Gary Naylor - Page 44

Gary Naylor sees a play that covers some old ground in old and insensitive ways and concludes that it wasn't the best choice of what was available.

Gary Naylor sees a show that mixes warm and witty comedy with hard edged physics to create something both mentally stimulating and terribly entertaining.

Gary Naylor sees a strange, unsettling but fascinating play set in 1960s France, but it could be anywhere any time.

Gary Naylor sees a new musical which gets plenty right - and one or two things wrong!

Gary Naylor sees a Lear that resonates more through its political themes than its psychological or sexual elements - and sends a message to us all before the upcoming Referendum.

Gary Naylor sees a much performed cult musical that does its best work in the songs and the memories it brings forward.

Gary Naylor sees a Richard II for today which succeeds largely, if not totally, in its contemporary staging.

Gary Naylor sees a show that places an actor who is somewhat the worse for wear into Shakespeare's most loved play and then sees what comes of it - the title admirably clear!

Gary Naylor sees a skilful skewering of politics' favourite son, the blond bombshell Boris, Mayor of London and (maybe) next World King.

Gary Naylor sees an occasionally brilliant, occasionally confused new opera about life lived against the clock in the 19th century East End of London.

Gary Naylor sees a production that loses its way as a result of forgetting that the most important things to get right in musical theatre are the voices.

Gary Naylor sees an ambitious and, at times, genuinely interesting play that ultimately fails to achieve its potential.

Gary Naylor sees a very strange revival of a 1950s Broadway show saved by some fine singing and sensational songs.

Gary Naylor sees a smart revival of a Nineties Ayckbourn comedy that gets through some tricky theatrical challenges to deliver a funny and thought-provoking play.

Gary Naylor sees a new take on the stroy of Alan Turing, the war hero and computer scientist whose sexuality led the state to bring him down.

Gary Naylor sees a play that showcases late Tennessee Williams in an intense examination of a relationship coming towards its natural conclusion.

Gary Naylor sees the kind of show that will never will never appear in the nominations for prestigious awards, but was an ideal way to spend a Friday night up West.

Gary naylor sees a play that understands that people can change bu also that finding the person who catalyses that reaction is much harder than it looks.

Gary Naylor sees a traditional farce in a new translation that succeeds, but might work better if a little shorter and a little slower.

Gary Naylor has an issue with the Olivier Awards. See what our chief London reviewer has to say about it...