly, the two premieres she has looming large on the horizon in the next year, both coming after her highly successful collaboration with Jason Robert Brown on THE TRUMPET OF THE SWAN symphonic suite (available now on PS Classics) and the recent world premiere of her new play, THE MASTER BUTCHERS SINGING CLUB, at the Guthrie Theater: in addition to writing the book for Jason Robert Brown's musical adaptation of THE BRIDGES OF MADISON COUNTY, we also discuss her newest project for Theater For Humans which is focused on international women's and children's issues and the manner in which she will tackle the hot button topics of human trafficking and enslavement in it. Additionally, we touch on the bumpy Broadway road of THE RED SHOES and working with Jule Styne, NY versus LA, musicals versus plays, GLEE, WEST SIDE STORY at the Hollywood Bowl, playwrighting pal Teresa Rebeck, as well as much, much more!

Today we are talking to an international recording superstar who ushered in the new era of rock and roll with her songs and performance style in France in the early 1960s and created an unparalleled entertainment legacy reaching its apotheosis in 2010 with the release of her finest album to date, SOLEIL BLEU - the one and only celebrated chanteuse herself, Sylvie Vartan. Predominantly performing material from this stupendous recent album as well as from her vaunted back catalogue, Vartan will take the stage of Feinstein's At The Regency for two nights next week - Tuesday, July 26 and Wednesday, July 27, both at 8:30 PM. Be sure to take a listen to SOLEIL BLEU if you have not heard it and if you cannot manage to score a ticket to either of Sylvie's sold-out shows at Feinstein‘s, well... c'est la vie! In this career-spanning conversation we touch on working extensively with everyone from The Beatles to Carla Bruni to Charles Aznavour to what's next for her and much, much more! Playing to a gigantic arena for a three-week engagement sharing the stage with The Beatles themselves was Sylvie Vartan's entrée into the entertainment industry - and what an introduction! Bringing a sexy, swingin' style and hip dance moves to go along with her funky, rock n roll swagger and smoky vocals, Vartan virtually created the modern day pop/rock diva in the later mold of Stevie Nicks, Pat Benatar and many of the great lady rock icons we have known since. Through countless stage shows, concert spectaculars, albums, films, television appearances and magazine cover stories, Vartan has firmly established herself as one of the foremost women in the French entertainment realm. Case in point: the First Lady of France herself, Carla Bruni, even contributed songs to Sylvie's newest album, the career-defining SOLEIL BLEU. Tacking on all of these topics as well as many more - most importantly: what we can expect to hear from her at Feinstein's next week and the charity closest to her heart - Vartan and I shed some light on her impossibly accomplished and fascinating career - such as selling 40 million records, committing 1200+ songs to record and giving more than 2500 onstage performances in her five-decade-spanning career - and, we also take a look ahead to her very bright future.

Continuing the BRIDGING TV & THEATRE: DROP DEAD DIVA series, today, here is my extended conversation with Tony-nominee and Broadway star Kate Levering about starring in seven Broadway shows - CHICAGO and 42nd STREET included - by the time she was twenty-two, as well as working with Harry Connick, Jr. and Norbert Leo Butz on THOU SHALT NOT and auditioning for legendary dancer and choreographer Ann Reinking (and her words of wisdom), plus all about Levering's work on DROP DEAD DIVA and what we can expect in the surprising twists for her feisty character in season two as well as her other television work - including co-starring with Taye Diggs, Idina Menzel, Christina Hendricks and Craig Bierko. Additionally, we discuss the charitable organization that is closest to Kate's heart, Purse of Hope [www.PurseofHope.org].

Over the course of the next several weeks, we are going to be taking an extensive look at the sights and sounds both onscreen and onset of the hit TV dramedy series DROP DEAD DIVA - new episodes airing Sunday nights at 9 PM on Lifetime starting this week - featuring exclusive interviews with the leading lady divas and dashing supporting men on the LA-based supernatural legal series. Featuring a memorable collection of musical performances and Broadway guest stars over the years - Paula Abdul, Rosie O‘Donnell, Delta Burke and many more included - DROP DEAD DIVA is the quintessential TV series for Broadway babies looking for some laughs and levity - the latter available in many more ways than one, given the show's heavenly aspirations. DROP DEAD DIVA centers on a legal eagle named Jane whose body acts as the means for the indomitable spirit of a model, Deb, who loses her life, to make a second chance and how the girl inside must learn to adjust to looking like the woman on the outside that she is now. In other words, a model finds out what it means to look like everyone else, in a delightfully quirky twist of fate - and learns to be a lawyer, too. Season Three picks up with the cliffhanger car crash that closed last season in a dark and shocking way. What will Grayson remember of the conversation he had with Jane pre-crash? What will Jane do to save him? What about his engagement (to somebody else)? What will happen back at the office with Teri, Kim and Parker? What about Stacy and Fred? All these questions and many more will most assuredly be answered (or beginning to be answered) come Sunday night! Plus, a musical number featuring LeAnn Rimes! Don't miss it! So, without further ado, kicking off our BRIDGING TV & THEATRE: DROP DEAD DIVA series , here is a concise and charming chat with irrepressible comedienne and comic actress Margaret Cho, who plays the role of legal assistant Teri on the show. Cho is no stranger to the world of television, having starred in ALL-AMERICAN GIRL in the mid-90s on ABC, filming several television comedy specials and recently headlining her own reality TV series, THE MARGARET CHO SHOW.

