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Slow Burn Theatre Company 2025-26 Season Equity Principal Actors - Slow Burn Theatre Company Auditions

Posted March 14, 2025
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Slow Burn Theatre Company 2025-26 Season - Slow Burn Theatre Company

SLOW BURN THEATRE COMPANY 2025-26 SEASON

Fort Lauderdale, FL

AUDITION DATE

Monday, March 31, 2025
12:00 PM - 8:00 PM (E)
Break 1:30 PM - 2:00 PM

APPOINTMENTS

To schedule an audition appointment, please email:
PFitzwater@Slowburntheatre.org. Include the subject line: AEA audition.

CONTRACT

LOA
$776 weekly minimum (Ref. to LORT) - 2024-25 rates + Pension / Health weeks

SEEKING

Equity actors for roles in Slow Burn Theatre Company's 2025-26 Season (See breakdown).

PREPARATION

Please prepare a short cut of a musical theater song. Make sure your sheet music is in the correct key for the accompanist. There will be no dance call on the day of the audition. Also, bring two copies of your headshot and resume stapled together. If you are unable to attend this in-person audition, you may submit a video submission audition. Please see breakdown for instructions.

LOCATION

Broward Center for Perf Arts
201 SW 5th Ave
Ft Lauderdale, FL 33312
Abdo New River Room.

PERSONNEL

Expected to attend:
Patrick Fitzwater: Artistic Director
Matthew Korinko: Executive Director
See breakdown for production specific personnel.

OTHER DATES

See breakdown for production specific dates.

OTHER

Travel and housing available for non-local actors. An Equity Monitor will not be provided. The producer will run all aspects of this audition.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

BREAKDOWN

CATCH ME IF YOU CAN

Book by: Terrence McNally
Music by: Marc Shaiman
Lyrics by: Marc Shaiman, Scott Wittman
Based on the DreamWorks Motion Picture
Directed by: Patrick Fitzwater
Choreographer: TBD
Music Director: TBD
1st Rehearsal: September 23, 2025
1st Public Performance: October 11, 2025
Closing Performance: October 26, 2025

SEEKING:

Frank Abagnale, Jr. (Male 20s, open to all ethnicities, Tenor G2-C5): An unlikely con artist whose charm, youth, and smarts help him steal millions of dollars and avoid capture in 1960s America (based on a true story!). Inspired by the comic books and TV shows he is obsessed with; Frank escapes his problems by pretending to be someone else but remains deeply insecure. He eventually falls in love with Brenda and desperately tries to change his ways. A genuine triple threat.

Carl Hanratty (Male, 50s, open to all ethnicities, Tenor/High Baritone G2-G4): An FBI agent leading the investigation and search for Frank Jr. He is a meticulous and knowledgeable workaholic who feels stunted at work. He dreams of cracking a big case that will prove his worth to the Bureau and allow for upward mobility. His personal life has borne the brunt of his obsession, leaving him divorced and lonely.

Frank Abagnale, Sr. (Male, 50s, open to all ethnicities, Baritone F2-G#4): Frank Jr.'s father. Frank Sr. is an upbeat and fast-talking charmer who inadvertently inspires his son’s swindling. He undergoes a series of progressive failures that leave him a lonely alcoholic.

Paula Abagnale (Female, 50s, open to all ethnicities, Alto A3-C5, French accent): Frank Jr.'s mother. During the war, she met Frank Sr. in France, where they had a whirlwind courtship. She is caring and loving but harbors an underlying resentment toward her husband and their life together. She has an affair with Jack Barnes.

Brenda Strong (Female, 20s, open to all ethnicities, Alto G3-A5, Louisiana accent): A young nurse and Frank Jr.'s eventual love interest. Hard-working and incredibly capable, Brenda is always trying to prove herself. After running away from a broken engagement, she meets Frank Jr. working in the hospital. She comes to trust him and herself. A strong vocalist.

Carol Strong (Female, 40s-50s, open to all ethnicities, Alto Bb3-A5, Louisiana accent): Brenda's traditional Lutheran mother. She is talkative and boisterous, with just a touch of meddling. The Strongs have deep roots in Louisiana.

Roger Strong (Male, 40s-50s, open to all ethnicities, Baritone A2-A4, Louisiana accent): Brenda's conservative Lutheran father. He is stern and interrogatory but reveals himself to be deeply romantic. The Strongs have deep roots in Louisiana. Doubles as: BILL COD - a seasoned FBI agent in the fraud division. A regular guy punching a time clock. Not excited or passionate about his work.

Todd Branton (Male, 50s, open to all ethnicities): An FBI agent in the fraud division who tends to be a know-it-all. Doubles as: JACK BARNES.

