Birth Place: USA
Broadway: Carousel; Hello, Dolly! (Tony Award for costume design); Cafe Crown (Tony for set design); The Cherry Orchard (Tony for costume design); Grand Hotel (Tony for costume design). Seventeen additional Tony nominations. Film credits include Radio Days (Academy Award nomination for production design), Bullets Over Broadway (Academy Award nomination for production design), and Zelig (Academy Award nomination for costume design). He received the Michael Merritt Award for Excellence in Design and Collaboration in 2002, was inducted into the Theater Hall of Fame in 2004, received the Pennsylvania Governor's Award for the Arts in 2006, the Robert L.B. Tobin Award for Lifetime Achievement, and the Breukelein Institute Gaudium Award in 2013.
Santo Loquasto, The Music Man
Santo Loquasto, The Music Man
Santo Loquasto, The Music Man
Santo Loquasto, Gary: A Sequel to Titus Andronicus
Santo Loquasto, Carousel
Santo Loquasto, Eugene O'Neill's The Iceman Cometh
Santo Loquasto, Hello, Dolly!
Santo Loquasto, Hello, Dolly!
Santo Loquasto, Hello, Dolly!
Santo Loquasto, Hello, Dolly!
Santo Loquasto, Hello, Dolly!
Santo Loquasto, Shuffle Along, Or the Making of the Musical Sensation of 1921 and All That Followed
Santo Loquasto, Bullets Over Broadway: The Musical
Santo Loquasto, Bullets Over Broadway: The Musical
Santo Loquasto, The Assembled Parties
Santo Loquasto, The Assembled Parties
Santo LoquastoRagtime
Santo Loquasto, Ragtime
Santo Loquasto, Fences
Santo Loquasto , Waiting for Godot
Santo Loquasto, Inherit the Wind
Santo Loquasto, Suddenly Last Summer
Santo Loquasto, A Touch of the Poet
Santo Loquasto, Three Days of Rain
Santo Loquasto, Glengarry Glen Ross
Santo Loquasto, Glengarry Glen Ross
Santo Loquasto, Long Day's Journey into Night
Santo Loquasto, The Elephant Man
Santo Loquasto , Fosse
Santo Loquasto, Fosse
Santo Loquasto, Ragtime
Santo Loquasto, Ragtime
Santo Loquasto, Mizlansky/Zilinsky or "schmucks"
Santo Loquasto, Mizlansky/Zilinsky or "schmucks"
Santo Loquasto, Ragtime
Santo Loquasto, Ragtime
Santo Loquasto, A Month in the Country
Santo Loquasto, A Month in the Country
Santo Loquasto, Lost in Yonkers
Santo Loquasto, Grand Hotel
Santo Loquasto, Grand Hotel
Santo Loquasto, Grand Hotel
Santo Loquasto, Grand Hotel
Santo Loquasto, Cafe Crown / Italian American Reconciliation
Santo Loquasto, Gardenia
Santo LoquastoCrossing Niagara
Santo Loquasto, The Suicide
Santo Loquasto, King of Hearts
Santo LoquastoThe Play's the Thing
Santo Lquasto, The Cherry Orchard
Santo Loquasto, American Buffalo
Santo Loquasto, The Cherry Orchard
Santo Loquasto, Agamemnon
Santo Loquasto, American Buffalo
Santo Loquasto, The Cherry Orchard
Santo Loquasto , American Buffalo
Santo Loquasto , The Cherry Orchard
Santo Loquasto, Legend
Santo Loquasto, Kennedy's Children
Santo Loquasto, Comedy of Errors
Santo Loquasto , What the Wine-Sellers Buy
Santo Loquasto, That Championship Season
Santo Loquasto, Sticks and Bones
Santo Loquasto, That Championship Season
Outstanding Costume Design for a Musical (Drama Desk Awards) for The Music Man, Outstanding Costume Design (Play or Musical) (Outer Critics Circle Awards) for The Music Man, Best Costume Design of a Musical (Tony Awards) for The Music Man, Best Scenic Design of a Play (Tony Awards) for Gary: A Sequel to Titus Andronicus, Outstanding Set Design for a Musical (Drama Desk Awards) for Carousel, Best Scenic Design of a Play (Tony Awards) for Eugene O'Neill's The Iceman Cometh, Outstanding Costume Design for a Musical (Drama Desk Awards) for Hello, Dolly!, Outstanding Set Design for a Musical (Drama Desk Awards) for Hello, Dolly!, Outstanding Costume Design (Play or Musical) (Outer Critics Circle Awards) for Hello, Dolly!, Best Costume Design of a Musical (Tony Awards) for Hello, Dolly!, Best Scenic Design of a Musical (Tony Awards) for Hello, Dolly!, Best Scenic Design of a Musical (Tony Awards) for Shuffle Along, Or the Making of the Musical Sensation of 1921 and All That Followed, Outstanding Set Design (Drama Desk Awards) for Bullets Over Broadway: The Musical, Best Scenic Design of a Musical (Tony Awards) for Bullets Over Broadway: The Musical, Outstanding Set Design (Drama Desk Awards) for The Assembled Parties, Best Scenic Design of a Play (Tony Awards) for The Assembled Parties, Outstanding Costume Design, Resident Production (Helen Hayes Awards) for Ragtime, Best Costume Design of a Musical (Tony Awards) for