One of Broadway's greatest productions returns! Alan Cumming ("The Good Wife," Roundabout's The Threepenny Opera) reprises his Tony-winning performance as the Emcee in Sam Mendes (Skyfall, American Beauty) and Rob Marshall's (Nine and Chicago, the films) Tony-winning production of Cabaret. Three-time Academy Award nominee Michelle Williams (My Week with Marilyn, Brokeback Mountain) also stars, making her Broadway debut as Sally Bowles, alongside Tony nominees Danny Burstein (Follies, South Pacific) and Linda Emond (Death of a Salesman, Life (x) 3). Right this way, your table's waiting at Cabaret, John Kander, Fred Ebb and Joe Masteroff's Tony-winning musical about following your heart while the world loses its way.
Starting November 11, the Kit Kat Klub welcomes Golden Globe nominee Emma Stone (Easy A, The Help), making her Broadway debut as Sally Bowles for a limited time only.
It is hard to think of a single revival of any musical that has achieved such fusion with the popular perception of the material. That makes this remounting, or reviving, or whatever the Tony Awards committee is calling it, perfectly justifiable in my book. Mendes' 'Cabaret' was, and is, a brilliantly inventive and revealing conception. Then and now...Cumming now oozes relaxed confidence in his charms, whereas he formerly spilled unctuous ambition. Both work, frankly. Cumming does not kill himself anymore, but there is no demonstrable need. He is, really, the consummate Emcee -- others who take on hosting duties at the Kit Kat Klub invariably copy him -- and his relationship with his delighted audience now arrives with ease...Williams, who makes her Broadway debut as Sally, certainly taps into the fragility of her character...She does not, however, deliver the famous numbers with the force (or tonal quality) of a great Broadway singer, which she is not.
Alan Cumming must have sold his soul to the devil to acquire his divinely debauched persona as the Emcee of the Kit Kat Klub in 'Cabaret.' It seemed nuts, but proved shrewd of Sam Mendes and Rob Marshall to retool their dazzling 1998 revival of the Kander and Ebb masterpiece, fit Cumming with a new trenchcoat for his triumphant return, and bring the decadent netherworld of 1920s Berlin back to Studio 54, the revival's ideal venue. Inspiration flagged, however, in casting Michelle Williams, so soft and vulnerable in 'My Week With Marilyn,' as wild and reckless party girl Sally Bowles.
1966 | Broadway |
Original Broadway Production Broadway |
1967 | US Tour |
National Tour US Tour |
1968 | West End |
London Production West End |
1982 | Regional (US) |
Regional Revival Regional (US) |
1986 | West End |
London Revival West End |
1987 | Broadway |
Broadway Revival Broadway |
1993 | West End |
Donmar Warehouse Revival West End |
1998 | Broadway |
Roundabout Revival Broadway |
2006 | West End |
London Revival West End |
2008 | UK Tour |
National Tour UK Tour |
2012 | West End |
West End Revival Production West End |
2014 | Broadway |
Roundabout Revival Broadway |
2016 | US Tour |
2016 National Tour US Tour |
2021 | West End |
London Production West End |
2024 | Broadway |
Broadway Revival Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2014 | Drama Desk Awards | Outstanding Featured Actor in a Musical | Danny Burstein |
2014 | Drama League Awards | Distinguished Performance Award | Alan Cumming |
2014 | Drama League Awards | Distinguished Performance Award | Michelle Williams |
2014 | Outer Critics Circle Awards | Outstanding Actress in a Musical | Michelle Williams |
2014 | Outer Critics Circle Awards | Outstanding Featured Actor in a Musical | Danny Burstein |
2014 | Outer Critics Circle Awards | Outstanding Revival of a Musical (Broadway or Off-Broadway) | Cabaret |
2014 | Tony Awards | Best Performance by an Actor in a Featured Role in a Musical | Danny Burstein |
2014 | Tony Awards | Best Performance by an Actress in a Featured Role in a Musical | Linda Emond |
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