Jordans - Off-Broadway Creative Team

David Anzuelo's Off-Broadway credits include Halfway Bitches Go Straight to Heaven (2019), Fish Men (2017), Intimacy (2014), and The Passion of Frida Kahlo (1999). ... read more Qween Jean is a New York based Stage and Film Costume Designer. She is the Founder of Black Trans Liberation, an organization aimed to provide access and employment resources for the TGNC community. Qween has committed her voice to advocating for marginalized communities; specifically black trans people. Her passion is creating access for unsung heroes and people who are often overlooked. She feels their stories are valuable and deserve recognition. Qween is thrilled to be apart of Black No More! The New Group: The Fever, I Need Space, Waiting For Godot, & One In Two Her Credits: Macbeth in Stride, ... read more Nikiya Mathis is an actress and Hair/wig designer. She is the recipient of the 2024 Special Tony Award for her recent work on Jaja's African Hair Braiding, the first Wig designer to ever receive a special Tony award for a specific work. And one of two wig designers to ever recieve the highest honor in theater. She has received 2 Henry Hewes Design Awards, a Drama Desk Award, the Kathleen Perkins Behind the Curtain Award from Black Women on Broadway, and is one of only 2 African American wig designers to win Obie Awards. Nikiya is also a ... read more Cha is from Manila, Philippines based in New York City. A lighting designer for theatre, opera, dance, environmental performance and on-site installations. ... read more Whitney White is an Obie and Lily Award winning, as well as a Tony Award nominated director, writer and musician originally from Chicago, based in New York. She was a staff writer on Boots Riley’s I’M A VIRGO and is a believer of multi-disciplinary work and collaborative processes. Recent directing: Jaja’s African Hair Braiding (Broadway), Jordans (The Public Theatre), The Secret Life of Bees (The Almeida, UK), Soft (New York Times Critic’s Pick, MCC), On Sugarland (New York Theatre Workshop), Our Dear Dead Drug Lord (New York Times Critic’s Pick), What to Send Up When it Goes Down (New York ... read more