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THE HUNCHBACK OF NOTRE DAME OPEN - Garden Theatre, Inc. Auditions

Posted August 2, 2017
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THE HUNCHBACK OF NOTRE DAME - Garden Theatre, Inc.

THE HUNCHBACK OF NOTRE DAME - Winter Garden FL OPEN Call By Appt

Garden Theatre, Inc.


AUDITION DATE

Tue, Sep 19, 2017

7:30 pm (EDT)

Wed, Sep 20, 2017

6:00 pm (EDT)

APPOINTMENTS

For an appointment, visit: https://auditionsmanager.com/registration.php?AU=GQqHtI92

CONTRACT

OAT $446 /week AEA

SEEKING

AEA and non-Equity actors for various roles. Seeking a very diverse range of ethnicity in our actors. All roles are paid.

PREPARATION

One (1) 32-bar song that shows both vocal skill and range. Please bring sheet music in the appropriate key. No lead sheets please. An accompanist will be provided. No recorded accompaniment or a cappella singing will be allowed.

LOCATION

Garden Theatre

160 W Plant Street

Winter Garden, FL 34787

Parking available behind the theatre on Tremaine St.

PERSONNEL

Direction & Choreography by Rob Winn Anderson
Music by Alan Menken | Lyrics by Stephen Schwartz | Book by Peter Parnell
Executive Director, NAO TSURUMAKI
Consulting Artistic Director, ROB WINN ANDERSON

OTHER DATES

Rehearsals: March 26 – April 26, 2018
Performances: April 27 – May 27, 2018

Callbacks will be held on September 27, 2017 - BY INVITATION ONLY. There will be a movement audition at this callback.

OTHER

gardentheatre.org

An Equity Monitor will not be provided. The producer will run all aspects of this audition.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

BREAKDOWN

QUASIMODO
(Male 20-29): Deformed and reclusive, longs to see the outside world, but staunchly loyal to his master, Frollo; possesses great vulnerability, but covers a deep well of pain and rage, this actor will be physically representing Quasimodo’s deformity, much like in An Elephant Man, therefore actors submitted for this role must be dexterous and flexible; strong tenor, Bb 2 to C5.

FROLLO
(Male 50-59): Archdeacon of Notre Dame, a severe man who is convinced of his own goodness and righteousness, struggles with the conflict between the self denial required by his religious belief and his strong sexual desire for Esmeralda, this struggle ultimately drives him mad; baritone with a rich lower register, F2 to F4.

ESMERALDA
(Female 20-29): Exquisitely beautiful, exotic and oozing with sexuality, a free -spirited gypsy who has often gotten into trouble for speaking her mind and standing up for what she believes in; mezzo, E3 to Eb 5.

PHOEBUS
(Male 30-39): Dashing captain of the Cathedral Guard, leading man type who is conflicted between following his duty and doing what’s right; tenor, C3 to A4.

CLOPIN
(Male 30-49): A great character man with flair, The King of the Gypsies; high tenor, C3 to Bb 4.

SIX (6) MEN
Fantastic singing voices of all ethnicities. These men should be all ages and sizes.
The ensemble men will play featured roles, townspeople, priests, gargoyles, gypsies, soldiers, etc.

FOUR (4) WOMEN:
Fantastic singing voices of all ethnicities. These women should be all ages and sizes. The ensemble women will play featured roles, townspeople, priests, gargoyles, gypsies, soldiers, etc.


Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.

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