BWW Review: Ohio State's SWEENEY TODD a Demonic Dive into Thrilling Theater by Amanda Etchison - April 11, 2016 A chill in the air in Ohio State's Mershon Auditorium Friday evening was not entirely due to the unseasonable snowflakes that fell from the sky outside. Rather, a hair-raising performance of "Sweeney Todd: The Demon Barber of Fleet Street" by the Ohio State University Opera and Lyric Theatre greatly contributed to the spooky atmosphere, sending shivers up the spines of those who dared to delve into the world of this dark musical thriller. BWW Interview: Rollins Sudent Director Kathleen Capdesuñer Breaks Down DETROIT by Kimberly Moy - April 7, 2016 The Rollins College theater season comes to a close with DETROIT. This play's plot and theme seems all too real for many Americans as it highlights life as an adult and the challenges we face. Playwright Lisa D'Amour came to Rollins College to speak about the play and see the first performances. Show director Kathleen Capdesuñer chatted with BroadwayWorld Orlando about her experience directing and learning from the show's playwright. Terryl Hallquist Directs MISANTHROPE for VU Theatre by Jeffrey Ellis - April 6, 2016 Terryl Hallquist directs Moliere's The Misanthrope, with a setting in modern-day Nashville, as Vanderbilt University Theatre takes a creative leap with its April 7-10 production. BWW Preview: Choreographer Mary Barton and Beethoven Triumph in ARB's MASTERS OF DANCE AND MUSIC! by Sarah Vander Schaaff - April 5, 2016 ARB presents world premier of Mary Barton's work in MASTERS OF DANCE AND MUSIC! Collegiate Theatrics: Lipscomb University's SCOTT PATRICK WILSON by Jeffrey Ellis - April 4, 2016 Tech week is under way for Lipscomb University's theatre students as they find themselves coming down to the wire for Friday night's opening of You're A Good Man, Charlie Brown and there is perhaps no cast member more anxious to perform the popular musical in front of a living, breathing audience than Scott Patrick Wilson, one of the most notable LDoT students on campus. Collegiate Theatrics: Belmont University's ZACHARY WATERS by Jeffrey Ellis - March 28, 2016 Racing headlong toward graduation from Belmont University's acclaimed musical theater program, Zachary Waters (scion of the Calhoun, Georgia, Waterses) has a jam-packed week ahead even before he can take a breath and consider the gravity of his impending college commencement. This weekend, he opens in the role of Uncle Fester in BUMT's production of The Addams Family (running April 1-10 at The Troutt Theatre, with Waters' cast performing April 2, 8 and 10). BWW Review: MARY POPPINS Electrifies with Effects by Katherine Waddell - March 26, 2016 This past weekend, Bethel College put on a fantastic rendition of the classic musical, Mary Poppins. The music and lyrics are written by the Sherman Brothers while the script is written by Julian Fellowes. The show is based on children's books by P. L. Travers and the consequent famous Disney film. The degree to which Bethel College went above and beyond to make such a monumental show come to life speaks volumes to their abilities as a theatre department. UM Theatre & Dance to Present Cutting Edge Choreography in DANCE IN CONCERT by BWW News Desk - March 29, 2016 The UM School of Theatre & Dance celebrates an evening of sophisticated and cutting-edge original choreography in its production of DANCE IN CONCERT, March 23-26 at 7:30 pm at Montana Theatre, PARTV Center, UM campus. Collegiate Theatrics: Lipscomb's EMILY MEINERDING by Jeffrey Ellis - March 21, 2016 Like so many other college students before her, Emily Meinerding is back from an adventuresome spring break, all set to plunge headlong into the rest of her semester at Nashville's David Lipscomb University. A native of Cincinnati, Ohio, the Lipscomb sophomore has already made a name of herself onstage with her critically acclaimed role in The Crucible, a joint production of Blackbird Theater Company and LU Department of Theatre, and as Sleeping Beauty in last fall's campus musical, Into the Woods. Collegiate Theatrics: USC's CHANTAL NCHAKO by Jeffrey Ellis - March 15, 2016 A perfect example is Chantal Nchako, a native of Douala, Cameroon, and a graduate of Howard University in Washington, D.C. On her burgeoning resume, you will find such projects as The Vagina Monologues at New World Stages; All American Girls at the Actor's Temple; and Henry V at the Classical Theatre of Harlem. In addition, she starred as Agent Cooper in the feature film Raltat, which was nominated in the Pan African Film Festival. BWW Review: THE TEMPEST, Palmetto Center, Northwest Vista College by Andrew Anderson - March 12, 2016 Marx Brothers, line dancing and drag add spice to Palmetto production of The Tempest Collegiate Theatrics: University of Memphis' CODY RUTLEDGE by Jeffrey Ellis - March 10, 2016 Whew! We need a vacation already, so you can only imagine how Cody, the guy with the enormous heart and brilliant imagination must feel! So, here's some quick and sage advice for you: Buy yourself some Cody Rutledge stock and watch its value increase, even as his reputation as both an actor and as a scenic designer continues to grow. BWW Review: OSU's STUPID F---ING BIRD Challenges Audiences to Rethink Life, Art in Complex Performance by Amanda Etchison - March 7, 2016 In many ways, the Ohio State Department of Theatre's latest production, "Stupid F---ing Bird," resembles the stage on which it is presented - an intimate performance space bordered by jagged-edged support beams, backed by planks of overlapping wooden boards and strewn with overturned paint buckets, plastic sheeting and stacked chairs. Indeed, this "lovingly deconstructed" version of Anton Chekhov's "The Seagull" has