Based on the book Dial M for Murdoch: News Corporation and The Corruption of Britain by Tom Watson and Martin Hickman, CORRUPTION tells the story behind the story of the phone hacking scandal that engulfed Rupert Murdoch’s media empire in 2011, stunning the world and upending British politics. When Parliament member Tom Watson is maliciously smeared by the newspapers of Murdoch’s News International, he decides to fight back - taking on its larger-than-life leader Rebekah Brooks. But what he uncovers is far more insidious than he ever imagined. As Watson and a small band of journalists, lawyers, and politicians struggle to expose the endemic criminality at the heart of this media monolith, they risk their careers and, at times, their very lives. Epic in scope and often startlingly funny, CORRUPTION tells a true-life David and Goliath story of ordinary men and women trying to find a way to save their democracy before it’s too late.
As a news story evolving in real time, the scandal made for jaw-dropping reading. As a play, though, “Corruption” is uncompelling — counterintuitively so, given the inherent drama: the crimes, the coverup, the comeuppance (or not), the clashes of personality. Also the stakes, which include the well-being of a democracy in which one culture-shaping media magnate holds too much sway.
Ensemble-wise, it’s a deep bench, with polished turns from Seth Numrich as an oily James Murdoch and Dylan Baker as a flinty lawyer, both doing the banality-of-evil soft shoe quite nimbly. But the hero of the day—in character and out—is Toby Stephens, who seems to be having fun as he carries this long and busy chronicle on his shoulders. Naturally charming and energetic, with inexhaustible Everylad comic appeal, Stephens uses considerable technique and charisma (he’s a London stage fixture) to fine effect, tossing off Rogers’s overstuffed dialogue and stilted diatribes with style, finding the humor and heart at every turn. Even if Corruption is a mixed bag, the real-life Watson must be pleased that after years of getting slagged off in the press, an admiring playwright prints the last word.
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2024 | Off-Broadway |
Lincoln Center Theater Off-Broadway Production Off-Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2024 | The Lortels | Outstanding Projection Design | 59 Productions |
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