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Edinburgh Festival

Edinburgh Festival Articles


EDINBURGH 2018 - BWW Review: THE EGG IS A LONELY HUNTER, Summerhall
by Amy Hanson - August 10, 2018

A monologue by Hannah Mamalis, The Egg Is A Lonely Hunter is a wry, absurd piece that finds humour in both the mundane and the extraordinary, from talking horses to being overly conscious of one's body.

EDINBURGH 2018 - BWW Review: THE FROGS, Theatre Bath Bus
by Amy Hanson - August 10, 2018

Adapted from the comedy of Aristophanes, The Frogs features the god Dionysus, aghast at the state of theatre, descending into the Underworld on a mission to bring back the greatest playwright of all time in a bid to save civilisation through the arts.

EDINBURGH 2018: BWW Interview: Anna Morris
by Natalie O'Donoghue - August 11, 2018

BWW catches up with comedian and actress Anna Morris to chat about performing Bombastic at the 2018 Edinburgh Festival Fringe.

EDINBURGH 2018: BWW Interview: Tom Lenk
by Natalie O'Donoghue - August 9, 2018

BWW caught up with Tom Lenk to chat about performing in Tilda Swinton Answers An Ad On Craigslist at the 2018 Edinburgh Festival Fringe.

EDINBURGH 2018 - BWW Review, ANTIGONE NA H'EIREANN, Paradise in The Vault
by Amy Hanson - August 8, 2018

The ancient Greek tragedy Antigone is a hugely versatile piece, lending itself well to adaptations to situations far beyond its original Theban setting.  In this new adaptation by James Beagon, the play is set in the near future, where Brexit has resulted in a hard border with Ireland and consequent return to sectarian violence.  This is a setting that works well with the themes of rebellion, religion and family relationships of Sophocles' original text.

EDINBURGH 2018 - BWW Review, CARD NINJA, Gilded Balloon Teviot
by Amy Hanson - August 8, 2018

All the way from New Zealand, Javier Jarquin has always wanted to be a ninja.  With martial arts lessons proving disappointing and traditional weapons like nunchaku hard to master, Javier instead dedicated his time and effort to adapting playing cards into deadly shuriken.  In this show, he attempts to pass through a series of trials that proves he has what it takes to be a true ninja.


EDINBURGH 2018 - BWW Review: MINISTERS OF GRACE, TheSpace on the Mile
by Amy Hanson - August 8, 2018

Here at the world's biggest arts festival, creatives and artists from all over the globe are tackling truly important questions, with surely none more crucial than what the result would be if Shakespeare had written seminal 80s classic Ghostbusters. REDuck Producktions have slapped Shakespearean language, costumes and setting on to the story of disgraced "philosophers" saving the public from the supernatural.

EDINBURGH 2018: BWW Review: SONG OF LUNCH, Pleasance
by Natalie O'Donoghue - August 10, 2018

Robert Bathurst (Cold Feet, Downton Abbey, Toast of London) and Rebecca Johnson (The Trip, The Flood) star in this hilarious and poignant drama of a disastrous attempt to rekindle lost love. Set in a Soho Italian restaurant, Costa Award winner Christopher Reid's verse comedy is exquisitely intertwined with glorious animations by Charles Peattie (Alex cartoon, Daily Telegraph) in this bittersweet tragi-comedy of love, loss and Chianti.

EDINBURGH 2018: BWW Review: TOAST, Traverse Theatre
by Natalie O'Donoghue - August 9, 2018

Nigel Slater's Toast is a new play based on his award-winning autobiography. Vividly recreating suburban England in the 1960s, Nigel Slater's childhood is told through the tastes and smells he grew up with. From making the perfect sherry trifle and waging war over cakes through to the playground politics of sweets and the rigid rules of restaurant dining, this is a moving and evocative tale of love, loss and... toast.

EDINBURGH 2018: BWW Review: ANNA MORRIS: BOMBASTIC, Voodoo Rooms
by Natalie O'Donoghue - August 9, 2018

The award-winning character comedian and star of Channel 4's Lee and Dean celebrates four sell-out shows at the Voodoo Rooms with a mash-up of her favourite creations.

Edinburgh 2018: BWW Review: THE SHOWSTOPPERS' KIDS SHOW, Pleasance Courtyard
by Fiona Scott - August 11, 2018

Showstoppers! have made a name for themselves as the UK's most acclaimed and in-demand musical improvisers, creating brand new musicals in a single evening. As well as bringing their usual hit show to the Edinburgh Fringe, they present a highly entertaining family-friendly edition of the Showstoppers! experience.

EDINBURGH 2018: BWW Interview: Ian Stroughair and Eliza Jackson
by Natalie O'Donoghue - August 8, 2018

BWW catches up with real-life besties Ian Stroughair and Eliza Jackson about the shows they've brought to the 2018 Edinburgh Festival Fringe.

EDINBURGH 2018 - BWW Review: GARRY STARR PERFORMS EVERYTHING
by Amy Hanson - August 7, 2018

Theatre, we are informed at the outset of the show, is a dying art.  A potentially controversial statement at the Fringe, but luckily for everyone, underappreciated actor Garry Starr is on a mission to save the art form.  Over the course of sixty minutes, he will attempt to perform every single genre of theatre in order to inspire his audience to new-found appreciation and enthusiasm for everything from melodrama to maskwork.

