EDINBURGH 2018 - BWW Review: WAR WITH THE NEWTS, Summerhall by Amy Hanson - August 11, 2018 Adapted from Karel Capek's 1930s sci-fi satire, War With The Newts is set on an oyster trawler, en route to a colony of human survivors after the titular conflict. Along the way, the show takes in issues of race, refugees, nationalism and animal experimentation. EDINBURGH 2018: BWW Review: PRIVATE PEACEFUL, Underbelly Cow Barn by Fraser MacDonald - August 12, 2018 The ability to hold the attention of the audience in delivering a complex, multi-character script with one actor makes this piece a real treat for audiences. EDINBURGH 2018 - BWW Review: SQUARE GO, Roundabout @ Summerhall by Amy Hanson - August 11, 2018 Max is hiding in the school toilets. There's only an hour left before he has to face a huge rite of passage in the form of a school gates fight with terrifying teenage tough guy Danny Guthrie. With best pal Stevie there to pump him up, or, more realistically, warn that he's in for a pounding, the two 13-year-olds explore what it means to be a man. Edinburgh 2018: BWW Review: NOTFLIX, Gilded Balloon Teviot by Fiona Scott - August 11, 2018 There's a growing trend of films and TV shows being adapted for the stage. Just look at the list of this year's Tony Awards Best Musical nominees (Mean Girls, Frozen, Spongebob Squarepants and The Band's Visit) or your local UK regional theatre summer/autumn programme (Summer Holiday, Flashdance etc.). Edinburgh 2018: BWW Review: AH DINNAE KEN, TheSpace by Fiona Scott - August 11, 2018 Take Shakespeare's star-crossed epic, Romeo and Juliet, and set it in a not too distant future in Scotland when a second independence referendum has been called. Imagine two families, on both sides of the debate and how far they might go to win their cause this time around. Edinburgh 2018: BWW Review: CHEMO BARBIE, Gilded Balloon Teviot by Fiona Scott - August 11, 2018 It is not uncommon for cancer stories to be told by former patients in order to educate others to empathise with those going through treatment. Heather Keller brings her personal story to the Edinburgh Fringe in a solo theatre piece, Chemo Barbie. EDINBURGH 2018: BWW Review: THE WEDDING RECEPTION, The Principal by Fraser MacDonald - August 11, 2018 As the peal of wedding bells ring out across Edinburgh's Royal Mile, the sweet smell of success fills the air as Interactive Theatre International bring their riotous farce, The Wedding Reception, back to the Fringe for another year. EDINBURGH 2018: BWW Review: THIRTEEN, Gilded Balloon by Natalie O'Donoghue - August 12, 2018 A fast- paced, hilarious coming of age musical by Tony award winning composer Jason Robert Brown with book by Dan Elish and Robert Horne. Evan Goldman's parents have split up and he is forced to leave the buzz of New York for the 'lamest place in the world' in rural Indiana. Will he find his place in the popularity pecking order? With an unforgettable rock score and a young, talented cast this is sure to be a fringe hit. EDINBURGH 2018: BWW Q&A- The Worst Little Warehouse In London by Natalie O'Donoghue - August 10, 2018 When 12 people live in a converted warehouse in north London, what could possibly go wrong? In this hilarious and off-the-wall cabaret, Lala Barlow and Robbie Smith are two wide-eyed koalas fresh off the boat and looking for the perfect place to call home. Relive their year living at Daisy Mill as they discover high ceilings, bathroom baskets and very thin bedroom walls. Directed by Sarah Redmond and starring every housemate you've ever lived with, it's a celebration of the joys of shared housing. EDINBURGH 2018 - BWW Review: THE EGG IS A LONELY HUNTER, Summerhall by Amy Hanson - August 10, 2018 A monologue by Hannah Mamalis, The Egg Is A Lonely Hunter is a wry, absurd piece that finds humour in both the mundane and the extraordinary, from talking horses to being overly conscious of one's body. EDINBURGH 2018 - BWW Review: THE FROGS, Theatre Bath Bus by Amy Hanson - August 10, 2018 Adapted from the comedy of Aristophanes, The Frogs features the god Dionysus, aghast at the state of theatre, descending into the Underworld on a mission to bring back the greatest playwright of all time in a bid to save civilisation through the arts. EDINBURGH 2018: BWW Interview: Anna Morris by Natalie O'Donoghue - August 11, 2018 BWW catches up with comedian and actress Anna Morris to chat about performing Bombastic at the 2018 Edinburgh Festival Fringe. EDINBURGH 2018: BWW Interview: Tom Lenk by Natalie O'Donoghue - August 9, 2018 BWW caught up with Tom Lenk to chat about performing in Tilda Swinton Answers An Ad On Craigslist at the 2018 Edinburgh Festival Fringe. EDINBURGH 2018 - BWW Review, ANTIGONE NA H'EIREANN, Paradise in The Vault by Amy Hanson - August 8, 2018 The ancient Greek tragedy Antigone is a hugely versatile piece, lending itself well to adaptations to situations far beyond its original Theban setting. In this new adaptation by James Beagon, the play is set in the near future, where