A DELICATE BALANCE, Edward Albee's Pulitzer Prize and Tony-winning masterwork returns to Broadway with an extraordinary cast.
In A DELICATE BALANCE, Agnes (Glenn Close) and Tobias (John Lithgow), a long-married couple, must maintain their equilibrium as over the course of a weekend they welcome home their 36-year-old daughter (Martha Plimpton) after the collapse of her fourth marriage, and give shelter to their best friends (Bob Balaban and Clare Higgins), all the while tolerating Agnes' alcoholic sister Claire (Lindsay Duncan).
The Daily News calls A DELICATE BALANCE "a beautiful play- easily Albee's best and most mature, filled with humor and compassion and touched with poetry." It "proves that old-fashioned stage virtues- originality of voice, depth of feeling, richness of language- can still provide a thrill" (TIME Magazine). "If you really care about serious theatre, brilliant theatre, great acting, and great playwriting, this is the only play to see on Broadway" (New York Post).
: Director Pam MacKinnon...has paid exquisite attention to surface detail in her handsome revival...The work is overextended, not always dramatically convincing and sometimes too knowingly articulated. Yet there's something intriguing about its puzzling mix of realism and absurdism, which are ultimately reconciled in the dazzling display of Albee's fearless theatricality...This is an ensemble effort...The performances are all sharp -- Higgins' Edna is especially crisp -- but they're still coalescing. This is the kind of work that will deepen over time. As Agnes...Close is all patrician glamour and icy control...Her portrayal reveals the heavy burden Agnes has been carrying of keeping her family -- and her own psyche -- intact...Lithgow movingly depicts the panicked struggle of a man who realizes that he's in danger of being buried alive...If this production of 'A Delicate Balance' teeters unsteadily at moments, it remains always fascinating to behold. The pleasure lies less in the play's profundity than in its carefully coordinated staginess.
Albee likes his works to be directed by MacKinnon because, I think, she makes no attempt to amplify the angst, but concentrates instead on total veracity in primary colors and on turning her actors -- no small feat here -- into an ensemble of interdependent players...Close, returning to Broadway after many years away, will need more time to fully lubricate her considerable skills in this kind of stage-savvy company, although a note of self-consciousness is hardly inapt for Agnes, and Close is always true. But with Lithgow, everything is always in play. Right now. As Tobias, Lithgow's colors are as ample as his fellow's growing understanding that a drink cart is about all that separates a well-appointed home from an elevator, going down...This is, to say the least, a pleasurable three acts of watching others teeter on the brink, which always helps you last another day on terra firma yourself. Albee's gift to humanity, you might say.
| 1966 | Broadway |
Broadway |
| 1996 | Broadway |
Broadway Revival Broadway |
| 2014 | Broadway |
Broadway Revival Broadway |
| 2022 | Off-Broadway |
Transport Group Off-Broadway Production Off-Broadway |
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