Ensemble (All gender identities, Ages 18+, open to all ethnicities): Especially seeking High Tenor and Strong Belt: An ensemble of confident, strong dancers; to play Assistants; Stewardesses; Pilots; Agents; Partygoers; Doctors; Nurses, etc.

DISNEY’S FROZEN

Music and Lyrics by: Kristen Anderson-Lopez and Robert Lopez
Book by: Jennifer Lee
Based on the Academy Award winning animated feature film
Directed by: Patrick Fitzwater
Choreographer: TBD
Music Director: TBD
1st Rehearsal: November 24, 2025
1st Performance: December 13, 2025
Closing Performance: December 28, 2025
Possible one week extension thru January 4, 2026 (Must be available for full contract)

SEEKING:

Elsa (Female, 20s): Next in line for the throne and has been born with magical powers that can overwhelm her when she becomes afraid and harm others if not handled with care. Fearful of hurting anyone, especially her beloved sister, Anna, Elsa becomes anxious and withdrawn as she grows older, before eventually learning to take control of, and become confident in, her powers. (Vocal range: F#3 to D5) Strong Belter.

Anna (Female, 20s): Filled with a tremendous amount of light, energy, and love. She is a hopelessly optimistic extrovert at all ages, but as she grows older, she longs for connection with others, especially her sister, Elsa. A strong singer with great comic timing. (Vocal range: G3 to D5)

Kristoff: Offer out on this role, seeking replacements and understudies. (Male, 20s) A hardworking ice harvester who has a sarcastic veneer and a rough-around-the-edges exterior that hides a big heart. Taken in by the Hidden Folk when he was young, he loves Pabbie and Bulda dearly but is a bit of a loner with a reindeer for a best friend until he meets Anna. (Vocal range: G2 to A3)

Hans (Male, 20s): The ambitious Prince of the Southern Isles and overlooked thirteenth son of a king. Hans constantly strives to find a way to make good and stand out. He boasts an exceedingly charming facade that fools everyone - including Anna and, ideally, the audience! - into believing he's Prince Charming, when really, he's just a jerk. (Vocal range: G2 to B3)

Olaf (Male): The magical snowman created by Anna and Elsa when they were young. Olaf is endearingly delighted by everything - especially the idea of summer. Goofy and sweet, Olaf should possess a childlike innocence and excellent comic timing. (Vocal range: F#2 to D4) NOTE: This role requires advanced puppeteering skills.

Sven (Male): A reindeer of few words who is a fiercely loyal pal to Kristoff and loves giving the ice harvester a hard time. NOTE: This role requires advanced puppeteering skills.

Pabbie (Male): One of the mystical leaders of the Hidden Folk who has a soft spot for strays. Along with Bulda, these ever-benevolent parental figures want what's best for Kristoff, even if they are a bit misguided in their efforts.

Bulda (Female): One of the mystical leaders of the Hidden Folk who has a soft spot for strays. Along with Pabbie, these ever-benevolent parental figures want what's best for Kristoff, even if they are a bit misguided in their efforts.

Weselton (Male): A visiting duke who possesses a huge inferiority complex. A bombastic, overbearing sycophant, Weselton's sole purpose is to hobnob with influencers and royalty. (Vocal range: F#2 to D4)

Bishop (Male): The bishop who officiates the coronation and passing of the crown to Elsa. This spiritual supervisor must communicate to the Townspeople of Arendelle in a serious and formal manner.

King Agnaar (Male): The warm-hearted ruler of Arendelle who is committed to protecting both his family and the Townspeople from his eldest daughter's powers.

Queen Idona (Female): The queen who possesses a sense of rightness and kindness that guides her in her protection of her two young girls. A daughter of the Northern Nomads, this queen can communicate with the Hidden Folk of the mountains and therefore understands Elsa's powers deeply.

Ensemble: All gender identities, Ages 18+, open to all ethnicities, An ensemble of strong singers and dancers.

BEAUTIFUL: THE CAROLE KING MUSICAL

Words and Music By: Gerry Goffin, Carole King, Barry Mann, Cynthia Weil
Book By: Douglas McGrath
Music by Arrangement with Sony Music Publishing
Directed By: Patrick Fitzwater
Music Direction By: TBD
Choreographer: TBD
1st Rehearsal: January 27, 2026
1st Performance: February 14, 2026
Closing Performance: March 1, 2026

SEEKING:

Carole King (Female, 18-30): An aspiring singer/songwriter. A unique, appealing, funny and vulnerable girl from a Jewish family in Brooklyn. Talented, good-natured, unassuming and often the peace maker in difficult situations. A reluctant star with no pretense and a passion for music. (Vocal range top: Eb5, Vocal range bottom: Eb3)

Gerry Goffin (Male, 18-30): Carole’s boyfriend, songwriting partner and eventual husband. Innately sympathetic, wounded and tortured. An ambitious artist always striving for more. (Vocal range top: A4, Vocal range bottom: D3)

