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Collegiate Theatrics: Belmont University's ZACHARY WATERS
by Jeffrey Ellis - March 28, 2016

Racing headlong toward graduation from Belmont University's acclaimed musical theater program, Zachary Waters (scion of the Calhoun, Georgia, Waterses) has a jam-packed week ahead even before he can take a breath and consider the gravity of his impending college commencement. This weekend, he opens in the role of Uncle Fester in BUMT's production of The Addams Family (running April 1-10 at The Troutt Theatre, with Waters' cast performing April 2, 8 and 10).

BWW Review: MARY POPPINS Electrifies with Effects
by Katherine Waddell - March 26, 2016

This past weekend, Bethel College put on a fantastic rendition of the classic musical, Mary Poppins. The music and lyrics are written by the Sherman Brothers while the script is written by Julian Fellowes. The show is based on children's books by P. L. Travers and the consequent famous Disney film. The degree to which Bethel College went above and beyond to make such a monumental show come to life speaks volumes to their abilities as a theatre department.

UM Theatre & Dance to Present Cutting Edge Choreography in DANCE IN CONCERT
by BWW News Desk - March 29, 2016

The UM School of Theatre & Dance celebrates an evening of sophisticated and cutting-edge original choreography in its production of DANCE IN CONCERT, March 23-26 at 7:30 pm at Montana Theatre, PARTV Center, UM campus.

Collegiate Theatrics: Lipscomb's EMILY MEINERDING
by Jeffrey Ellis - March 21, 2016

Like so many other college students before her, Emily Meinerding is back from an adventuresome spring break, all set to plunge headlong into the rest of her semester at Nashville's David Lipscomb University. A native of Cincinnati, Ohio, the Lipscomb sophomore has already made a name of herself onstage with her critically acclaimed role in The Crucible, a joint production of Blackbird Theater Company and LU Department of Theatre, and as Sleeping Beauty in last fall's campus musical, Into the Woods.

Collegiate Theatrics: USC's CHANTAL NCHAKO
by Jeffrey Ellis - March 15, 2016

A perfect example is Chantal Nchako, a native of Douala, Cameroon, and a graduate of Howard University in Washington, D.C. On her burgeoning resume, you will find such projects as The Vagina Monologues at New World Stages; All American Girls at the Actor's Temple; and Henry V at the Classical Theatre of Harlem. In addition, she starred as Agent Cooper in the feature film Raltat, which was nominated in the Pan African Film Festival.

BWW Review: THE TEMPEST, Palmetto Center, Northwest Vista College
by Andrew Anderson - March 12, 2016

Marx Brothers, line dancing and drag add spice to Palmetto production of The Tempest


Collegiate Theatrics: University of Memphis' CODY RUTLEDGE
by Jeffrey Ellis - March 10, 2016

Whew! We need a vacation already, so you can only imagine how Cody, the guy with the enormous heart and brilliant imagination must feel! So, here's some quick and sage advice for you: Buy yourself some Cody Rutledge stock and watch its value increase, even as his reputation as both an actor and as a scenic designer continues to grow.

BWW Review: OSU's STUPID F---ING BIRD Challenges Audiences to Rethink Life, Art in Complex Performance
by Amanda Etchison - March 7, 2016

In many ways, the Ohio State Department of Theatre's latest production, "Stupid F---ing Bird," resembles the stage on which it is presented - an intimate performance space bordered by jagged-edged support beams, backed by planks of overlapping wooden boards and strewn with overturned paint buckets, plastic sheeting and stacked chairs. Indeed, this "lovingly deconstructed" version of Anton Chekhov's "The Seagull" has the feeling of a work in progress, like something built right before one's very eyes.

Valencia College Presents Annual Spring Dance Concert, 3/25
by BWW News Desk - March 4, 2016

Valencia College will hold its Annual Spring Dance Concert on March 25 and 26 at 8 p.m. in Valencia's East Campus Performing Arts Center.

BWW Reviews: BLOODY BLOODY ANDREW JACKSON at University At Albany
by Gianluca Russo - March 4, 2016

Audiences expecting a historic, telling musical of our seventh president of these United States, Andrew Jackson, are in for quite a surprise. The show, which prefaces that it is not historically accurate, is an emo and rock filled tale of Jackson, the formation of the Democratic Party, and his torture and removal of Native Americans. The musical uses extreme irony to expose the faults of our nation's history and leaders, a topic that is very relevant in the today's news.

BWW Review: FJK DANCE Celebrates Middle Eastern Culture, A Fusion of Culture and Dance - A Message of Peace at the Kaye Playhouse at Hunter College
by Rose Marija - March 3, 2016

In this time of physical proximity of different cultures, Fadi J. Khoury, Artistic Director and Choreographer of FJK Dance, believes in the unique fusion of culture and dance, with the endless possibilities of experimenting with the fundamentals of various dance forms, including classical ballet, ballroom, Middle Eastern, and jazz, creating their own language to bridge the gap, demonstrating a shared capacity to create. Using atmosphere created by music, lighting, costumes, and movement, Khoury takes us on a journey, via his and his dancers' fusion, in a singular performance at the Kaye Playhouse, February 27, 2016, which I was glad to attend.

BWW Review: Ventura College Heads INTO THE WOODS in Stylish Fashion
by Maggie Yates - March 2, 2016

'Into the Woods' reframes well-known fairy tales into a single narrative that brings characters from beloved stories together in an inclusive universe for a re-envisioned adventure.