EDINBURGH 2018 - BWW Review, PASSIONATE MACHINE, Zoo Charteris
by Amy Hanson - August 7, 2018

We are all time travellers in our own way.  After all, what else is a to-do list but a message from a past self?  But what would happen if you started getting messages from a future version of you?  That is the intriguing premise of Passionate Machine, a one-woman show written and performed by Dr Rosy Carrick.

EDINBURGH 2018 - BWW Review: (NO) MONEY IN THE BANK, Sweet Novotel
by Amy Hanson - August 7, 2018

Thom Bee is a wrestling fan who wants to share his passion for the art of the squared circle with Edinburgh audiences.  He does this with the aid of comedy tag-team partner Balthazar Dark (Andrew Marsh), whose career failures have led him to something of an existential crisis.

EDINBURGH 2018:BWW Review: ASHLEY STORRIE: ADULTING, Counting House
by Natalie O'Donoghue - August 7, 2018

Scotland's favourite funny girl and viral internet sensation Ashley Storrie returns to Edinburgh with a brand-new show about not growing up. With the world most likely ending quite soon, Ashley believes we should all have a laugh and be a bit more honest particularly about the myth of 'adulthood'... nobody really grows up, we're just great at pretending!

EDINBURGH 2018: BWW Review: CATHERINE BOHART: IMMACULATE, Pleasance
by Natalie O'Donoghue - August 7, 2018

Catherine Bohart is the bisexual, OCD daughter of an Irish Catholic Deacon and she's got a hell of a lot to say about it. Debut show from a rising comedy star.

Edinburgh 2018: BWW Review: YOU'RE A GOOD MAN, CHARLIE BROWN, Paradise @ Augustines
by Fiona Scott - August 7, 2018

Clark Gesner's You're a Good Man, Charlie Brown first opened on Broadway in 1967, based on the Peanuts comic strip characters created by Charles M. Schulz. Charlie Brown (Cameron Kirby), Snoopy (Ellie Campbell) and friends are brought to life in this revival by Bare Productions directed by Dominic Lewis.

Edinburgh 2018: BWW Review: SHOWSTOPPER! THE IMPROVISED MUSICAL, Pleasance Courtyard
by Matt Elliot - August 9, 2018

Showstopper! The Improvised Musical makes a return visit to the Edinburgh Festival for its 11th consecutive year. The premise is simple; create a brand new musical from scratch at every performance, the execution is not.

Edinburgh 2018: BWW Review: JAY LAFFERTY: WHEESHT!, Gilded Balloon
by Fiona Scott - August 7, 2018

"Wheesht" is a Scottish expansion of "Shh", often used within the phrase "Haud yer wheesht' when telling someone to shut up north of the border. Seasoned Scottish comedian Jay Lafferty returns to the Fringe after being rated one of the top reviewed comedians at the 2017 Fringe Festival.

BWW Review: ALEX EDELMAN: JUST FOR US, Pleasance Courtyard
by Matt Elliot - August 9, 2018

Alex Edelman won Best Newcomer at the 2014 Edinburgh Fringe and now returns with his third solo show, Alex Edelman: Just for Us. From the moment he comes out on stage you know you are in for a top class evening of comedy.

Edinburgh 2018: BWW Review: SIX, Underbelly
by Matt Elliot - August 6, 2018

Six began as a Cambridge University student production before heading to the Edinburgh Fringe last year. It returns to Edinburgh this year following on from a successful run at the Arts Theatre in London and a UK tour.

Edinburgh 2018: BWW Review: COURTNEY ACT: UNDER THE COVERS, Underbelly
by Matt Elliot - August 6, 2018

Courtney Act will be best known to UK audiences from her winning stint Earlier this year in Celebrity Big Brother. More dedicated fans will know Courtney as Season 6 runner up of Ru Pauls Drag Race. She is in fine form as she takes us 'Under the Covers' of some of her favourite songs, accompanied by funny and sometimes touching stories about her life.

EDINBURGH 2018: BWW Review: TILDA SWINTON ANSWERS AN AD ON CRAIGLIST, Assembly
by Natalie O'Donoghue - August 6, 2018

With sold-out shows in New York and Los Angeles, a gay man's life implodes when actress Tilda Swinton (Buffy and Instagram star Tom Lenk) insists on studying him for her next big movie role

EDINBURGH 2018: BWW Review: WHAT GIRLS ARE MADE OF, Traverse
by Natalie O'Donoghue - August 7, 2018

In 1992 a schoolgirl from Fife was catapulted to a rock star life in an indie band. Touring with Radiohead, partying with Blur, she was living the dream. Until she wasn't. Based on her teenage diaries, this is the true story of Cora Bissett's rollercoaster journey from the girl she was to the woman she wanted to be. Performing with a live band, directed by Orla O'Loughlin, Cora celebrates life's euphoric highs and epic shitstorms, asking what wisdom we should pass to the next generation and which glorious mistakes we should let them make.


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