the feeling of a work in progress, like something built right before one's very eyes. Valencia College Presents Annual Spring Dance Concert, 3/25 by BWW News Desk - March 4, 2016 Valencia College will hold its Annual Spring Dance Concert on March 25 and 26 at 8 p.m. in Valencia's East Campus Performing Arts Center. BWW Reviews: BLOODY BLOODY ANDREW JACKSON at University At Albany by Gianluca Russo - March 4, 2016 Audiences expecting a historic, telling musical of our seventh president of these United States, Andrew Jackson, are in for quite a surprise. The show, which prefaces that it is not historically accurate, is an emo and rock filled tale of Jackson, the formation of the Democratic Party, and his torture and removal of Native Americans. The musical uses extreme irony to expose the faults of our nation's history and leaders, a topic that is very relevant in the today's news. BWW Review: FJK DANCE Celebrates Middle Eastern Culture, A Fusion of Culture and Dance - A Message of Peace at the Kaye Playhouse at Hunter College by Rose Marija - March 3, 2016 In this time of physical proximity of different cultures, Fadi J. Khoury, Artistic Director and Choreographer of FJK Dance, believes in the unique fusion of culture and dance, with the endless possibilities of experimenting with the fundamentals of various dance forms, including classical ballet, ballroom, Middle Eastern, and jazz, creating their own language to bridge the gap, demonstrating a shared capacity to create. Using atmosphere created by music, lighting, costumes, and movement, Khoury takes us on a journey, via his and his dancers' fusion, in a singular performance at the Kaye Playhouse, February 27, 2016, which I was glad to attend. BWW Review: Ventura College Heads INTO THE WOODS in Stylish Fashion by Maggie Yates - March 2, 2016 'Into the Woods' reframes well-known fairy tales into a single narrative that brings characters from beloved stories together in an inclusive universe for a re-envisioned adventure. Collegiate Theatrics: USC's ASHLEY ESKEW by Jeffrey Ellis - March 1, 2016 Ashley Eskew – a native of Irvine, California, who did her undergraduate work at Northwestern University, where she earned a BS in Theater, with a certificate in Music Theater – is one such member of the rather rarefied group of aspiring actors earning advanced degrees from USC this year. BWW Review: Off the Lake Productions' HAIRSPRAY Proves 'You Can't Stop the Beat' When Performing with Passion by Amanda Etchison - February 29, 2016 The lecture auditorium in Hitchcock Hall, normally the venue in which engineering presentations are given, was transformed into a brightly colored, wildly patterned scene straight out of the '60s when Ohio State's Off the Lake Productions took to the stage Friday to perform "Hairspray." From the opening number that brought a taste of morning in Baltimore to the campus of OSU to the cast's final bows, "Hairspray" created an atmosphere bursting with energy and exuding undeniable passion. Photo Coverage: First look at Off the Lake Productions' HAIRSPRAY by Jerri Shafer - February 25, 2016 Off the Lake Productions, the only student-run musical theatre group on Ohio State's campus, is bringing its 20th production, HAIRSPRAY, to you this spring! Collegiate Theatrics: USC's CHAE CHAPUT by Jeffrey Ellis - February 23, 2016 Chae Chaput - a native of Manchester, New Hampshire, who did her undergraduate work at Fairleigh Dickinson University in Madison, New Jersey, where she earned her BA in Theater Arts with a double concentration in Acting and Technical Theater with a minor in film - is one such member of the group. BWW Review: High Art in Small Places, Part I - A Deliciously Baroque LA CALISTO from Juilliard Opera by Richard Sasanow - February 22, 2016 Grand opera--lavish in scale, setting and voices--certainly has its place, but, oh, the joys of hearing Cavalli and Faustini's bawdy, early baroque charmer LA CALISTO in a theatre with fewer than 100 seats! The Juilliard Opera production not only proved a great showcase for the singers, dancers and instrumentalists involved but for the opera itself, which is still infrequently heard and should be better known. BWW Review: Spectacular Sleepwalking in Bellini's SONNAMBULA at Juilliard Opera by Richard Sasanow - February 17, 2016 It's a shame that Bellini wasn't Donizetti--because the story of LA SONNAMBULA seems to be begging for the full comic treatment and could have been a great companion to L'ELISIR D'AMORE. (I'm not sure how Maria Callas would have felt about changes in one of her great roles.) As it stands, performing the semi-serious work in a concert format--as The Juilliard Opera did last week--is the next best thing, putting the emphasis on the music and the virtuoso singing it calls for and less on the absurd storyline. Collegiate Theatrics: USC's CHRIS RAMIREZ by Jeffrey Ellis - February 16, 2016 Chris Ramirez is an excellent example of the talented, driven and committed individuals honing their craft at USC. A native of Kansas City, Kansas - "aka Wyandotte County, aka The Dotte!" - he earned his B.A. in theatre performance at the University of Kansas before heading westward to USC. BWW Review: Ohio State Department of Theatre Revives Romance in Shakespeare's A MIDSUMMER NIGHT'S DREAM by Amanda Etchison - February 15, 2016 Love was in the air this weekend at the Lincoln Theatre in Columbus when the Ohio State Department of Theatre presented its reimagined version of William Shakespeare's "A Midsummer Night's Dream." A sense of magic and unpredictable mischief, paired with energetic performances from the student actors in the production, defined OSU's take on this romantic classic. |
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