A playwright who needs someone to back his next show. A mobster who needs some way to please his showgirl girlfriend.
This could be the start of a beautiful friendship - or a brand new musical comedy!
Based on the screenplay of the acclaimed film, Bullets Over Broadway brings the talents of Woody Allen and Susan Stroman together for the first time.
Loaded with big laughs, colorful characters, and the songs that made the 20s roar, Bullets Over Broadway is ready to bring musical comedy back with a bang.
Allen has pulled something of a Sylvester Stallone in his Broadway book-writer debut: His book never really abandons his screenplay sufficiently to reinvent itself for the theater. For most of the evening, some great dance numbers and many old tunes have simply be inserted into this tale of a young writer (Zach Braff) who willingly allows a mobster (Nick Cordero) to rewrite his play, much to the play's improvement...'Bullets,' the musical, is loaded down with old ditties that wore out their welcome sometime during the run of 'Arthur Godfrey Time' and only vaguely refer to Allen's story...'Bullets' on Broadway rarely breaks free of the movie, and fond memories keep taking us back to the original.
It's too bad that the comedy about a playwriting hit man is a bit of a miss. On the plus side, director and choreographer Susan Stroman's dance numbers pack sure-footed pizzazz. And the good-looking production depicts 1929 New York with wit and grace notes...But working in tandem with Allen, who adapted the screenplay of his Oscar-winning 1994 comedy while dealing with anything-but-amusing personal issues, Stroman doesn't match the zany, out-of-this-world wow factor of her collaboration with Mel Brooks on 'The Producers'...Allen's showbiz and gangland eccentrics stiffen into cardboard when they're amplified from two to three dimensions. A sense of nuance and ahumanity goes missing. It doesn't help that key actors shoot blanks, including Zach Braff, of 'Scrubs' fme, and Helene Yorke, of 'Masters of Sex.' Both need infusions of charm for their roles as a morally iffy writer and the tootsie ruining his play.
2014 | Broadway |
Original Broadway Production Broadway |
2015 | US Tour |
Non-Equity National Tour US Tour |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2014 | Drama Desk Awards | Outstanding Choreography | Susan Stroman |
2014 | Drama Desk Awards | Outstanding Costume Design | William Ivey Long |
2014 | Drama Desk Awards | Outstanding Director of a Musical | Susan Stroman |
2014 | Drama Desk Awards | Outstanding Featured Actor in a Musical | Nick Cordero |
2014 | Drama Desk Awards | Outstanding Set Design | Santo Loquasto |
2014 | Drama Desk Awards | Outstanding Sound Design in a Musical | Peter Hylenski |
2014 | Drama League Awards | Distinguished Performance Award | Nick Cordero |
2014 | Drama League Awards | Distinguished Performance Award | Zach Braff |
2014 | Drama League Awards | Outstanding Production of a Broadway or Off-Broadway Musical | Bullets Over Broadway: The Musical |
2014 | Outer Critics Circle Awards | Outstanding Choreographer | Susan Stroman |
2014 | Outer Critics Circle Awards | Outstanding Costume Design (Play or Musical) | William Ivey Long |
2014 | Outer Critics Circle Awards | Outstanding Featured Actor in a Musical | Nick Cordero |
2014 | Outer Critics Circle Awards | Outstanding Featured Actress in a Musical | Marin Mazzie |
2014 | Theatre World Awards | Outstanding Broadway or Off-Broadway Debut Performance | Nick Cordero |
2014 | Tony Awards | Best Book of a Musical | Woody Allen |
2014 | Tony Awards | Best Choreography | Susan Stroman |
2014 | Tony Awards | Best Costume Design of a Musical | William Ivey Long |
2014 | Tony Awards | Best Musical | Jeremiah J. Harris |
2014 | Tony Awards | Best Orchestrations | Doug Besterman |
2014 | Tony Awards | Best Performance by an Actor in a Featured Role in a Musical | Nick Cordero |
2014 | Tony Awards | Best Scenic Design of a Musical | Santo Loquasto |
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