Bridging the gap between theatre, television and film in a thrilling and revolutionary new way with this week's premiere of STEPHEN SONDHEIM'S COMPANY, in select movie theaters nationwide Wednesday through Saturday (with a return engagement already scheduled for early July), director Lonny Price has introduced Sondheim's seminal concept musical comedy to a whole new generation of gleeks, as well as reverently keep the flame of the fire in the heart, soul and mind of this complex, rich and rewarding show for Broadway babies who already know its genius. Additionally, Neil Patrick Harris, Christina Hendricks, Stephen Colbert, Jon Cryer, Katie Finneran, Aaron Lazar, Martha Plimpton, Patti Lupone and the rest of the cast are absolutely perfect for their roles and bring a live spontaneity and verve to their material - the kind which you usually only see in the very best shows on Broadway - and that sense of timing, precise editing and overall polished presentation style is a sure credit to Price's positively sublime direction of the live stage production with the NY Philharmonic, as well as - and maybe even more so - the movie version of the live show in theaters now. It bursts with energy and, well, aliveness, just like a real Broadway show. Make that: Just like a real Broadway smash hit. Talking all aspects of COMPANY: THE MOVIE while still editing it last month, Price was kind enough to open up about what the rehearsal process was like, filming it live and working with the all-star cast, as well as much, much more - all coming on the heels of last year‘s rapturously received Ellen Krass production of SONDHEIM! THE BIRTHDAY CONCERT, undoubtedly the finest Broadway concert capture of our age. Price discusses his affection for the material and the man behind the music, plus his smashing leading ladies. Plus: what's next? Be sure to stay tuned for the complete InDepth InterView featuring Price's recollections on Sondheim's MERRILY WE ROLL ALONG (and his forthcoming documentary about it), A CLASS ACT, directing DESPERATE HOUSEWIVES and news about the feature film version of Athol Fugard's MASTER HAROLD AND THE BOYS coming later this year - a play which he starred in on Broadway twenty-five years ago. Actor, producer, director and, now, filmmaker - Price can clearly do it all!

Directing the Broadway premieres of entities as diverse as Edward Albee's blisteringly brilliant modern tragedy THE GOAT, OR WHO IS SYLVIA? - as well as Albee's THE PLAY ABOUT THE BABY Off-Broadway; in addition to other notable Off-Broadway credits including the recent revival of Larry Kramer's Pulitzer-prize-winning THE NORMAL HEART starring Raul Esparza - to Arthur Miller's THE RIDE DOWN MT. MORGAN starring Patrick Stewart, Farah Fawcett's troubled star vehicle BOBBI BOLAND, up to this season's hit revival of Alfred Uhry'ss DRIVING MISS DAISY starring James Earl Jones and Vanessa Redgrave and the brand new Shakespeare-In-The-Park production of MEASURE FOR MEASURE - beginning previews at the Delacorte Theater in Central Park this week - director David Esbjornson's work is always vivid, human and compelling. Taking on one of Shakespeare's most problematic plays is merely one of the many challenges for Esbjornson and that has been even further compounded by the intense and sporadic rehearsal nature of playing two new productions simultaneously in repertory, as the Public is doing this season with MEASURE FOR MEASURE along with Daniel Sullivan's ALL'S WELL THAT ENDS WELL - which was featured in this very column last week. Talking about all aspects of this revolutionary new take on MEASURE FOR MEASURE as well as his past work, Esbjornson and I shine a light on the sensitive and moving productions that he has provided the theatre community with in his tenure, foremost of all being this new MEASURE FOR MEASURE.

Having directed a handful of the most acclaimed performances of the season - among them Al Pacino and Lily Rabe in THE MERCHANT OF VENICE, as well as GOOD PEOPLE'S Frances McDormand- the last thing you would expect Daniel Sullivan to be doing would be taking on one of Shakespeare's most problematic plays - ALL'S WELL THAT ENDS WELL - and putting it on in Central Park; yet, Mr. Sullivan soldiers on.

