Gary Naylor

Director, Daniel Bailey, follows up his hit Red Pitch with a play that cannot locate the detail it needs to step out of a generic plot

Words run out, as The Voice is lost and recovered

Confusing take on Macbeth packs too much innovation into its 90 minutes runtime

Lisa Lintott's debut play sheds light on Britain in the 70s and leaves us with much to ponder as to whether we've progressed far enough

Damiano Michieletto brings plenty of pizzazz to Offenbach's crowdpleaser, but wastes some of his on-stage talents

Intellectually stimulating, if somewhat bloodless, version of a tragedy born of racism, jealousy and naivety

New stage version of Stanley Kubrick's black comedy lands with as much force today as it did in cinemas 60 years ago

A personal show with plenty of 'Wow!' and a nice counterpoint to the gods of magic who deliver miracles from on high

Incomprehensible drama fails to breach the cultural gap between Japan and England

Isabella Bywater ratchets up the tension, as Ailish Tynan and Jerry Louth shine as the governess and her male charge

If you're a parent, brace yourself - and enjoy the glorious singing and fine music writes our critic about TROUBLE IN TAHITI and THE QUIET PLACE.

The Other Place brings thousands of years of history and all the power of theatre to bear on its dissection of the dynamics of grief, transgression and despair

Part-nostalgia, part-reclaiming under-represented lives, this one-woman show, transferring from Edinburgh, is a delight

Touring production will pull in fans of the book, but needs to find something more to say if it is to convert those new to the story. See what our critic thought of the production.

Bold Anglo-Japanese production fizzles out when it needs to take off like a rocket

Euripides in W6? A distressingly close fit.

John Lithgow impresses as Roald Dahl in an unconvincing drama that is unlikely to change many minds

New play packs plenty of ethical questions into an engaging and fascinating production that offers much to think about on the way home

Icarus Theatre show how new tech can tell old tales