Collegiate Theatrics: USC's ASHLEY ESKEW
by Jeffrey Ellis - March 1, 2016

Ashley Eskew – a native of Irvine, California, who did her undergraduate work at Northwestern University, where she earned a BS in Theater, with a certificate in Music Theater – is one such member of the rather rarefied group of aspiring actors earning advanced degrees from USC this year.

BWW Review: Off the Lake Productions' HAIRSPRAY Proves 'You Can't Stop the Beat' When Performing with Passion
by Amanda Etchison - February 29, 2016

The lecture auditorium in Hitchcock Hall, normally the venue in which engineering presentations are given, was transformed into a brightly colored, wildly patterned scene straight out of the '60s when Ohio State's Off the Lake Productions took to the stage Friday to perform "Hairspray." From the opening number that brought a taste of morning in Baltimore to the campus of OSU to the cast's final bows, "Hairspray" created an atmosphere bursting with energy and exuding undeniable passion.

Photo Coverage: First look at Off the Lake Productions' HAIRSPRAY
by Jerri Shafer - February 25, 2016

Off the Lake Productions, the only student-run musical theatre group on Ohio State's campus, is bringing its 20th production, HAIRSPRAY, to you this spring!

Collegiate Theatrics: USC's CHAE CHAPUT
by Jeffrey Ellis - February 23, 2016

Chae Chaput - a native of Manchester, New Hampshire, who did her undergraduate work at Fairleigh Dickinson University in Madison, New Jersey, where she earned her BA in Theater Arts with a double concentration in Acting and Technical Theater with a minor in film - is one such member of the group.

BWW Review: High Art in Small Places, Part I - A Deliciously Baroque LA CALISTO from Juilliard Opera
by Richard Sasanow - February 22, 2016

Grand opera--lavish in scale, setting and voices--certainly has its place, but, oh, the joys of hearing Cavalli and Faustini's bawdy, early baroque charmer LA CALISTO in a theatre with fewer than 100 seats! The Juilliard Opera production not only proved a great showcase for the singers, dancers and instrumentalists involved but for the opera itself, which is still infrequently heard and should be better known.

BWW Review: Spectacular Sleepwalking in Bellini's SONNAMBULA at Juilliard Opera
by Richard Sasanow - February 17, 2016

It's a shame that Bellini wasn't Donizetti--because the story of LA SONNAMBULA seems to be begging for the full comic treatment and could have been a great companion to L'ELISIR D'AMORE. (I'm not sure how Maria Callas would have felt about changes in one of her great roles.) As it stands, performing the semi-serious work in a concert format--as The Juilliard Opera did last week--is the next best thing, putting the emphasis on the music and the virtuoso singing it calls for and less on the absurd storyline.

Collegiate Theatrics: USC's CHRIS RAMIREZ
by Jeffrey Ellis - February 16, 2016

Chris Ramirez is an excellent example of the talented, driven and committed individuals honing their craft at USC. A native of Kansas City, Kansas - "aka Wyandotte County, aka The Dotte!" - he earned his B.A. in theatre performance at the University of Kansas before heading westward to USC.

BWW Review: Ohio State Department of Theatre Revives Romance in Shakespeare's A MIDSUMMER NIGHT'S DREAM
by Amanda Etchison - February 15, 2016

Love was in the air this weekend at the Lincoln Theatre in Columbus when the Ohio State Department of Theatre presented its reimagined version of William Shakespeare's "A Midsummer Night's Dream." A sense of magic and unpredictable mischief, paired with energetic performances from the student actors in the production, defined OSU's take on this romantic classic.

BWW Review: Films Capture Mastery of Movement in Ohio State Department of Dance's DANCE@30FPS
by Amanda Etchison - February 15, 2016

The translation of art from the stage to the screen is often viewed with a healthy dose of skepticism. Yet an annual event by the Ohio State Department of Dance proves that the fusion of dance and film is far from two-dimensional. "Dance@30FPS," a presentation of dance films from around the world, was hosted on OSU's campus in the Wexner Center for the Arts' Film/Video Theater on Feb. 11.

The Dance Center of Columbia College Chicago Presents HIP HOP AND BUTOH COMBINE, 3/31
by BWW News Desk - February 12, 2016

The Dance Center of Columbia College Chicago concludes its 2015-16 season with the choreographer-performer duo of Rennie Harris and Michael Sakamoto, performing their dance-theatre duet Flash. Performances take place March 31-April 2, 2016 at The Dance Center, 1306 S. Michigan Ave., Chicago.

Collegiate Theatrics: USC's SALOME MERGIA
by Jeffrey Ellis - February 10, 2016

Here is your opportunity to get to know USC's Salome Mergia in this week's edition of Collegiate Theatrics. Miraculously, it would seem, she found time to sit down and consider our questions - and to offer some elucidating answers - about her time at USC and how her experiences there have prepared her for the future…

Brooklyn Center for the Performing Arts Presents Moscow Festival Ballet's ROMEO AND JULIET/CARMEN, 3/5
by BWW News Desk - February 9, 2016

Brooklyn Center for the Performing Arts at Brooklyn College continues its 2015-16 season with Moscow Festival Ballet's double bill of one-act ballets, Romeo and Juliet and Carmen, on Saturday, March 5, 2016 at 8pm. Tickets are $36-45 and can be purchased at BrooklynCenter.org or by calling the box office at 718-951-4500 (Tue-Sat, 1pm-6pm).

BWW Review: University of Northern Colorado's THE PIANO LESSON
by Felicia Tassone - February 8, 2016

The Piano Lesson is an important part of American theater.  August Wilson wrote a story that needs to be told, now more than ever.  And a story which asks the important questions like, What do you do with your legacy, and how do you best put it to use?  Are we forced to live in the shadows of our ancestors choices?


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