SKELETON CREW - NYC Appointments
Center Stage Associates
APPOINTMENTS
NYC auditions expected to be held 07/24/2017, 07/25/2017, 07/26/2017 by APPOINTMENT ONLY
CONTRACT
LORT Non-Rep LORT D pays above scale $887/week favored nations
SEEKING
Submissions for 3 available roles:
[DEZ] - Black man, mid-late 20’s
[SHANITA] - Black woman, mid-late 20’s
[REGGIE] - Black man, late 30’s
See breakdown for more details.
Seeking submissions from AEA members. AEA members must submit themselves directly in order to be considered via this posting (no agent or third-party submissions).
INSTRUCTIONS
For consideration, email picture and resume ASAP. Mark submissions: SKELETON CREW NYC Appointment submission
Deadline: Mon, Jul 24, 2017
SUBMIT TO
submission.mccorklecasting@gmail.com
PERSONNEL
Artistic Director: Kwame Kwei-Armah
Director: Nicole A. Watson
Writer: Dominique Morisseau
Casting Assistant: Tracy Kaczorowski
Casting Director: Pat McCorkle, Katja Zarolinski
OTHER DATES
Rehearsal Date(s): 12/26/2017
Preview Date(s): 01/25/2018
Opening Date(s): 02/01/2018
Closing Date(s): 03/04/2018
OTHER
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
BREAKDOWN
DEZ
Black man, mid-late 20’s, Working class man. Young hustler, playful, street-savy, and flirtatious.. Somewhere, deeply sensitive.
SHANITA
Black woman, mid-late 20’s, Working class young woman. Pretty but not ruled by it. Hard-working. By-the-books. Believes in the work she does. Also, pregnant. Somewhere, a beautiful dreamer.
REGGIE
Black man, late 30’s. White collar man. Studious. Dedicated. Compassionate. The Foreman. Somewhere, a fire brims.
STORYLINE:
From the playwright of Detroit ’67, Skeleton Crew (the third play in Dominique Morisseau’s acclaimed Detroit trilogy) tells the story of four workers at the last exporting auto plant in Detroit struggling to survive as their way of life disappears. Set around 2008, this play vividly portrays the modern struggle in a changing America, and reveals the real people on the factory line. This skeleton crew—the bare minimum number of staff needed to function—is made up of people who keep the vital operations of the plant running in the face of obstacles, rumors, and, eventually, the confirmation of their worst fears. Loyalties are tested and boundaries are crossed as this vibrant team of loyal and proud workers navigate an uncertain future.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
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