Edinburgh Festival

BriTANick: Dummy, a self-described “nonlinear, freeform sketch show” is performed by Brian McElhaney and Nick Kocher, the two members of BriTANick who are most well-known for their online sketch comedy as well as being writers for Saturday Night Live and It’s Always Sunny in Philadelphia.

Paul Williams: Mamiya 7 has a description that leaves much to the imagination. All we are told is that “Paul bought a second-hand film camera last year and it turned out the previous owner had left a used-up roll of film in it” and that this will be the theme of the show. And indeed, the description is not lying.

Eddy Hare: This One’s On Me begins on the topic of male pattern baldness, with Hare explaining that he first had a bald spot at the age of twenty, promising to reveal it to us by the end of the show, which had already been requested by one eager audience member. But, we soon delve into the main subject of the show - uncles.

Jake Roche: Neporrhoids certainly has one of the more interesting show starts of the Fringe. Roche kneels in front of a keyboard on the stage, pulling down his trousers and simulating having an orgasm while staring directly at the audience member in front of him.

Walking into Michael Kunze: Infinity Mirror, audiences are greeted by Kunze himself, who is standing on the stage making sandwiches. After taking a few orders from audience members, he then begins some audience participation, tossing slices of fake ham into the audience and encouraging them to throw them like a Frisbee onto the slice of bread.

As someone who has seen versions of Stamptown in both Edinburgh and London, I was very much looking forward to seeing the show at the 2024 Edinburgh Festival Fringe in the Pleasance Courtyard - Grand, a 750-seat venue.

Ivo Graham: Grand Designs is a show, according to Graham, made up of lists to deal with the chaos that the comedian has been facing. Throughout the hour we have with him, Graham discusses his love for football, his family and friends and how music has made an impact on his life.

‘It was great to entertain families while teaching them a lot about culture, from dance moves to cocoa' Her Royal Majesty Queen Angelique-Monet on bringing Ventriloquist Queen: A True African Queen to the 2024 Edinburgh Festival Fringe

From the beginning of Reuben Kaye: Live and Intimidating, you know you are in for something different than your usual Fringe show. This is something that Kaye acknowledges himself as he wanders through the crowd, declaring that he will be starting with the dark stuff, saying that his attitude is like “they recast Jaws with Camila Parker-Bowles'

Come Dine With Me: The Musical. is an adaptation of the hit television series that has four strangers cook meals for one another, ranking them in order to win the grand prize by the end. The show follows not only the contestants on the show but also those filming it, particularly the producer, Mary, camera operator, Roy, and sound man, Teddy.

Alex Prescot: I’ve Got A Song About That has quite the explanatory title - Prescot, a musical comedian, claims to have a song for every situation, and he is here to prove it through a show. We begin with crowd work, with Prescot asking audience members a range of questions.

With a book by Laura Kleinbaum, music by Jeff Daye and lyrics by both Kleinbaum and Daye, House of Cleopatra brings audiences into the world of the iconic queen through pop music in a club-like atmosphere. Audience members stand and watch as most of the action takes place on stage, though it does sometimes spill out into the crowd.

Cook is passionate about bathroom graffiti, and she’s not afraid to tell the world about it. Her thesis for her Master’s degree at Oxford was over 300 pages on bathroom stall graffiti, defining it as the oldest form of art and proving it through cave paintings and other examples.

Larry Dean: Dodger begins with Dean joking about what he thinks will be the first thing that people notice about him - his appearance. The audience is introduced to one of the central characters in his story, his nan, with her description of Dean, saying that he looks “left-handed.”

As soon as you enter the venue for Michelle Brasier: Legacy, you are greeted by Brasier herself, who welcomes you with a smile and asks for your name. She then asks others entering if they have the same name and, if so, what their last name is, hoping to find two that match.

Erin Farrington-Think Better: Manifesting Money, Real Estate and Hot People is a seminar in which audience members will “learn how to manifest a better life by simply just thinking hard and good.” Led by Farrington, we are going to learn how to properly manifest and become one with the universe, able to achieve whatever we want with thought alone.

As you are taking your seats for Eleanor Morton: Haunted House, you are greeted by a spooky voice, reminiscent of Disney’s Haunted Mansion attraction. Some of the disembodied voice’s comments include “There’s something watching you from the darkness . . .” and “Many a tech has gone mad down here,” setting the mood for the rest of the hour.

BWW caught up with Catinca Maria Nistor about bringing The Second Coming of Joan of Arc to the 2024 Edinburgh Festival Fringe.

Six Chick Flicks, less commonly known by its full name, Six Chick Flicks . . . or a Legally Blonde Pretty Woman Dirty Danced on the Beaches while writing a Notebook on the Titanic, written and performed by Kerry Ipema and KK Apple, takes audiences through the world of some of their favourite chick flicks, lovingly parodied by two fans.

Plastic Jeezus: Leave Them Wanting Less, a musical comedy by Simon and Aaron, is an hour of the duo playing ukuleles and singing, all while keeping a deadpan expression on their face.

Walking into Bishops: Farewell Bruce Porcelain, you are greeted by the titular bishops, Chris Curran and Noah Matthews, welcoming you to the funeral of Bruce Porcelain and handing out booklets with the order of service as an organ version of Toto’s “Africa” plays. However, this might not be the kind of funeral we are expecting!

The Conductor is a piece of physical comedy by Amadeo Fusca that tells the story of Salvatore Giovanni, a famous conductor known for his over-the-top performances. Amadeo Fusca has taken the character and fleshed it out into an hour-long show, giving audiences insights into the world of the “world-renowned conductor.”

Ellie MacPherson: Babe Lincoln begins with MacPherson, dressed as Abraham Lincoln, walking into the room on a pair of stilts, attempting to replicate the height of the iconic historic figure. We then receive a rendition of Smash Mouth’s “All Star,” which is quite the surprise for a cabaret from a historical figure!

A Jaffa Cake Musical, written by Sam Cochrane, is a new musical inspired by a tribunal in 1991 that focused on the titular snack, asking a question that would change history - “Is it a cake or is it a biscuit?”

Huge Davies: Album For My Ancestors (Dead) is a musical comedy hour in which Davies takes audiences through his family tree using songs, though the stories may not be what you expect.