Alex Freeman - Page 2

New leadership appointments at Playwrights Horizons and Second Stage signal strategic shifts, while a regionally, new managing directors at STAGES and Creede Repertory Theatre promise fresh visions, the RSC's first London Executive Producer aims to expand its influence.

Jonathan Vietze, the Senior Director of Series Marketing at Segerstrom Center for the Arts, brings 26 years of creative and fun-loving leadership to the performing arts industry. A goal-oriented marketing executive, Jonathan excels at leading teams from strategy development to campaign completion, consistently bringing out the best in others.

We highlight the Situation Project's fundraising campaign for arts education, a viewership drop for the Tony Awards, and Actors' Equity Association's contract halt amid negotiations. Regionally, we explore the economic boost from Hennepin Theatre's Broadway season and the significant arts funding veto by Florida's Governor Ron DeSantis.

This week, we are connecting the excitement of award season with the realities facing theaters. We'll catch you up on the Tony Awards' memorable moments, including a complete winners list and behind-the-scenes photos. Exclusive essays from producers Jeffrey Richards and Rachel Sussman offer personal insights into their Tony-nominated productions.

Starting tonight with a special preview episode, 'The Broadway Cast' with Ben Cameron is coming to BroadwayWorld. Also, we report on the indefinite postponement of NYC's congestion pricing plan. Stories include the Cultural Solidarity Fund's COVID relief efforts, Public Theater crew members joining IATSE.

This week we celebrate Baltimore's CJay Philip for her upcoming Tony Award in theater education and LaChanze's launch of a new multimedia production company. On a concerning note, Ticketmaster has experienced a major security breach. Finally, we examine the pressing need for unity in the arts community amidst ongoing discord and funding debates.

As we hit the final stretch ahead of the Tony Awards, this week we’re including the first in a series of guest essays from the producers of the Best Production nominees, with this installment from Tommy producers Stephen Gabriel and Ira Pittelman.

In California, a victory for AEA in their recent union election at Disneyland means the character and parade performers at the resort will be joining the actors union, while in Minnesota, the Guthrie faces further financial challenges after a reported $3.8 million shortfall during the 2023 fiscal year.

Michael has been a part of the STAGES St. Louis team for three years now. Initially hired as Marketing Assistant, Michael's marketing journey landed him the department head position at the early age of 25. His strategic prowess and creativity have since led campaigns for many shows at STAGES St. Louis, beginning with the World Premiere of THE KARATE KID - The Musical.

In California, the continued momentum of the labor movement from last year continues on as dates are now set for the union election at Disneyland Resort in California. Job shuffles continue in key leadership positions, and Mark Morris Dance Group shows that dancers are athletes as part of a new show on ESPN+.

As awards season gets fully underway with the Tony Award Nominations announced last week, and the Lortel Awards last night, the industry gets ready to celebrate the incredible work on the New York stage this past season - a season crowded with celebrities, big revivals, and exciting new shows.

Reports from both New Zealand and the United States show that not only is participation in the arts not waning, there is a large population that holds an interest in engaging with the arts. The question emerges of how best to reach these audiences with the right information and prices that can turn them from being curious to regular attendees.

Charleston Stage has a new Managing Director, and Dallas Theater Center has a new interim Artistic Director. Along with these movements of the regional leadership carousel, Seattle Opera has introduced a new Artistic Ambassador, a role designed to help bridge the gap between the stage and the community, and foster new audiences.

Stephanie Schloss is the Founder and CEO of Schloss Marketing Solutions, a boutique entertainment advertising agency, and helps score sold-out productions using today's most innovative data-driven strategies in digital advertising.

As news of additional cuts comes from more councils in the UK, in the US, a new piece of legislation looks to support the still struggling live entertainment industry as it emerges into the new normal. As evidence of the need for such action, we’ve got stories about layoffs at a New Jersey NPR station, as well as another urgent fundraising plea.

In a sign of an industry on the rebound, Center Theatre Group in Los Angeles is getting ready to announce a return of programming at the Mark Taper Forum, where production was paused last year while the organization went through a budget crunch. Additionally, following the casting of a Black actress in the role of Juliet, an upcoming West End production of Romeo and Juliet from the Jamie Lloyd Company started dealing with racist backlash online - we’ll show you how the company responded.

This week, stories abound about the impact funding can have on the arts - from the UK, an editorial about how the collapse of funding for the creative industry was predictable. In the US, we have stories of large gifts making a huge impact - no-cost rentals at 59E59 - as well as changes to the way Florida is apportioning their arts budget.

Annisha Hinkle is the Senior Manager, Promotions and Partnerships with the Los Angeles Philharmonic, where she works on campaigns for LA Phil shows and other events happening at the Walt Disney Concert Hall, the Hollywood Bowl, the Ford, and beyond.

The storm of openings has begun on Broadway, as we prepare for what will be an even busier April leading into the conclusion of the 2023-2024 Broadway season. Amidst that storm, great work continues off-Broadway, as Cara Joy David reminds us when she pays a visit to Dead Outlaw.

As the unionization wave continues to move through theatrical workers across the country, two developments last week highlighted the movement: the Public Theatre declined to voluntarily recognize the unionization effort of their workers, and workers at the Goodman Theatre sought their own union affiliation.