Today, we are talking to GLEE fan favorite - as Jesse St. James - and theatre superstar - from SPRING AWAKENING on Broadway to DEATHTRAP in the West End - the charismatic and magnetic Jonathan Groff. In this world exclusive interview, Jonathan and I discuss all things GLEE and all about working on the second season of the hit show - and, most importantly, everything about the season finale - with GLEE stars Lea Michele, Cheyenne Jackson, and Charice, in addition to working with Kristin Chenoweth, Idina Menzel and GLEE creator/show-runner Ryan Murphy. Additionally, in this complete conversation, we take a look back at Groff's many stage roles ranging from HAIR and THE BACCHAE in Central Park for the Public Theater, to SPRING AWAKENING on Broadway, DEATHTRAP in the West End, as well as his debut in IN MY LIFE - a show whose composer/lyricist/writer, Joe Brooks, was just in the news following his apparent suicide this weekend. Jonathan and I also touch on his blazing feature film debut in Ang Lee's TAKING WOODSTOCK co-starring Liev Schreiber, as well as his work on the pilot for Ryan Murphy's PRETTY/HANDSOME, co-starring Joseph Fiennes and Blythe Danner, and his participation in the new independent film TWELVE THIRTY. We also take a look ahead to the future and deduce what is next for one of the brightest talents on Broadway - all of that and much, much more!

Staging one of the theatre's most unique and unclassifiable pieces, Brecht & Weill's THE SEVEN DEADLY SINS for the New York City Ballet, starting May 11 and running through May 16, is just the latest act in a career made up of anomalies, seemingly built upon always attempting to do the impossible - from her Broadway debut, trying to bring balletic bravado to Trevor Nunn's terminally troubled 1988 musical CHESS (a project begun under the guidance of Michael Bennett before his death), up through the trying-but-Tony-winning TITANIC in 1997 and, this century, SWING! starring Ann Hampton Callaway and Laura Benanti and a succession of successful regional ballets and theatre pieces - the gifted and dynamic director/choreographer Lynne Taylor-Corbett continues to challenge herself, her peers and audiences with each of her audacious new endeavors. THE SEVEN DEADLY SINS, starring two-time Tony-winning Broadway legend Patti LuPone as Anna I, is a particularly problematic play - or is it a musical? Or, is it a ballet? A song-spiel? - and in this revealing and engaging discussion, Ms. Taylor-Corbett and I attempt to deduce the themes, analyze the structure and look back at the authors' lives to gain insight into the perplexing America painted by Brecht and Weill in the forty-minute-long theatrical experiment. Also, in this complete conversation, Lynne and I take a look back at her long and varied career and she generously shares her thoughts on where the place of dance is in the twenty-first century, the exhilaration of working with a theatre artist like Patti LuPone, her own inspirations and formative experiences in the theatre, the legacy of Michael Powell and THE RED SHOES, the theatre versus the dance world, her son Shaun's career, and much, much more! Further information on THE SEVEN DEADLY SINS - including tickets - is available here.

Staging one of the theatre's most unique and unclassifiable pieces, Brecht & Weill's THE SEVEN DEADLY SINS for the New York City Ballet, starting May 11 and running through May 16, is just the latest act in a career made up of anomalies, seemingly built upon always attempting to do the impossible - from her Broadway debut, trying to bring balletic bravado to Trevor Nunn's terminally troubled 1988 musical CHESS (a project begun under the guidance of Michael Bennett before his death), up through the trying-but-Tony-winning TITANIC in 1997 and, this century, SWING! starring Ann Hampton Callaway and Laura Benanti and a succession of successful regional ballets and theatre pieces - the gifted and dynamic director/choreographer Lynne Taylor-Corbett continues to challenge herself, her peers and audiences with each of her audacious new endeavors. THE SEVEN DEADLY SINS, starring two-time Tony-winning Broadway legend Patti LuPone as Anna I, is a particularly problematic play - or is it a musical? Or, is it a ballet? A song-spiel? - and in this revealing and engaging discussion, Ms. Taylor-Corbett and I attempt to deduce the themes, analyze the structure and look back at the authors' lives to gain insight into the perplexing America painted by Brecht and Weill in the forty-minute-long theatrical experiment. Also, in this complete conversation, Lynne and I take a look back at her long and varied career and she generously shares her thoughts on where the place of dance is in the twenty-first century, the exhilaration of working with a theatre artist like Patti LuPone, her own inspirations and formative experiences in the theatre, the legacy of Michael Powell and THE RED SHOES, the theatre versus the dance world, her son Shaun's career, and much, much more! Further information on THE SEVEN DEADLY SINS - including tickets - is available here.

