Ms. Eisenhauer and collaborator Jules Fisherhave collectively been awarded Broadway’s Tony Award for Best Lighting Design of a Musical seven times, including Stephen Sondheim’s Assassins (2004, Revival), Bring in ‘Da Noise, Bring in ‘Da Funk (1996), Jelly’s Last Jam (1992), The Will Rogers Follies (1991), Grand Hotel (1990), Bob Fosse’s Dancin’ (1978), and Pippin (1973), and once for Best Lighting Design of a Play for Ulysses in Nighttown (1974).
Peggy EisenhauerGary: A Sequel to Titus Andronicus
Peggy Eisenhauer, Once on this Island
Peggy EisenhauerOnce on this Island
Peggy Eisenhauer, Once On This Island
Peggy EisenhauerEugene O'Neill's The Iceman Cometh
Peggy Eisenhauer, Shuffle Along Or The Making of the Musical Sensation of 1921 and All That Followed
Peggy Eisenhauer, Shuffle Along, Or the Making of the Musical Sensation of 1921 and All That Followed
Peggy Eisenhauer, Lucky Guy
Peggy Eisenhauer, Dessa Rose
Peggy Eisenhauer , Assassins
Peggy Eisenhauer, Assassins
Peggy Eisenhauer, Assassins
Peggy Eisenhauer , Jane Eyre
Peggy Eisenhauer, Marie Christine
Peggy Eisenhauer, The Wild Party
Peggy Eisenhauer, Cabaret
Peggy Eisenhauer, Ragtime
Peggy Eisenhauer, Cabaret
Peggy Eisenhauer, Ragtime
Peggy EisenhauerCabaret
Peggy Eisenhauer , Ragtime
Peggy Eisenhauer, Street Corner Symphony
Peggy Eisenhauer, Ragtime
Peggy Eisenhauer, Ragtime
Peggy Eisenhauer, Cabaret
Peggy Eisenhauer, Bring in 'da Noise/Bring in 'da Funk
Best Lighting Design of a Play (Tony Awards) for Gary: A Sequel to Titus Andronicus, Best Lighting Design (BroadwayWorld Awards) for Once on this Island, Outstanding Lighting Design for a Musical (Drama Desk Awards) for Once on this Island, Best Lighting Design of a Musical (Tony Awards) for Once On This Island, Best Lighting Design of a Play (Tony Awards) for Eugene O'Neill's The Iceman Cometh, Outstanding Lighting Design for a Musical (Drama Desk Awards) for Shuffle Along Or The Making of the Musical Sensation of 1921 and All That Followed , Best Lighting Design of a Musical (Tony Awards) for Shuffle Along, Or the Making of the Musical Sensation of 1921 and All That Followed, Best Lighting Design of a Play (Tony Awards) for Lucky Guy, Outstanding Lighting Design (The Lortels) for Dessa Rose, Outstanding Lighting Design (Outer Critics Circle Awards) for Assassins , Lighting Design (The Hewes Awards) for Assassins, Best Lighting Design (Tony Awards) for Assassins, Best Lighting Design (Tony Awards) for Jane Eyre, Best Lighting Design (Tony Awards) for Marie Christine, Best Lighting Design (Tony Awards) for The Wild Party, Outstanding Lighting Design (Drama Desk Awards) for Cabaret, Outstanding Lighting Design (Drama Desk Awards) for Ragtime, Outstanding Lighting Design (Drama Desk Awards) for Cabaret, Outstanding Lighting Design (Drama Desk Awards) for Ragtime, Best Lighting Design (Outer Critics Circle Awards) for Cabaret , Best Lighting Design (Outer Critics Circle Awards) for Ragtime, Lighting Design (The Hewes Awards) for Street Corner Symphony, Lighting Design (The Hewes Awards) for Ragtime, Best Lighting Design (Tony Awards) for Ragtime, Best Lighting Design (Tony Awards) for Cabaret and Best Lighting Design (Tony Awards) for Bring in 'da Noise/Bring in 'da Funk.
Peggy Eisenhauer has won several prestigious awards for her work in lighting design. She received the Best Lighting Design award from the BroadwayWorld Awards for Once on this Island. At the Drama Desk Awards, she won Outstanding Lighting Design for a Musical for Once on this Island and also for Cabaret and Ragtime. Eisenhauer was honored with Outstanding Lighting Design from the Outer Critics Circle Awards for Assassins, where she also received the Lighting Design award from The Hewes Awards. Additionally, she won the Best Lighting Design Tony Award for Assassins and Bring in 'da Noise/Bring in 'da Funk. She also received a Lighting Design award from The Hewes Awards for Ragtime and Street Corner Symphony.
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