THE PHANTOM OF THE OPERA (Prod Tour) - NYC EPA
Phantom Touring, LLC
AUDITION DATE
Tue, Nov 14, 2017
10:00 am - 6:00 pm (EDT)
Lunch 1:30 to 2:30
CONTRACT
Production (League) $1974/week min
SEEKING
Equity Actor/Singers for possible future replacements in the currently running 25th Anniversary Tour.
PREPARATION
Please be prepared to sing a BRIEF song from legit musical theatre repertoire. Do not sing pop or rock music. Please bring your book of music in case you are asked to sing a second selection. An accompanist will be provided.
Please bring a current picture and resume, stapled together.
LOCATION
Pearl Studios NYC (500)
500 8th Avenue
New York, NY 10018-6504
12th floor
PERSONNEL
Produced by Cameron Mackintosh and The Really Useful Theater Company in association with NETworks Tours
Music by ANDREW LLOYD WEBBER
Lyrics by CHARLES HART
Additional Lyrics by RICHARD STILGOE
Book by RICHARD STILGOE & ANDREW LLOYD WEBBER
Based on the novel ‘Le Fantôme de l’Opéra’ by GASTON LEROUX
Orchestrations by DAVID CULLEN & ANDREW LLOYD WEBBER
Musical Supervisor: JOHN RIGBY
General Manager: Gentry & Assoc.
Casting: Tara Rubin Casting
Choreography by SCOTT AMBLER
Directed by LAURENCE CONNOR
OTHER
EPA Procedures are in effect for this audition.
An Equity monitor will be provided.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
BREAKDOWN
CHRISTINE DAAE: 18-25. A beautiful lyric soprano. Soprano voice that combines elements of classical and pop singing. She sings G below middle C to high E.
THE PHANTOM: 30’s – 40s: high baritone or tenor (w/strong low range) with a contemporary sound. Able to sustain high G# with ease in full voice and G# in falsetto. Looking for a truly dynamic actor with excellent acting and singing ability
RAOUL, VICOMTE de CHAGNY: 20’s-30’s: Young, dashing, handsome aristocratic man who falls in love with Christine. Contemporary high baritone/ tenor - 2 octave range from A flat to A flat.
MONSIEURS FIRMIN (the hard money man – Baritone with high E/F) & ANDRE (charming with artistic temperament – Baritone: high G with ease) 30s-50: the managers of the Paris Opera House – both roles require good instincts for stylish comedy – they are elegant yet often slightly befuddled and bumbling.
CARLOTTA GIUDICELLI: 30s-40s; A middle aged Italian coloratura soprano to high E, the archetypal Diva – prima donna of the Paris Opera. Strong operatic singer with a good comic sense.
MADAME GIRY: Late 30’s-50; Ballet Mistress of the Opera Populaire. An ominous, stern, forbidding figure. Mezzo soprano to high Bb with no discernible break between head and chest.
MEG GIRY: Late teens-early 20s; A young petite ballet dancer with a strong mezzo soprano to G. Needs strong classical dance technique and excellent pointe work.
UBALDO PIANGI: Late 30s-50; Archetypal middle aged Italian operatic tenor, companion to Carlotta. Range to top C. Requires opera training
BUQUET: Middle aged to elderly “character man.” The head flyman of the Opera Populaire. Bass baritone but required to sing to E.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.
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