Alex Freeman - Page 2

We have stories from the decline of intervals in London productions to significant organizational changes in regional and international theaters. Other stories include the financial challenges faced by Berkeley's Aurora Theatre, the preservation efforts for Washington's National Theatre, and the strategic rebranding of arts organizations.

In New York, leadership transitions at Lincoln Center signal a new chapter, while regional theaters like Timeline and Hudson Valley Shakespeare Festival push forward with ambitious projects despite financial hurdles. Internationally, theaters like the Bristol Old Vic and the Old Vic in London grapple with ethical and economic dilemmas.

In this week's newsletter, we look at national trends impacting arts organizations, including financial shifts and attendance barriers from three different data sources. Moving to New York, we cover Soho Rep's relocation, Signature Theatre's interim leadership, and Under the Radar Festival's upcoming season.

Before joining Allied Global Marketing, Suzanne began her career as a television producer/editor and taught producing and media buying at Columbia College. She later served as the Creative Director at Sitrick Advertising, managing media buying for major accounts including Ty Inc. (during the Beanie Babies craze) and the Chicago Cubs.

We highlight the U.S. House of Representatives' decision to preserve NEA funding, the new collective bargaining agreement between Actors' Equity Association and the Off-Broadway League, and a GoFundMe campaign to save the West Bank Cafe and Laurie Beechman Theatre. Additionally, IATSE joins the No Times Square Casino Coalition.

Tom Viola, Executive Director of Broadway Cares/Equity Fights AIDS, announced his retirement, and we look at the closure of New York's iconic West Bank Cafe and Laurie Beechman Theatre. Additionally, NYC's HERE Arts Center names four new co-directors, and the beloved Broadway Flea Market & Grand Auction returns this September.

This week's newsletter celebrates New York City's record $254 million investment in cultural institutions. Regionally, Milwaukee theaters respond artistically to the Republican National Convention, and new leadership appointments at Virginia Repertory Theatre and Shakespeare Center Los Angeles promise fresh visions.

BroadwayWorld launches its Trendsetters program to connect influencers and shows, while Drabinsky's legal woes continue with a lost appeal. SOLT and UK Theatre call for governmental support, while QPAC appoints a new Chief Executive. Additionally, the UK Labour Party proposes substantial cultural funding boosts, aiming to revitalize the arts sector

New leadership appointments at Playwrights Horizons and Second Stage signal strategic shifts, while a regionally, new managing directors at STAGES and Creede Repertory Theatre promise fresh visions, the RSC's first London Executive Producer aims to expand its influence.

Jonathan Vietze, the Senior Director of Series Marketing at Segerstrom Center for the Arts, brings 26 years of creative and fun-loving leadership to the performing arts industry. A goal-oriented marketing executive, Jonathan excels at leading teams from strategy development to campaign completion, consistently bringing out the best in others.

We highlight the Situation Project's fundraising campaign for arts education, a viewership drop for the Tony Awards, and Actors' Equity Association's contract halt amid negotiations. Regionally, we explore the economic boost from Hennepin Theatre's Broadway season and the significant arts funding veto by Florida's Governor Ron DeSantis.

This week, we are connecting the excitement of award season with the realities facing theaters. We'll catch you up on the Tony Awards' memorable moments, including a complete winners list and behind-the-scenes photos. Exclusive essays from producers Jeffrey Richards and Rachel Sussman offer personal insights into their Tony-nominated productions.

Starting tonight with a special preview episode, 'The Broadway Cast' with Ben Cameron is coming to BroadwayWorld. Also, we report on the indefinite postponement of NYC's congestion pricing plan. Stories include the Cultural Solidarity Fund's COVID relief efforts, Public Theater crew members joining IATSE.

This week we celebrate Baltimore's CJay Philip for her upcoming Tony Award in theater education and LaChanze's launch of a new multimedia production company. On a concerning note, Ticketmaster has experienced a major security breach. Finally, we examine the pressing need for unity in the arts community amidst ongoing discord and funding debates.

As we hit the final stretch ahead of the Tony Awards, this week we’re including the first in a series of guest essays from the producers of the Best Production nominees, with this installment from Tommy producers Stephen Gabriel and Ira Pittelman.

In California, a victory for AEA in their recent union election at Disneyland means the character and parade performers at the resort will be joining the actors union, while in Minnesota, the Guthrie faces further financial challenges after a reported $3.8 million shortfall during the 2023 fiscal year.

Michael has been a part of the STAGES St. Louis team for three years now. Initially hired as Marketing Assistant, Michael's marketing journey landed him the department head position at the early age of 25. His strategic prowess and creativity have since led campaigns for many shows at STAGES St. Louis, beginning with the World Premiere of THE KARATE KID - The Musical.

In California, the continued momentum of the labor movement from last year continues on as dates are now set for the union election at Disneyland Resort in California. Job shuffles continue in key leadership positions, and Mark Morris Dance Group shows that dancers are athletes as part of a new show on ESPN+.

As awards season gets fully underway with the Tony Award Nominations announced last week, and the Lortel Awards last night, the industry gets ready to celebrate the incredible work on the New York stage this past season - a season crowded with celebrities, big revivals, and exciting new shows.

Reports from both New Zealand and the United States show that not only is participation in the arts not waning, there is a large population that holds an interest in engaging with the arts. The question emerges of how best to reach these audiences with the right information and prices that can turn them from being curious to regular attendees.