Here she is, boys! Gypsy is back on Broadway and Audra McDonald is a Mama Rose for the ages. This new revival breathes new life into one of musical theater’s most iconic works.
Based on the memoirs of famed burlesque performer Gypsy Rose Lee, the show follows the indomitable Mama Rose, a mother determined to turn her daughters into stars, no matter the cost. Set during the decline of vaudeville and the rise of burlesque, Gypsy is both a gripping character study and a poignant reflection on ambition, sacrifice, and the pursuit of success.
First premiering on Broadway in 1959, Gypsy features a book by Arthur Laurents, music by Jule Styne, and lyrics by Stephen Sondheim. The original production was an instant classic, earning critical acclaim and establishing Mama Rose as one of the most coveted roles in musical theater.
Numbers like “Everything’s Coming Up Roses,” “Let Me Entertain You,” and “Rose’s Turn” have become standards, showcasing a score that balances rousing optimism with deep emotional complexity.
This new revival seeks to honor the show’s legacy while offering fresh perspectives. Directed by a visionary creative team, the production highlights the shifting dynamics of the relationships at its core: the relentless Mama Rose, the underestimated Louise, and the overlooked June. With innovative staging and bold new interpretations of the classic score, the revival offers a deeper dive into the themes of family, ambition, and identity.
Over the years, Gypsy has been a star vehicle for some of Broadway’s greatest leading ladies, including Ethel Merman, Angela Lansbury, Tyne Daly, Bernadette Peters, and Patti LuPone. This revival continues that tradition, with a powerhouse performance from its leading actress anchoring the production. The ensemble and creative team bring energy and nuance to the show’s timeless story, while the design elements—evoking the glitz of vaudeville and the grit of backstage life—immerse audiences in its world.
Often hailed as the greatest American musical, Gypsy is celebrated not only for its unforgettable score but also for its rich storytelling and complex characters. This revival reaffirms its place in Broadway history, offering a fresh take on a show that continues to captivate audiences with its blend of humor, heartbreak, and humanity.
Nitpickers on the Broadway boards are claiming that the part doesn’t suit Audra vocally, offering elaborate descriptions of her “chest voice” versus her “head voice,” and how the jumps between the two aren’t perfect. A true Gypsy — and Audra — lover like myself didn’t notice, and doesn’t care. She is magnificent, giving a tingly performance that will be as hard to shake off as a tightened tassel. Another winning feature is Santo Loquasto’s efficient set design. While so many revivals have been going for flashy projections and enormous video screens, this production bravely goes for just … sets and props. And speaking of furniture: By the end of the three-hour extravaganza, it’s not hard to sense that Audra McDonald has a great chance of visiting that podium again.
Or does it? Since she’s not barreling through the tunes like a freight train, McDonald uses her phenomenal vocal range to tap into an intense reservoir of feeling. Her Rose isn’t the abominable woman we’ve seen in previous productions. Sure, she’s pushy, especially when it comes to her star-to-be daughter, June (Jordan Tyson, The Notebook’s Younger Allie), the singing-dancing-twirling headliner of the family’s home-grown vaudeville act. She’s oblivious, shockingly so, when she volunteers her mousy daughter, Louise (Joy Woods, The Notebook’s Middle Allie), for a striptease at a second-rate burlesque. She’s girlish, giggly, and demure with reluctant agent/would-be fourth husband Herbie (a flawless Danny Burstein). But ultimately, she’s more mama bear than monster. The climactic “Rose’s Turn,” where she’s at her most vulnerable, is full of highs and lows both musical and emotional; never has Merman’s comparison of the song to an aria been more apt.
1959 | Broadway |
Original Broadway Production Broadway |
1961 | US Tour |
1st National Tour US Tour |
1961 | US Tour |
2nd National Tour US Tour |
1973 | West End |
London Revival West End |
1974 | Broadway |
Broadway Production Broadway |
1976 | Milburn, NJ (Regional) |
Paper Mill Production Milburn, NJ (Regional) |
1989 | Broadway |
Broadway Revival Broadway |
1998 | Milburn, NJ (Regional) |
Paper Mill Production Milburn, NJ (Regional) |
2003 | Broadway |
Broadway Revival Broadway |
2006 | St. Louis, MO (Regional) |
St. Louis MUNY Production St. Louis, MO (Regional) |
2006 |
Regional Concert |
|
2007 | Off-Broadway |
Off-Broadway Revival Off-Broadway |
2008 | Broadway |
Broadway Revival Broadway |
2014 | Regional (US) |
Connecticut Rep Production Regional (US) |
2015 | West End |
West End Revival Production West End |
2018 | St. Louis, MO (Regional) |
The Muny Revival St. Louis, MO (Regional) |
2024 | Broadway |
Broadway Revival Production Broadway |
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