J. T. Rogers is an internationally recognized American playwright who lives in New York. Rogers has authored more than five plays, including OSLO, BLOOD AND GIFTS, THE OVERWHELMING, WHITE PEOPLE, and MADAGASCAR.
His work has been staged at theaters including London's National Theater, New York's Lincoln Center Theater and Roundabout Theater, and Australia's Melbourne Theatre Company.
Rogers serves on the board of the Dramatists Legal Defense Fund, is a member of New Dramatists, and holds an honorary doctorate from his alma mater, the University of North Carolina School of the Arts. ... read more
LCT: Pass Over (LCT3), Pipeline, Other Desert Cities. Off-Broadway: Mrs. Murray’s Menagerie (Ars Nova); The House That Will Not Stand, Fetch Clay Make Man (New York Theatre Workshop); He Brought Her Heart Back in a Box, The Winter’s Tale (TFANA). Additional theater: Father Comes Home From the Wars, How to Catch Creation, Until The Flood (Goodman); Familiar (Steppenwolf); Ink (Kennedy Center); The Comedy of Errors (Oregon Shakespeare Festival); As You Like It (Stratford Shakespeare Festival); The American Clock (The Old Vic). Awards include Grammy, ASCAP and Obie awards. ... read more
Donald Holder has worked extensively in Theatre, Opera, Dance, Architectural and Television lighting in the US and abroad for over 30 years. He has designed 58 Broadway productions and has been nominated for 13 Tony Awards, winning the Tony for Best Lighting Design for The Lion King in 1998, and for the 2008 revival of South Pacific. Recent Broadway productions include: Tootsie, Kiss Me Kate, Anastasia, Oslo, Straight White Men, She Loves Me, Fiddler on the Roof, The King and I, On the Twentieth Century, The Bridges of Madison County, Bullets Over Broadway and many others. Projects at the NY ... read more
Recent credits: “Dickinson” (Apple TV+), Sweat (Broadway), Wrong Man (MCC), Mlima’s Tale (Public), Tiny Beautiful Things (Public), Floyd’s (Guthrie), Cardinal (2nd Stage), Aubergine (Playwrights Horizons), Candide (LA Opera), La Bohème (Kennedy Center). Jennifer has designed productions for Signature Theater; Shakespeare in the Park; Manhattan Theatre Club; Women’s Project; Primary Stages, Shakespeare Theatre Company, Arena Stage, The Old Globe, Williamstown Theatre Festival, McCarter, Baltimore Center Stage, Yale Rep, Oregon Shakespeare Festival, Municipal Theater of Santiago, Chile, Opéra National de Bordeaux, Théâtre du Capitole de Toulouse, and others ... read more
PATRICK MULRYAN has appeared in New York in Fiasco Theater’s Cymbeline (Barrow Street Theatre, Theatre for a New Audience), Bum Phillips All-American Opera (La MaMa/Monk Parrots, Inc.), and As You Like It (Happy Few Theatre Company, NYIT Award Nomination Outstanding Ensemble). His regional credits include Fiasco’s Into the Woods (McCarter Theatre Center, Old Globe), Cabaret and The Importance of Being Earnest (Trinity Repertory Company), and Chain of Fools (Guthrie Theater). Mr. Mulryan has participated in workshops and developmental readings with Fiasco, Bay Street, Lark Play Development Center, New Georges, New World Stages, Theatre for a New Audience, A Collection of ... read more
Bartlett Sher is the Resident Director of Lincoln Center Theater, where his productions include Lerner & Loewe's My Fair Lady, J.T. Rogers' Oslo (Tony nomination), Rodgers & Hammerstein's The King and I (Tony nomination), Golden Boy (Tony nomination), Blood & Gifts, Women on the Verge of a Nervous Breakdown, Joe Turner's Come and Gone (Tony nomination), South Pacific (Tony, Drama Desk, and Outer Critics Circle awards), Awake and Sing! (Tony nomination), and The Light in the Piazza (Tony nomination).
He directed the recent Broadway productions of Fiddler on the Roof and The Bridges of Madison County (also Williamstown Theatre Festival), as ... read more