The Lionheart Theatre Company is excited to announce open, non-Equity auditions for our December production.
All roles are non-paying.
This production is directed by Darci Rose Wells.
Audition Dates:
– Sunday, September 29 at 6:30 pm
– Monday, September 30 at 6:30 pm
Actors only need to attend one of the audition days.
Show Dates:
December 12-22, 2024
Thursdays through Sundays
Note: There will also be a Saturday matinee at 2 pm on December 21.
How to Prepare:
Auditions will consist of cold readings from the script, although anyone auditioning should be familiar with the plot and characters.
Please bring a headshot and resume if you have one. Also, a list of all conflicts for the production period. Casting open to all race/ethnicity, gender identity, body type, etc.
Audition Location:
The Lionheart Theatre Company
10 College Street
Norcross, GA 30071
Rehearsal Dates:
Read-thru – Oct. 7.
Rehearsals – Monday, Tuesday, and Thursday evenings. Some Sundays in November depending on actor availability.
No rehearsals November 27-December 1.
Mandatory tech-week – December 8-11.
CASTING:
We intend to cast broadly in regards to race/ethnicity, gender identity, body type, etc.
SHOW SYNOPSIS:
It is December 1936, and Broadway star William Gillette, admired the world over for his leading role in the play Sherlock Holmes, has invited his fellow cast members to his Connecticut castle for a weekend of revelry. But when one of the guests is stabbed to death, the festivities in this isolated house of tricks and mirrors quickly turn dangerous. It is then up to Gillette himself, as he assumes the persona of his beloved Holmes, to track down the killer before the next victim appears. The danger and hilarity are non-stop in this glittering whodunit set during the Christmas holidays.
CHARACTER BREAKDOWN:
All ages are a guideline only; couples need to match logically; not necessarily an age definition but overall chemistry. Auditions are where we get to give it our best try for ANY part. Use this thinking as you pick your desired roles. Remember ALL these characters must have great comedic timing and are involved in stage combat at some level as well as romantic/intimacy required moments.
Males:
William Gillette / Sherlock (30s – 50s): A dynamic and charming stage actor (based on a real person). Has made a fortune from his stage adaptation of Sherlock Holmes, whom he also plays. Recently shot in the arm in a bizarre incident, Gillette is determined to bring his Sherlockian skills to bear on solving the case. Must have great comic chops and stage combat skills required. A dashing leading man and ardent lover of all that the glorious game of life has to offer. Passionate about his interests, which include the theatrical arts, mystery, and of course Sherlock Holmes. Described by Ludwig as, “a strikingly handsome man…good humored, full of irony and life. A sort of modern-day Ulysses.” Stage combat and intimacy required.
Felix Geisel / Moriarty (30s-50s): The company’s character actor, Felix is histrionic (overly dramatic), a true theatrical who has given his life to the stage. Felix is Gillette’s best friend and occasional sidekick. Married to Madge. A devoted character actor who relishes his craft but is not immune to the occasional bout of jealousy. Described by Ludwig as, “histrionic and arch in a Lionel Barrymore/Sir Toby Belch sort of way.” Actor must have great comic chops and be physically strong – literally must be able to move a “dead” woman by himself. Stage combat required.
Simon Bright/Zerlinksy (20s-30s): The “mangenue” of the company, Simon is an enthusiastic young man, eager to please and find success. A bit of a naïf, Simon can occasionally be overly sensitive. Recently married to Aggie, they make a charming and wonderful couple. Ability to play an instrument is a plus as ukulele is noted in script, but not required. A witty jokester who finds humor in nearly everything. Described by Ludwig as, “sweet and enthusiastic.” Stage combat required.
Females:
Martha Gillette (60+): Gillette’s dotty mother, elegant though a bit foggy, Martha never shies away from a fight. Always willing to lob a criticism when necessary, all the same, Martha is loyal to Gillette and his gang of theatrical misfits. Nouveau riche, which is to say, she lives a lavish and glamorous lifestyle; but lacks the class normally associated therewith. Described by Ludwig as, “somewhat vague and dithering.” New York or New England accent may be appropriate.
Madge Geisel / Marian (30s-40s): Wry and outspoken (think Rosalind Russell), Madge, like her husband Felix, is a lifelong theatrical. She is game for anything, but back her into a corner and she will come out swinging. A witty and energetic character actress. She has an edge to her, and a sharp tongue, but her affection is genuine. Described by Ludwig as, “flamboyant and wry in a Rosalind Russell smart-mouthed-gal-about-town sort of way.” Must have great dry wit. Stage combat required.
Aggie Wheeler / Alice (20s-30s): Bright-eyed and bushy-tailed, Aggie is the ingénue of the company. Good-natured and kind, Aggie has had tragedy in her past, though she seems to have dealt with it well, and even moved on. Recently married to Simon, they make a charming and wonderful couple. A genuine and sensitive young actress who is often swept away by the goings on around her. Described by Ludwig as, “a real product of her age…beautiful, bright- eyed, and full of spunk.” Stage combat and intimacy required.
Daria Chase (30s-50s): Glamorous & gorgeous, Daria is the theatre critic we all love to hate. Biting and utterly charming, you can’t help but like Daria, despite the terrible things she says and writes. A wonderful sense of humor goes a long way towards endearing Daria to the audience. Very self-confident and aware of her own power and charm. Described by Ludwig as, “one of those people you can’t take your eyes off; and despite all her showbiz cattiness, you can’t help liking her – or at least admiring. She has a sense of humor and has invented herself from the ground up, which is no mean feat.” With a quirky side, she believes in the afterlife as she performs a séance in the show. With her air of entitlement – Transatlantic, New York, or even high-class Southern accents may be appropriate. Must be a skilled physical comedian as she is dragged around stage a lot by others. Daria must scream several times.
Inspector Harriet Goring (40+): English and eccentric, completely one of a kind. By turns, witty and incisive, suddenly lost and dim, she is disarming in her inability to be defined. Always off the mark, and yet never far from the truth, somehow, she always gets her man. Wonderful opportunity for a character actress; must have great comic chops and stage combat skills required. A police inspector who once dreamed of being an actress, and who is still an avid theatre fan. Described by Ludwig as, “British, eccentric, and one of a kind. One minute, she seems wry and clever; the next minute she’s off into a world of her own. She gets things wrong without even knowing it; yet she also seems just the sort of person who can find out when you’re lying. That makes her formidable.” Wonderful opportunity for a character actress. British accent and stage combat required.
Questions? Contact Darci Rose Wells via email at darcirwells@gmail.com
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