Brexit has resulted in a hard border with Ireland and consequent return to sectarian violence. This is a setting that works well with the themes of rebellion, religion and family relationships of Sophocles' original text. EDINBURGH 2018 - BWW Review, CARD NINJA, Gilded Balloon Teviot by Amy Hanson - August 8, 2018 All the way from New Zealand, Javier Jarquin has always wanted to be a ninja. With martial arts lessons proving disappointing and traditional weapons like nunchaku hard to master, Javier instead dedicated his time and effort to adapting playing cards into deadly shuriken. In this show, he attempts to pass through a series of trials that proves he has what it takes to be a true ninja. EDINBURGH 2018 - BWW Review: MINISTERS OF GRACE, TheSpace on the Mile by Amy Hanson - August 8, 2018 Here at the world's biggest arts festival, creatives and artists from all over the globe are tackling truly important questions, with surely none more crucial than what the result would be if Shakespeare had written seminal 80s classic Ghostbusters. REDuck Producktions have slapped Shakespearean language, costumes and setting on to the story of disgraced "philosophers" saving the public from the supernatural. EDINBURGH 2018: BWW Review: SONG OF LUNCH, Pleasance by Natalie O'Donoghue - August 10, 2018 Robert Bathurst (Cold Feet, Downton Abbey, Toast of London) and Rebecca Johnson (The Trip, The Flood) star in this hilarious and poignant drama of a disastrous attempt to rekindle lost love. Set in a Soho Italian restaurant, Costa Award winner Christopher Reid's verse comedy is exquisitely intertwined with glorious animations by Charles Peattie (Alex cartoon, Daily Telegraph) in this bittersweet tragi-comedy of love, loss and Chianti. EDINBURGH 2018: BWW Review: TOAST, Traverse Theatre by Natalie O'Donoghue - August 9, 2018 Nigel Slater's Toast is a new play based on his award-winning autobiography. Vividly recreating suburban England in the 1960s, Nigel Slater's childhood is told through the tastes and smells he grew up with. From making the perfect sherry trifle and waging war over cakes through to the playground politics of sweets and the rigid rules of restaurant dining, this is a moving and evocative tale of love, loss and... toast. EDINBURGH 2018: BWW Review: ANNA MORRIS: BOMBASTIC, Voodoo Rooms by Natalie O'Donoghue - August 9, 2018 The award-winning character comedian and star of Channel 4's Lee and Dean celebrates four sell-out shows at the Voodoo Rooms with a mash-up of her favourite creations. Edinburgh 2018: BWW Review: THE SHOWSTOPPERS' KIDS SHOW, Pleasance Courtyard by Fiona Scott - August 11, 2018 Showstoppers! have made a name for themselves as the UK's most acclaimed and in-demand musical improvisers, creating brand new musicals in a single evening. As well as bringing their usual hit show to the Edinburgh Fringe, they present a highly entertaining family-friendly edition of the Showstoppers! experience. EDINBURGH 2018: BWW Interview: Ian Stroughair and Eliza Jackson by Natalie O'Donoghue - August 8, 2018 BWW catches up with real-life besties Ian Stroughair and Eliza Jackson about the shows they've brought to the 2018 Edinburgh Festival Fringe. EDINBURGH 2018 - BWW Review: GARRY STARR PERFORMS EVERYTHING by Amy Hanson - August 7, 2018 Theatre, we are informed at the outset of the show, is a dying art. A potentially controversial statement at the Fringe, but luckily for everyone, underappreciated actor Garry Starr is on a mission to save the art form. Over the course of sixty minutes, he will attempt to perform every single genre of theatre in order to inspire his audience to new-found appreciation and enthusiasm for everything from melodrama to maskwork. EDINBURGH 2018 - BWW Review, PASSIONATE MACHINE, Zoo Charteris by Amy Hanson - August 7, 2018 We are all time travellers in our own way. After all, what else is a to-do list but a message from a past self? But what would happen if you started getting messages from a future version of you? That is the intriguing premise of Passionate Machine, a one-woman show written and performed by Dr Rosy Carrick. EDINBURGH 2018 - BWW Review: (NO) MONEY IN THE BANK, Sweet Novotel by Amy Hanson - August 7, 2018 Thom Bee is a wrestling fan who wants to share his passion for the art of the squared circle with Edinburgh audiences. He does this with the aid of comedy tag-team partner Balthazar Dark (Andrew Marsh), whose career failures have led him to something of an existential crisis. EDINBURGH 2018:BWW Review: ASHLEY STORRIE: ADULTING, Counting House by Natalie O'Donoghue - August 7, 2018 Scotland's favourite funny girl and viral internet sensation Ashley Storrie returns to Edinburgh with a brand-new show about not growing up. With the world most likely ending quite soon, Ashley believes we should all have a laugh and be a bit more honest particularly about the myth of 'adulthood'... nobody really grows up, we're just great at pretending! |
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