Barry Mann (Male, 18-30): A songwriter who becomes romantically involved with Cynthia. He is good-natured, appealing & neurotic. Ambitious, but likeable. (Vocal range top: A4, Vocal range bottom: C3)

Cynthia Weil (Female, 18-30): A songwriter who becomes romantically involved with Barry. Carole’s best friend. She is sophisticated, smart & chic with a quick wit. Although self-confident and sarcastic, she is also extremely likeable. (Vocal range top: E5, Vocal range bottom: G3)

Don Kirschner (Male, 40-60): An influential music publisher and producer. He is a fast-talking, energetic force of nature. Powerful, direct & sometimes intimidating, but he has a real affinity for his writers and artists. A hit maker. (Vocal range top: C#4, Vocal range bottom: A2)

Genie Klein (Female, 40 to 50): Carole’s Jewish mother. Once an aspiring playwright, she has been broken down by life & her husband’s infidelity. Protective of Carole and unforgiving of her husband’s mistakes.

Neil Sedaka (Male): A singer-songwriter. (Vocal range top: G#4, Vocal range bottom: A#3)

Janelle Woods (Female): A singer. (Vocal range top: D5, Vocal range bottom: G#3)

Marilyn Wald (Female): A singer. (Vocal range top: C5, Vocal range bottom: G3)

Lou Adler (Male): A record producer and music executive.

Bobby Vee (Male): A singer (Vocal range top: C4, Vocal range bottom: C3)

Lead Drifter (Male, Black-African Descent): Member of the doo-wop group The Drifters (Vocal range top: Eb5, Vocal Range bottom: B2)

Back-Up Drifters (Male, Black-African Descent): Members of the doo-wop group The Drifters (Vocal range top: C5, Vocal Range bottom: B2)

Lead Shirelle (Female, Black-African Descent): Member of pop group The Shirelles (Vocal range top: Db5, Vocal range bottom: G3)

Back-Up Shirelles (Female, Black-African Descent): Member of pop group The Shirelles (Vocal range top: D5, Vocal range bottom: G3)

Righteous Brother #1 (Male): Part of The Righteous Brothers duo (Vocal range top: G4, Vocal range bottom: F2)

Righteous Brother #2 (Male): Part of The Righteous Brothers duo (Vocal range top: F5, Vocal range bottom: F3)

Uptown Soloist (Female): (Vocal range top: Db5, Vocal range bottom: B3)

Little Eva (Female, Black-African Descent): A pop singer (Vocal range top: E5, Vocal range bottom: Bb3)

Ensemble (All genders, 20-30s): Seeking strong singers and dancers to play various roles in the ensemble and understudy principal roles.

HAIRSPRAY

Book By: Thomas Mehan, Mark O’Donnell
Music By: Marc Shaiman
Lyrics by: Marc Shaiman, Scott Wittman
Based on the New Line Cinema film, written and directed by John Waters
Directed by: Patrick Fitzwater
Choreographed by: TBD
Music Director: TBD
1st Rehearsal: March 24, 2026
1st Performance: April 11, 2026
Closing Performance: April 26, 2026

SEEKING:

Edna Turblad (Character is commonly portrayed in drag, age 40-50): Caucasian, large physique. A mother - sincere and honest. 60's Baltimore housewife, larger-than-life character with strong singing ability. Exceptional comic timing. Simple dance/movement required. Bass-Baritone.

Tracy Turnblad (Female, 18+ to play late teen): Caucasian. Plus-size teen with aspirations to change the world. She is outgoing, unstoppable, and good-hearted with a vibrant, lovable, spirited personality. Loves to dance. Mezzo-Soprano with a strong theatre/pop belt. Great mover/dancer.

Link Larkin (Male, 18+ to play late teen): Caucasian. Handsome, clean-cut, good-hearted, down-to-earth. The heartthrob of The Corny Collins Show. Strong pop singer and excellent mover. High Bari-Tenor with strong falsetto.

Motor Mouth Maybelle (Female, age 40-50, Black-African Descent): Seaweed and Little Inez's mother. Queen of Baltimore Soul, a radio DJ. Powerful and inspiring, with an infectious, brassy personality. Soulful, gospel/pop singer. 60's cool and hip. Liberal, part of the civil rights movement. Strong with ability to convey depth and light-heartedness. Minimal movement required. Alto with high belt.

Corny Collins (Male, age 30-35, Caucasian): Host of The Corny Collins Show. Handsome, charming, engaging, smooth. Young Dick Clark type. Strong pop singer, movement a plus. High Baritone.

Seaweed J. Stubbs (Male, 18+ to play late teen, Black-African Descent): Cool, street smart, good-hearted. Penny's boyfriend. Strong young masculine presence. Excellent, soulful, pop singer and great mover. Tenor to A with strong falsetto.

