Glenda Jackson, just coming off her run in Three Tall Women on Broadway, has already set the date of her return.
Jackson will appear as the title character in King Lear in the play's Broadway run next year.
Jackson is no stranger to this role, playing it previously in 2016 at London's Old Vic. The Broadway production will be entirely different, with new staging.
Would that Gold's production had showed a similar resolve. But he seems to be one of these young Turks who comes to a classic text with ideas - so, so many ideas. And the result is a cluttered mess of a revival that too often threatens to overpower the poetry of the Bard's text and the strengths of some of the production's performances, Jackson's in particular.
That previous King Lear was staged at London's Old Vic in 2016, under the direction of Deborah Warner, renowned for her innovative interpretations of classic works, including her collaborations with another great actress from across the pond, Ireland's Fiona Shaw. Having missed that acclaimed staging, I can only speculate that Jackson was as magnificent as she is in this current incarnation-and as generous, for Gold's Lear is as much a showcase for excellent ensemble acting as it is a star vehicle.
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Year | Ceremony | Category | Nominee |
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2019 | Drama Desk Awards | Outstanding Featured Actress in a Play | Ruth Wilson |
2019 | Drama League Awards | Distinguished Performance Award | Ruth Wilson |
2019 | Drama League Awards | Outstanding Revival of a Broadway or Off-Broadway Play | King Lear |
2019 | Outer Critics Circle Awards | Outstanding Actress in a Play | Glenda Jackson |
2019 | Tony Awards | Best Performance by an Actress in a Featured Role in a Play | Ruth Wilson |
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