Ragtime, Best Scenic Design of a Play (Tony Awards) for Fences, Outstanding Set Design (Outer Critics Circle Awards) for Waiting for Godot, Best Costume Design of a Play (Tony Awards) for Inherit the Wind, Outstanding Costume Design (Drama Desk Awards) for Suddenly Last Summer, Best Costume Design of a Play (Tony Awards) for A Touch of the Poet, Best Scenic Design of a Play (Tony Awards) for Three Days of Rain, Outstanding Set Design of a Play (Drama Desk Awards) for Glengarry Glen Ross, Best Scenic Design of a Play (Tony Awards) for Glengarry Glen Ross, Best Scenic Design (Tony Awards) for Long Day's Journey into Night, Outstanding Costume Design (Outer Critics Circle Awards) for The Elephant Man , Outstanding Costume Design (Outer Critics Circle Awards) for Fosse , Best Costume Design (Tony Awards) for Fosse, Outstanding Costume Design (Drama Desk Awards) for Ragtime, Outstanding Costume Design (Drama Desk Awards) for Ragtime, Outstanding Set Design - Play (Drama Desk Awards) for Mizlansky/Zilinsky or "schmucks", Outstanding Set Design - Play (Drama Desk Awards) for Mizlansky/Zilinsky or "schmucks", Best Costume Design (Outer Critics Circle Awards) for Ragtime, Best Costume Design (Tony Awards) for Ragtime, Outstanding Set Design (Drama Desk Awards) for A Month in the Country, Outstanding Set Design (Drama Desk Awards) for A Month in the Country, Outstanding Choreography (Drama Desk Awards) for Lost in Yonkers, Outstanding Costume Design (Drama Desk Awards) for Grand Hotel, Costume Design (The Hewes Awards) for Grand Hotel, Best Costume Design (Tony Awards) for Grand Hotel, Outstanding Costume Design (Drama Desk Awards) for Grand Hotel, Outstanding Set Design (Drama Desk Awards) for Cafe Crown / Italian American Reconciliation, Outstanding Set Design (Drama Desk Awards) for Gardenia, Outstanding Set Design (Drama Desk Awards) for Crossing Niagara, Best Scenic Design (Tony Awards) for The Suicide, Outstanding Set Design (Drama Desk Awards) for King of Hearts, Outstanding Set Design (Drama Desk Awards) for The Play's the Thing, Outstanding Set Design (Drama Desk Awards) for The Cherry Orchard, Outstanding Set Design (Drama Desk Awards) for American Buffalo, Best Set Design (Outer Critics Circle Awards) for The Cherry Orchard, Costume Design (The Hewes Awards) for Agamemnon, Scenic Design (The Hewes Awards) for American Buffalo, Best Costume Design (Tony Awards) for The Cherry Orchard, Best Scenic Design (Tony Awards) for American Buffalo, Best Scenic Design (Tony Awards) for The Cherry Orchard, Outstanding Set Design (Drama Desk Awards) for Legend, Outstanding Set Design (Drama Desk Awards) for Kennedy's Children, Special Citations for Sets and costumes (Obie Awards) for Comedy of Errors, Best Scenic Design (Tony Awards) for What the Wine-Sellers Buy, Best Scenic Design (Tony Awards) for That Championship Season, Outstanding Set Design (Drama Desk Awards) for Sticks and Bones and Outstanding Set Design (Drama Desk Awards) for That Championship Season.
Santo Loquasto has won several prestigious awards, including Best Costume Design of a Musical at the Tony Awards for Hello, Dolly! He received Outstanding Costume Design for a Resident Production at the Helen Hayes Awards for Ragtime, and Outstanding Set Design of a Play at the Drama Desk Awards for Glengarry Glen Ross. In addition, he earned Outstanding Costume Design at the Drama Desk Awards for Ragtime, and Outstanding Set Design for Play at the Drama Desk Awards for Mizlansky/Zilinsky or "schmucks." He received Outstanding Costume Design at the Drama Desk Awards for Grand Hotel, and also won Costume Design at The Hewes Awards for Grand Hotel. Loquasto garnered Best Costume Design at the Tony Awards for Grand Hotel as well as Outstanding Costume Design at the Drama Desk Awards for the same production. His accolades also include Outstanding Set Design at the Drama Desk Awards for American Buffalo and for The Cherry Orchard, where he won Best Set Design at the Outer Critics Circle Awards. He achieved Costume Design at The Hewes Awards for Agamemnon and Scenic Design at The Hewes Awards for American Buffalo. Additionally, he received Special Citations for Sets and Costumes at the Obie Awards for Comedy of Errors. He is also recognized with Outstanding Set Design at the Drama Desk Awards for Sticks and Bones and for That Championship Season.
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