Gary Naylor - Page 46

Gary Naylor sees a wonderful play written and acted with great skill that left him with a skip in his step and a paragraph for his Best Of Theatre 2106 already.

Gary Naylor sees a showcase performance of Muted, a rock musical in its development phase.

Gary Naylor sees an important and perfectly scripted and acted play about power in the workplace and consent outside it.

Gary Naylor sees the Kenneth Branagh Theatre Company's production of Red Velvet raise questions about ethnicity and art that resonate through the generations.

Gary Naylor gets an insight into one of British comedy's great eccentric talents, whose life was blighted as much as celebrated by his success.

Gary Naylor sees a new comedy that pleases without ever really convincing - a play rather too middle-class and (surprisingly) too middle-aged to hit the funny bone with a smack.

Gary Naylor sees a no holds barred parable of life on the edges of society amongst kids who have never developed the moral compass to survive in a society.

Gary Naylor sees a clever and funny satire about the way social media has gripped our lives and the way Facebook has gripped social media,

Gary Naylor sees the much loved host of Pointless and fixture at British comedy's top table go back to his musical roots to deliver a splendidly entertaining show.

Gary Naylor sees a one-woman show that tells of the triumph of music and decency over hatred and fear.

Gary Naylor sees an innovative and stylish adaptation of Doctore Jekyll and Mr Hyde which, somewhat appropriately, is good in parts.

Gary Naylor sees an interesting and important idea exploited both for its comic potential and as a warning about the powers of demagoguery.

Gary Naylor sees a superbly acted, tension-packed slice of 1960s American life based on a true story delivered in a venue ideally suited to its material.

Gary Naylor sees a powerful and important production that is of its time, but speaks with a loud and clear voice to our own.

Gary Naylor questions whether how we should react to the portrayal of mental suffering on stage and whether the time has come to consider it as the equivalent of the infliction of physical suffering.

Gary Naylor sees the well executed European premiere of a musical based on a cult classic movie, but is left ill at ease about its content.

Gary Naylor looks back on over 100 reviews to pick plenty of Christmas crackers and a few Christmas turkeys after another wonderful year in London Theatre.

Gary Naylor sees another version of Dick!, Leicester Square's favourite adult panto, still firing out the gags and the filth at an audience only too pleased to lap it up!

Gary Naylor sees a beautiful production of a Christmas favourite that costs a lot, but delivers every penny in an all round sensory delight.

Gary Naylor sees another fine and funny pantomime from the boutique opera company that never misses the chance to lower the baritone if there's laughs to be had.