A bitingly funny, wildly imaginative new play by The Public’s Emerging Writers Group alumnus Ife Olujobi, JORDANS is a piercing exploration of assimilation, racial capitalism, success, and survival. At an overwhelmingly white workplace where appearance is everything, a long-suffering receptionist finds herself in personal, professional, and psychic jeopardy when her ruthless boss hires a hip new employee in an effort to improve the company’s image and “culture.” Suddenly, the two young, Black social climbers are forced together and torn apart by their race, ambition, and otherworldly circumstance. JORDANS is a story of identity mistaken, power subverted, and rage unleashed. Don’t miss this bold new play directed by Obie Award winner Whitney White about the true cost of “diversity” in the workplace.
The physical and visual comedy in Jordans is top-notch. It’s also excellent comedic relief to the darker themes and creepier scenes of the play, such as Jordan having hot coffee intentionally poured on her face or Hailey, the boss, feeling up 1.Jordan when they first meet. Jordans is sharp, chilling, and twistedly funny even at its darkest. There is good reason for its numerous content warnings, but if you can stomach a little blood, sex, and violence for the sake of great satire, you’ll be richly rewarded. Olujobi’s writing paired with the direction of Whitney White (fresh off of Jaja’s African Hair Braiding on Broadway) makes for a thrill ride full of tension and laughs.
If you liked Jordan Peele’s horror comedy “Get Out,” you’re going to love Ife Olujobi’s horror comedy “Jordans,” which opened Wednesday at the Public Theater. Is it pure coincidence that Peele’s first name is Jordan, and Olujobi has written a play that’s about two characters who are named Jordan? The similarities don’t end there. Both “Get Out” and “Jordans” clock in as many gasps as they do laughs. More significant, each work sets Black characters — one in “Get Out,” two in “Jordans” — who find themselves in the uncomfortable situation of living and working in a white-run world.
2024 | Off-Broadway |
Public Theater Off-Broadway Premiere Production Off-Broadway |
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