Gary Naylor - Page 47

Gary Naylor sees a production of a Shakespearean classic that starts unconventionally and spins off into mayhem!

Gary Naylor sees a 20th century classic that makes plenty of demands on its audience but rewards it with a rich mix of politics, stylistic innovation and insight into human nature.

Gary Naylor sees a fine production of the Swedish classic about class, sex and social norms that retains its relevance over a century since Strindberg wrote it..

Gary Naylor sees a searing drama brilliantly written and performed which acts as a call to action as this must surely never be allowed to happen again.

Gary Naylor sees Wagner's Ring Cycle done in two hours in a production that doesn't quite locate its target audience.

Gary Naylor sees a gig, a story and a vision of a dystopian nightmare all in one from Dom Coyote and his band of fine musicians.

Gary Naylor sees a play that has a curious structure but too flimsy and over-familiar a plot to carry a production that boils down to two men talking.

Gary Naylor sees a fine performance in a concert / play that shines a light on a somewhat neglected but important figure in the 1960s counterculture.

Gary Naylor sees a fine reconstruction of two episodes of Round The Horne, performed with great skill and vim, giving us a window on a show the influence of whicht echoes across half a century.

Gary Naylor sees a fine black comedy that has lots to say 33 years on from its premiere and showcases three tours-de-force from the three actors

Gary Naylor sees some magnificent singing and dodgy acting in something best described as a 'Jukebox Opera'.

Gary Naylor sees an ill-focused but nevertheless rewarding Sondheim musical about two brothers who each succeed and fail in their own ways.

Gary Naylor sees a 21st century circus with plenty of links to the traditions of the past.

Gary Naylor sees a Hamlet (well, three Hamlets) in Peckham that tells its tale with great clarity and no little wit.

Gary Naylor sees a wonderful play written and acted with great skill that left him with a skip in his step and a paragraph for his Best Of Theatre 2106 already.

Gary Naylor sees a showcase performance of Muted, a rock musical in its development phase.

Gary Naylor sees an important and perfectly scripted and acted play about power in the workplace and consent outside it.

Gary Naylor sees the Kenneth Branagh Theatre Company's production of Red Velvet raise questions about ethnicity and art that resonate through the generations.

Gary Naylor gets an insight into one of British comedy's great eccentric talents, whose life was blighted as much as celebrated by his success.

Gary Naylor sees a new comedy that pleases without ever really convincing - a play rather too middle-class and (surprisingly) too middle-aged to hit the funny bone with a smack.