In a very short time since his Broadway debut roughly ten years ago, Aaron Lazar has crafted a particularly impressive career consisting of a striking series featured and leading roles in everything from LES MISERABLES and A TALE OF TWO CITIES to THE LIGHT IN THE PIAZZA - and the sensational PBS Live From Lincoln Center telecast of it - to his superb turn as Count Carl Magnus in the recent revival of Stephen Sondheim's A LITTLE NIGHT MUSIC starring Catherine Zeta-Jones and Angela Lansbury to, most recently, Lonny Price's rapturously received presentation of Sondheim's COMPANY: IN CONCERT starring Neil Patrick Harris and Patti LuPone at Lincoln Center - which will soon be seen in 500+ movie theaters nationwide starting in June. In this revealing conversation we discuss all of the aforementioned peformances, as well as what we can expect from the forthcoming Clint Eastwood film J. EDGAR starring Leonardo DiCaprio and Josh Lucas, written by Dustin Lance Black, with Lazar in a featured role, as well as his upcoming dates premiering his new show at Feinstein‘s in June. Before all of that, you can catch Aaron live and in person May 2 at the NY Pops Tribute to Bob Hope, which will also feature performances by Kelli O'Hara, Tom Wopat and many more in addition to a special presentation by Angela Lansbury. More information about the event - and tickets - is available here.

This weekend marks the opening of his new vampire-centric horror film STAKE LAND, and you can catch him every week on FOX's hit series FRINGE, but Michael Cerveris is certainly best known for his series of stunning performances in some of the finest musical theatre productions of the 21st century - John Doyle's SWEENEY TODD and Joe Mantello's ASSASSINS chief among them - as well as for originating the title role in Pete Townshend's singular Broadway foray, The Who's TOMMY. With a captivating new double-disc concept album - NINE LIVES - out now, it seems that Cerveris has found a way to juggle it all. In this extensive two-part conversation, we take a look back at his experiences in the aforementioned Sondheim musicals, as well as his series of performances in Sondheim shows under the direction of Lonny Price at the Ravinia Festival co-starring Audra McDonald and Patti LuPone, and also touch upon his work in plays, such as his recent Kent in Kevin Kline's KING LEAR at The Public, HEDDA GABLER opposite Mary Louise Parker, and Sarah Ruhl's IN THE NEXT ROOM (OR THE VIBRATOR PLAY). Additionally, he shares his Tony memories, singing SWEENEY TODD at the recent SONDHEIM! Celebration, HEDWIG & THE ANGRY INCH, TITANIC and much, much more in this compelling and comprehensive conversation. His new feature film STAKE LAND opens in selected cities this weekend and Part II arrives next week!

Legends aren't born, or merely made - they are created; and, so very, very carefully crafted. In equal parts due to her incomparable stage work creating roles in musicals by Stephen Sondheim and Jerry Herman, to her film work encompassing John Frankenheimer and Vincente Minnelli, to name but two, as well as a smash-hit television series - MURDER SHE WROTE - and hosting duties at various Tony Awards and Academy Awards broadcasts over the last half century, have certainly cemented her place in our hearts, minds and entertainment history itself - I am speaking, of course, of the simply exquisite Ms. Angela Lansbury. In this enlightening discussion conducted yesterday we dissect many of her most treasured roles and performances, and Ms. Lansbury provides many warm and wonderful recollections of her astonishingly varied and accomplished tenure onstage and onscreen over the course of her sixty-year-plus career. ANYONE CAN WHISTLE to SWEENEY TODD; MAME to GYPSY; BEDKNOBS AND BROOM STICKS to SOMETHING FOR EVERYONE to the forthcoming MR. POPPER‘S PENGUINS co-starring Jim Carrey - plus, acting with Bette Davis in DEATH ON THE NILE - and much, much more in this special interview! This is all coming in anticipation of Ms. Lansbury's tribute to Bob Hope at the NY Pops gala on May 2, which will also feature performances by Kelli O'Hara and more - whom we continue our SPOTLIGHT ON NY POPS series with later next week. Don't miss them! Further information about the NY POPS event - including tickets - is available here.

