Gary Naylor - Page 47

Gary Naylor sees an adult panto in which everyone has a lot of fun with the usual mix of crazy costumes and corny quips.

Gary Naylor sees an extraordinary double bill, executed with complete confidence, providing three hours of heart-wrenching entertainment.

Gary Naylor sees an ambitious and original concept for musical theatre that does not reach its potential due to both creative and technical flaws.

Gary Naylor sees Judy Garland brought back to life by three very fine performances in a show that is at its best when the songs are being sung.

Gary Naylor sees another fine seasonal offering from Chickenshed that entertains and, ever so gently, educates kids (and adults) about a better world.

Gary Naylor sees a tremendous performance that brings a French cultural icon back to life at a time when Paris needs its history and its narrative of pleasure amidst the pain.

Gary Naylor sees a confident and technically accomplished adaptation of a classic that provides classy entertainment as an alternative to panto.

Gary Naylor sees the work of three Kings of Broadway, their gifts to fans of musical theatre as valuable as any gold, frankincense and myrrh.

Gary Naylor sees a show full of good songs and good singing that would be improved by the links that bring polish to a fine cabaret performance.

Gary Naylor sees a fine tribute to an all-time great of musical theatre and film only slightly let down by failing to give such majestic songs their full due.

Gary Naylor sees a show that has its flaws but has the audience laughing out loud with silly gags, appalling stereotypes and witty songs.

Gary Naylor sees a remarkable adaptation of Medea, one that allows the children to tell the story of their tragic fate.

Gary Naylor sees two plays by Terence Rattigan, the first delving into the darker elements of the soul and the second provoking plenty of laughs.

Gary Naylor sees a star-studded production of The Winter's Tale that doesn't quite convince in overcoming the problems of one of Shakespeare's problem plays.

Gary Naylor sees a fine new musical that takes impressive base material and creates a musical that raises the emotional stakes even higher.

Gary Naylor sees a spectacular revival of Eugene O'Neill's hardboiled story of a hardcase who just can't fit into a world that doesn't really want him.

Gary Naylor sees the European premiere of a play that has plenty to interest the audience, but not quite enough to engage it.

Gary Naylor sees the revival of an old favourite from Saturday night television in the years long before it was captured by Simon Cowell and his clones - for whom no number of raspberries can be too many!

Gary Naylor sees a fine selection of Sondheim's extraordinary songs delivered by an all-star cast for two very good causes in the magnificent setting of the Theatre Royal Drury Lane.

Gary Naylor sees an innovative take on Romeo and Juliet which gets plenty of laughs early on before a descent to murder and suicide.