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JESUS CHRIST SUPERSTAR **Updated** Equity Principal Auditions - National Tour Auditions

Posted October 2, 2018
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JESUS CHRIST SUPERSTAR **Updated** - National Tour

JESUS CHRIST SUPERSTAR (SETA Tour) NYC EPA

Producing Org TBD


**Updated Stage Manager info**

AUDITION DATES

Tue, Oct 23, 2018

10:00 am - 6:00 pm (EDT)

Lunch 1:30 to 2:30

Mon, Oct 29, 2018

9:30 am - 5:30 pm (EDT)

Lunch 1 to 2

Wed, Oct 31, 2018

9:30 am - 5:30 pm (EDT)

Lunch 1 to 2

CONTRACT

Short Engagement Touring $1012.00 /week

SEEKING

Equity actor/singers for various roles in this upcoming SETA Tour.

Specifically looking for outstanding singers who have an authentic feel, understanding & passion for the sound & music of late 60s/early 70s rock music. In particular The Beatles, Gloria Jones, Led Zepplin, Stevie Wonder, Carol King, James Taylor, Joni Mitchell & Pink Floyd. Performers with strong individual identity, ability to communicate beyond the fourth wall in a very large house and be free and creative during the rehearsal process. Instruments (especially guitar) a huge plus for all roles. ALL ETHNICITIES WELCOME. See breakdown

PREPARATION

Please prepare a song in the style of or from the show. Please bring an updated photo and resume and please note any guitar / instrument skills

LOCATION

Pearl Studios NYC (519)

519 8th Ave
12th Fl

New York, NY 10018

PERSONNEL

Music & Lyrics: Andrew Lloyd Webber & Tim Rice
Produced By: Stephen Gabriel, Work Light Productions
General Manager: Kevin Greene
Director: Timothy Sheader
Musical Director: Tom Deering
Choreographer: Drew McOnie
Casting Director: Wojcik | Seay Casting

Present in the room will be Wojcik/ Seay Casting: Scott Wojcik, Gayle Seay, Holly Buczek .

OTHER DATES

Rehearsal Date(s): 8/26/19
Opening Date(s): 10/1/19
Closing Date(s): Fall 2020 TBD

OTHER

All Stage management positions are available. To be considered for Stage Management
positions only please email resumes to JCSSMSubmissions@wlpshows.com. Note: Actors please DO NOT submit. This is for SMs only.

EPA Procedures are in effect for this audition.

An Equity monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

BREAKDOWN

Story line: One of the greatest stories ever told comes to life in the groundbreaking, iconic rock opera that reinvented musical theater for the modern age. With music by Andrew Lloyd Webber and lyrics by Tim Rice, this global blockbuster tells the story of the final weeks in the life of Jesus Christ, from the perspective of Judas Iscariot. As Christ’s followers grow more fervent, Judas must make his fateful choice between faith and betrayal. Filled with an exciting mix of musical styles that draw upon 1970s rock, gospel, folk, and funk themes, this contemporary imagining of the biblical tale features high-energy dance and powerful storytelling.

The Production brings the focus back to the show’s origins as a rock concept album, emphasizing a rock concert aesthetic rather than musical theater.

Specifically looking for outstanding singers who have an authentic feel, understanding & passion for the sound & music of late 60s/early 70s rock music. In particular The Beatles, Gloria Jones, Led Zepplin, Stevie Wonder, Carol King, James Taylor, Joni Mitchell & Pink Floyd. Performers with strong individual identity, ability to communicate beyond the fourth wall in a very large house and be free and creative during the rehearsal process. Instruments (especially guitar) a huge plus for all roles. ALL ETHNICITIES WELCOME

PRINCIPALS

[JESUS]
Rock tenor; 20s- 30s. Chest voice B2-Ab4, powerful falsetto/scream up to G5. This role demands a well-rounded baritone voice that also has a super extended upper register- virtuosity coupled with sensitive musicianship a must. Think James Taylor meets Steve Tyler.

A true “rock star”, comfortable addressing a group of 12 or an arena of 12,000. This role does not dance but must be comfortable moving. Please note if you can play acoustic guitar as it is preferred for the role.

[JUDAS]
Rock/soul tenor; 20s-30s. (E3-D4 (+). This role requires an agile and sensitive voice with access to extremely high registers across a full dynamic range. Stylistically drawing a great deal from soul music, useful reference points would be Stevie Wonder/Murray Head.

He is the antagonist of the show, concerned that fame is getting in the way of the message of social justice. Someone who can tell a story through a melody, with exquisite diction and intonation. This role does not dance but must be comfortable moving.

[MARY]
Belt mezzo; 20s –30s. (G#3-C5) A former prostitute, now follower of Jesus, grappling with her feelings and her faith. Seeking singers who can communicate her solo as more than just a simple love song. This role does not dance but must be comfortable moving. Drawing its influence from early 70s pop, this role requires musical simplicity & excellent phrasing. Think Joni Mitchell/Carol King. (No riffing required)

[PILATE]
Baritone or Baritenor; 30s – 40s. (A2-Bb4) A strong baritone with extended high register. Think Bob Dylan, Paul McCartney, Robert Plant. A diverse musical journey through both acts requires a singer of great stillness, yet with the ability to tear the roof off in the final bars. Guitar skills preferred.

[ANNAS]
Male; 30s – 40s. (E3-D5) Funky high rock/soul tenor, with a great flair for swing & groove. Shrill, tightly wound, sadistic high priest. Strong Mover.

[CAIAPHAS]
Male, low bass (C#2-F4). 30s - 40s. A strong bass with a baritone range. Must have great feel for groove & an astonishing musical presence. Should look and act very cool. Strong Mover.


Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.

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