Appearing in all three of Martin Scorsese's masterpieces - RAGING BULL, GOODFELLAS and CASINO - would surely suffice, at least for the artistic quotient of any resume, yet the suave and commanding presence of Frank Vincent as Tony Soprano's arch-nemesis Phil Leotardo on HBO's THE SOPRANOS may very well be his most beloved role to date. Yet, how to even choose? In addition to those four simply masterful entities, Mr. Vincent has also appeared in films for a wide array of highly notable directors, including: Spike Lee on DO THE RIGHT THING and JUNGLE FEVER; Brian DePalma on WISE GUYS; James Mangold on COP LAND; and the recently deceased Sidney Lumet on the 1996 crime thriller NIGHT FALLS ON MANHATTAN. In addition to a thorough discussion of his past roles, new and old - plus, what it was like to act as acting coach to Nas, Method Man and DMX on Hype Williams's BELLY - we also get down to brass nuts and bolts about his riveting new crime thriller CHICAGO OVERCOAT, available this week. In OVERCOAT, Mr. Vincent portrays perhaps his most rich and complex character to date and his powerful performance is something to cherish, cheer - and, surely, cower at; in fear. After all, who does badass boss better than Mr. Vincent? As it turns out, he's also a hell of a nice guy, to boot! Now, to quote Billy Batts in GOODFELLAS, 'Go home and get your shine box!' but, first enjoy his colorful comments!

Today we are talking to the composer of the new Broadway musical WONDERLAND, who is the only American composer to have had three of his shows running concurrently on Broadway - JEKYLL & HYDE, THE SCARLET PIMPERNEL and THE CIVIL WAR - and has since solidified himself as one of the most successful international musical theatre composers of the 21st century, with his globe-spanning productions of everything from THE COUNT OF MONTE CRISTO in Switzerland to CYRANO in Tokyo to TEARS OF HEAVEN in Korea to the forthcoming Broadway production of BONNIE & CLYDE - the warm and gracious Frank Wildhorn. Over the span of our considerable discussion last week we touched on everything from his pop music roots writing hits for Whitney Houston and Kenny Rogers, to his tenure at Atlantic Records and his series of recordings, shows and concerts with muse Linda Eder, as well as a thorough discussion of his compositional process, what inspires him in a story, his own favorite musicals, what the future holds - EXCALIBUR with Jim Steinman, perhaps? The world premiere of the long-awaited HAVANA? JEKYLL & HYDE: THE MOVIE MUSICAL? - and much, much more!

Supremely gifted. Stupendously stunning. Stupefying in her ability to hold magnetic sway over an audience. Kerry Ellis simply has it all and, now, following the worldwide success of her truly awesome collaboration with Queen's Brian May on their epic rock album ANTHEMS, May and Ellis are hitting the road for a UK tour kicking off at the Royal Albert Hall later this month. Over the weekend Kerry was kind enough to take a look back at her career with me - which includes her earth-shattering turns in WICKED in both the West End and on Broadway, plus her unforgettable turns in CHESS: LIVE IN CONCERT, on CD and DVD, as well as OLIVER and more - plus, we take a look ahead to what she would like to tackle next: a one-woman-musical ala TELL ME ON A SUNDAY, perhaps? Whatever she chooses to do, judging from her track record it is clear she will knock it clear out of the park.

Ms. Howard shares with me all about the filming of the highly anticipated conclusion of the TWILIGHT series, TWILIGHT: BREAKING DAWN Parts 1 & 2 in which she plays a central role: that of Siobahn, an ancient Irish vampire. William Finn, Dan Fogler, Bill Condon, Michael Sheen, Robert Pattinson, Taylor Lautner and stories about working with many more of her exciting co-stars and collaborators await in this comprehensive conversation.

This week marks the release of Lisa Howard's stunning new collection of William Finn songs, SONGS OF INNOCENCE AND EXPERIENCE, as well as a showcase at Birdland featuring the selections from the album and some special surprises, so now is certainly the best time to catch up with the 25th ANNUAL PUTNAM COUNTY SPELLING BEE star before she takes on Mother Abbess in THE SOUND OF MUSIC and Paulette in LEGALLY BLONDE later this year.

Today we are talking to the current Prior Walter in Michael Grief's off-Broadway revival of Tony Kushner's Pulitzer prize-winning ANGELS IN AMERICA, and also a headliner of Monday night's SPRING AT LAST! Gala to benefit The Harvey Milk School, late of ABC's smash-hit comedy UGLY BETTY, the charmingly candid and overwhelmingly talented Michael Urie! In this exclusive conversation we tackle topics ranging from Shakespeare to Sondheim to the power and legacy of ANGELS IN AMERICA and what songs and words of hope we can expect from him at the SPRING AT LAST! Gala alongside headliners Lance Horne and Wanda Sykes. Plus, Michael gives us the first news on a number of films he has coming out in the next year and much, much more!