REAL WOMEN HAVE CURVES Submission - Dallas Theater Center Auditions
REAL WOMEN HAVE CURVES - Dallas Theater Center
REAL WOMEN HAVE CURVES - NYC appointments
Dallas Theater Center
CONTRACT
LORT Non-Rep $914 weekly minimum (LORT B)
SEEKING
Equity actors for roles in REAL WOMEN HAVE CURVES (see breakdown).
INSTRUCTIONS
Submit electronically
Deadline: Mon, Aug 6, 2018
SUBMIT TO
PERSONNEL
Interim Artistic Producer: Joanna Lugo
Artistic Producer: Sarabeth Grossman
Artistic Director: Kevin Moriarty
Associate Artistic Director: Joel Ferrell
Director: Christie Vela
Casting: Binder Casting/Chad Eric Murnane, CSA
Playwright: Josefina López
OTHER DATES
1st Rehearsal: 3/25/19
1st Preview: 4/26/19
Open: 4/1/19
Close: 5/19/19
OTHER
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
BREAKDOWN
SEEKING:
[ANA] Female, Mexican American, 18 – 20, sister of Estela, daughter of Carmen. Pretty and plump. She is a recent high school graduate and a young feminist. Smart, opinionated, kind of a dreamer but very practical. She reads a lot, like every kid at her age. She loves comics, Sylvia Plath, Dorothy Parker, Anais Nin and Anne Rice. She’s a nerd, a secret punk rocker and a Capricorn. She is waiting on her financial aid to come through, so she can attend college. Ana wants to be different from the older women in her family, so she purposefully does things different. She sometimes thinks she's better than all of this” but has a secret appreciation for her culture. Speaks Spanish.
[CARMEN] Female, Mexican American, 40 – 50, mother of Ana and Estela. Plain and plump. She loves her daughters and loves her family. She is your typical old school, very traditional Mexican Mama. She has a talent for storytelling. She knows the ways of the world and how things should be done because this is the way they've always been done. She doesn’t resent Ana’s ambition for wanting more, it's just that she worries that the potential of failure will hurt her.
[PANCHA] Female, Mexican American, 30s-40s, plus size with a plus size personality, a friend of Carmen and Estela and a worker at the Garcia Sewing Factory. Smart, sassy and strong-willed. She is a very dedicated worker in the factory, says what she means and takes no bullshit from anyone. She is very comfortable with herself despite the fact that she cannot have children, something her social conditioning has raised her to expect from life. If she'd had more opportunities as a younger woman, she would be the foreman or the boss of something. Sees Ana's potential for better things and supports it. Speaks Spanish.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit
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