Following on from a sold out debut run at the Old Red Lion Theatre earlier this year, Dora Maar is back for more.
Dora Maar (1907-1997) was a prolific photographer, hailing as one of the first artists in the surrealist movement. However in today’s conversations, her name only appears after a man’s: the infamous Pablo Picasso. He needs no introduction (and we are not inclined to give one). History holds Dora’s romantic involvement with him as the only memorable thing about her, but in this play, Dora is here to tell you differently. Delving into the deepest depths of her career, and his cruelty, battling to escape the association with Picasso that looms over her, and face the question of whether erasing him from her legacy would inevitably mean erasing herself further.
"DELICIOUSLY SNARKY... ONSTAGE MAGIC" - Fringebiscuit
"TENSE, EXHILARATING AND INSTRUCTIVE" - The Quinntessential Review
Written and created by Nadia Jackson
Directed by Spiky Saul
Produced by Amar Singh
Follow us on instagram - @maar.dora.theplay
The Great Gatsby (11/28/24-12/14/24)
Tahmine Named Him Sohrab (12/1/24-12/1/24)
Twelfth Night (12/2/24-12/3/24)
Smokestack Farewell (12/8/24-12/8/24)
Do Horses Have Teeth, Sir? (12/20/24-12/22/24)
The Cockpit is at The Cockpit, Gateforth Street, London, NW8 8EH, London.
Twelfth Night (11/14/24-11/16/24)
It Only Takes One of Us (11/12/24-11/12/24)
An Evening Of Unnecessary Detail - The First Draft Sessions (11/11/24-11/11/24)
Guinea Pigs (11/10/24-11/10/24)
You Can Take Me Home Toni (11/9/24-11/10/24)
Stampin' in the Graveyear (11/8/24-11/9/24)