WESTCHESTER BROADWAY 2 SHOWS Equity Principal Auditions - Westchester Broadway Auditions

Call Type
Equity Principal

Time(s)
Equity Principal Auditions
Wednesday, December 16, 2015
10 AM to 6 PM
lunch 2 to 3

Contract
Dinner Theatre
WBT Agreement; $558/week

Location
NOLA Rehearsal Studios
250 W 54th Street
New York, NY 10019
10th floor

Seeking
Equity actor/singers for various roles in the following two productions:

ALWAYS, PATSY CLINE
MAN OF LA MANCHA

See breakdown for more info.

Preparation
Prepare a brief song appropriate for character and show you are interested in. Bring sheet music; accompanist provided.

Bring picture and resume

Other Dates
Always Patsy Cline Rehearsal: 1/25/16; Open: 2/4/16 Closes: 2/28/16

Man of La Mancha: Rehearsal: 2/22/16; Opens: 3/3/16; Closes: 5/1/16

Other
www.broadwaytheatre.com

Personnel
Executive Producers: Bill Stutler/Bob Funking
Producer/Casting: Lisa Tiso

· EPA Rules are in effect.

· A monitor will be provided.

Performers of all ethnic and racial background are encouraged to attend.

Always bring your Equity Membership Card to auditions.

Breakdown

ALWAYS, PATSY CLINE
Director/Chroeeographer: Aimee Turner
1st Rehearsal: 1/25/16; Open: 2/4/16 Closes: 2/28/16

Seeking:

Patsy Cline
30s; Dynamic and passionate actress that can embody Patsy Cline in voice and spirit. Ability is mimic her unique vocal sound is imperative.

Louise Segar
40s; Strong storyteller and comedic actress with a big heart. Must be able to 'hold the stage' and comfortable interacting with the audience


==========

MAN OF LA MANCHA
Director: David Wasson
1st Rehearsal: 2/22/16; Opens: 3/3/16; Closes: 5/1/16

Seeking:

Cervantes/Don Quixote
Man (40-50) Strong actor. Lyric baritone. Big song “The Impossible Dream” (The Quest)

Aldonza
Woman (Late 20's to late 30's) MUST posses a unique voice. Has to have a belt that can negotiate the break and must also have a legit top. Earthy, provocative and seductive. Must be able to move well.

Sancho
Man (Late 30's to early 50's) Comedic character actor with a good tenor voice.

Governor/Innkeeper
Man (40 to 60) Rich bass/low baritone voice. He's the boss! Has to have a commanding presence. The taller the better!

Duke/Carrasco
Man (Early 30's to early 40's) Baritone. Strong actor. Classical in nature. He's elite, patrician... a nobleman. Antagonist.

Padre
Man (Early 30's to mid 40's) MUST posses a classic lyric tenor voice and excellent comedic skills.

Antonia
Woman (Mid 20's to mid 30's) Legit soprano. A little pompous. The “old man's” niece.

Housekeeper
Woman (50's to 60's) Contralto to low mezzo. Must play grumpy, sour and somewhat scary.

Barber
Man (Late 20's to Early 60's) Tenor with incredible subtle comedic talents. Has one turn in the show but will double as ensemble.

Captain of the Inquisition
Man (Mid 30's to Mid 40's) Speaking role but should possess a good baritone voice for possible US.