Following the enormous success of 2024’s celebration of International Women’s Day show ‘Those Were the Days’, Clare Summerskill is hosting another star-studded evening of comedy and music. This performance is a Benefit for Women's Aid.
ARTISTS INCLUDE:
Fatiha El-Ghorri – TV appearances include: The Great Sewing Bee and Jonathan Ross’ Comedy Club. Author of The Perks of My Hijab
Martha D. Lewis and Eve Polycarpou – ‘Martha and Eve combine talent, charm and the friendliest charisma with spine-tingling vocals, stunning songs, impeccable harmonies and infectious humour’. The Observer
Maureen Younger – 2023 Finalist in British Comedian of the Year. Regular appearances at The Comedy Store.
‘If you have been lucky enough to see her perform you will be fully aware of just how funny and infectious this women is’. Time Out
Bollyqueer – As seen on Bend it like Bollywood, BBC3.
Jessica Wilde - Soul Singer, Spoken Word and Rap Rhymer. Radio 1, Glastonbury.
Alice Arnold – Presenter on Mellow Magic Radio and former BBC Radio 4 newsreader.
Clare Summerskill – As seen on Richard and Judy (C4). ‘A Lesbian Victoria Wood!’ BBC Radio 4 Women’s Hour . ‘One of the funniest women in the country.’ What’s On Magazine
PLUS -- a very special guest star!
Picture this: You’re sinking into a plush, velvet Broadway seat, the kind that makes you feel fancy even if you snuck in a bag of gummy bears. The lights dim, the crowd hushes, and then—BAM—you’re hit with a sensory explosion. Flashing lights that could rival a Vegas marquee, a soundtrack that thumps like a slot machine hitting the jackpot, and actors who move with the precision of a poker pro pulling off the ultimate bluff. Welcome to the new Broadway, where the drama of the stage is crashing into the electric, heart-pounding energy of the casino floor. And guess what? It’s a wild ride you won’t want to miss. Platforms like Royal Reels are proving that this fusion of risk, reward, and spectacle isn’t just for theaters—it’s taking over entertainment everywhere.
When Theater Meets Vegas: All Bets Are On
Let’s face it—Broadway’s always been a gamble. Producers drop millions hoping a show clicks, actors pour their souls into roles that might flop, and audiences? They’re shelling out $200 a ticket, praying they don’t get stuck watching a snoozefest. It’s show business. But now, theaters are doubling down on casino-style thrills. Think suspense so thick you could cut it with a knife, plot twists that hit like a roulette ball dropping, and stage tech so flashy it’d make a Cirque du Soleil DJ blush.
And why not? Casinos have spent decades perfecting the art of keeping you hooked—dimmed lights, heart-pounding music, and that sweet, sweet dopamine hit when risk turns to reward. Broadway’s stealing a page from that playbook. Do you like fast scene changes? Check. Dramatic lighting that screams “BET EVERYTHING ON RED!”? Oh, you bet. It’s like Hamilton and Ocean’s 11 had a baby, and you’re not just watching the show—you’re in the heist. You’re the getaway driver, the mastermind, the one sweating bullets as the plan unfolds. The stage isn’t just a stage anymore; it’s a high-stakes casino table, and every scene is another roll of the dice.
Tech’s Stealing the Spotlight (And We’re Here For It)
Gone are the days of cardboard sets and creaky stage traps. Today’s Broadway is all about holograms, 360-degree sound that wraps around you like a blanket, and AR tricks that turn your Playbill into a portal. Imagine watching Wicked and suddenly Glinda’s bubble floats right past your nose—thanks to augmented reality. Or live-streamed performances where you can vote via app to change the ending. (Sorry, Romeo—Juliet lives tonight!)
According to Deloitte, audiences now crave experiences that slap them in the feels and the eyeballs. So, Broadway’s gone full mad scientist: blending film-grade CGI, interactive apps, and sound design so crisp you’ll swear the orchestra’s in your lap. It’s like Netflix binge-watching… but with sequins and a live audience gasping in unison.
Casino Tricks: Why We Can’t Look Away
Here’s the secret sauce: suspense. Casinos know it. Broadway’s learning it. Whether it’s the tension of a blackjack hand or the gasp when a chandelier crashes in Phantom, both worlds thrive on “OMG, what happens next?!” energy.
Casinos use tricks like:
Lighting: Mood shifts so sudden they give you whiplash.
Sound: Slot machine dings that make your brain go “MORE!”
Pacing: Slow burns that explode into payoff moments.
Sound familiar? It’s Act 3 of every great play. Now imagine a musical where the audience votes via app to steer the plot—choose-your-own-adventure meets Les Mis. Risky? Absolutely. But as Statista notes, the casino industry rakes in billions by leaning into risk. Broadway’s thinking: “Hold my Tony Award.”
The Future? It’s Glittery, Loud, and Unapologetically Extra
Data’s the new diva in town. Producers are crunching numbers like blackjack dealers, using analytics to figure out why that ballad made audiences sob or that joke bombed harder than a magic trick on America’s Got Talent. Harvard Business Review calls it “audience neuroscience.” We call it *“Finally, someone’s explaining why we ugly-cried at Dear Evan Hansen.”
And let’s not forget hybrids like live-streamed Broadway roulette—where you watch a rotating cast of actors, never knowing who’ll play Elphaba tonight. It’s chaotic. It’s thrilling. It’s exactly the kind of gamble that’ll have millennials and Gen Z swiping their credit cards faster than you can say “encore.”
Curtain Call: Broadway’s All-In
So what’s next? Imagine a Lion King remix where AR animals prowl the aisles. Or a Book of Mormon spin-off where the audience bets fake cash on how many swear words the cast drops. The line between theater and casino is blurring faster than a drunk guy at a craps table.
But here’s the kicker: It works. Just like a jackpot win or a standing ovation, this mashup taps into our primal love for risk, reward, and spectacle. Whether you’re a theater nerd or a poker pro, the new Broadway promises one thing—you’ll leave buzzing, wallet lighter, heart fuller, and already texting the group chat: “We gotta see that AGAIN.”
Journey to Nutopia: Mutate and Survive 2025 (3/30/25-3/30/25)
Dumping (4/1/25-4/2/25)
Roadside (4/4/25-4/6/25)
The Little Prince (4/9/25-4/12/25)
Out Of My Head (4/14/25-4/19/25)
Re-Enchant: April (4/20/25-4/20/25)
The Cockpit is at The Cockpit, Gateforth Street, London, NW8 8EH, London.
Mozart: Don Giovanni (3/26/25-3/29/25)
Re-Enchant: March (3/16/25-3/16/25)
Hamlet (3/12/25-3/22/25)
“The eulogy - Ο επικήδειος” (3/9/25-3/20/25)
Great Expectations (3/6/25-3/7/25)
Where We Meet (2/28/25-3/2/25)
Conversations We Never Had, As People We'll Never Be (2/25/25-2/27/25)
Mariupol (2/5/25-2/22/25)
Exit Who? (1/31/25-2/1/25)