Penny Pingleton (Female, 18+ to play late teen, Caucasian): Spacy, ditzy, devoted best friend of Tracy. Good sense of comedic timing. Strong high belt, contemporary theatre/pop voice. Good movement/dance skills a plus. Mezzo Soprano.

Amber Von Tussle (Female, 18+ to play late teen, Caucasian): Bratty, spoiled princess who gets her way - popular at school. Tracy's nemesis. An excellent dancer with solid technical training. Mezzo Soprano.

Velma Von Tussle (Female, age 35-50, Caucasian): Former beauty queen, Amber's mother. Upscale, attractive, and prejudiced snob who always wants her daughter in the spotlight. Big fish in a small pond - domineering. Has poise and good body awareness, with excellent vocals. Mezzo Soprano with strong belt mix.

Prudy Pingleton (Female, age 40-55, Caucasian): Exceptional, comedic. Various zany roles including Penny Pingleton's uptight and small-minded mother. Doubles as a sadistic high school gym teacher who is sharp, funny, and inventive. Minimal-singing role. Simple dance movement required. Mezzo Soprano.

Wilbur Turnblad (Male, age 40-55, Caucasian): Working class inventor. Tracy's Father. Sweet, goofy, childlike personality. Excellent comedic timing. Doubles as various roles including a flamboyant fashion boutique owner and a condescending high school principal. An inventive character. Simple dance movement required. Baritone.

Dynamites (Females, age 25-30, Black-African Descent): An exceptional R&B and soulful pop singer. Able to sing tight harmonies and move very well - part of the ensemble. Mezzo Soprano with strong belt mix up to high A.

Little Inez (Female, early teen, Black-African Descent): Spunky, tough, streetwise and outgoing. Seaweed's lovable little sister. Able to move/dance well - does dancer choreography. Soulful voice with strong belt mix. Mezzo Soprano.

Ensemble (18+ All Genders, all races): Young high school teenagers, Corny Collins kids, protesters, etc. Excellent dancer/singer who may be required to understudy leading roles.

ALANIS MORISSETTE'S JAGGED LITTLE PILL: THE MUSICAL

Book By: Diablo Cody
Music By: Alanis Morissette and Glen Ballard
Directed by: Patrick Fitzwater
Choreographed by: TBD
Music Director: TBD
1st Rehearsal: May 26, 2026
1st Performance: June 13, 2026
Closing Performance: June 28, 2026

SEEKING:

MARY JANE HEALY (40-49, White): The “Perfect Mother” - a polished suburban housewife whose main priority in life is presenting a perfect image to the world; inwardly, she is struggling with processing trauma from her past and battling an addiction to prescription pills. Virtuosic, multiple octave range and strong rock belt.

STEVE HEALY (40-49, White): A partner at a successful law firm, this workaholic husband and father is struggling with staying present for his family as the pressures of his job and being the breadwinner of the family consume him. He feels his wife Mary Jane slipping away from him. A strong rock singer.

FRANKIE HEALY (Female, 16-18, Black): A Black transracial adoptee growing up in an affluent white family, Frankie aspires to be a writer and is passionate about social justice. She is not afraid to stand up for what is right, which creates tension in the Healy home. Extremely strong, dynamic, powerful rock singer, also comfortable with lighter pop style singing.

NICK HEALY (Male, 17-18, White): The “perfect” son, Nick is an athlete and star student; he often feels like he can’t be his true self because his parents are living vicariously through him; Nick guards his reputation carefully; he fears being exposed and losing everything. Strong rock tenor.

BELLA (Female, 18+ to play teen, any ethnicity): One of Nick’s friends, Bella Fox is an aspiring artist, and has to hold a job in order to make ends meet. Bella has a party girl reputation at school, but there is pain beneath her fun-loving facade. Through the course of the story, she is sexually assaulted by a classmate. Strong rock voice with dynamic range.

JO (18+ to play teen, any ethnicity): Jo has been best friends with Frankie since preschool. Jo’s sense of humor is a defense mechanism, a way of hiding their vulnerability. Has a strong, powerful, dynamic rock voice.

ENSEMBLE DANCERS: 20s – 30s, all gender identities, all ethnicities, all body types (may understudy other roles) – strong dancers with expertise in contemporary dance, hip hop, floor work and freestyle to play various roles within the ensemble plus featured dance pieces. Strong rock vocals an advantage.

ENSEMBLE SINGERS: 20s – 30s, all gender identities, all ethnicities, all body types - Incredibly strong singer/actor/dancers to play various members of the community including a doctor, pharmacist, therapist, teacher, students, and parents, etc. Most ensemble roles will cover principal tracks. The ensemble is the conscience of the story. Ensemble members must have powerhouse rock vocals and move expressively.

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