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Golden Thread 2025 Season Generals Equity Stage Managers - Golden Thread Productions Auditions

Posted January 17, 2025
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Golden Thread 2025 Season Generals - Golden Thread Productions

GOLDEN THREAD 2025 SEASON - STAGE MANAGER SUBMISSIONS

Golden Thread Productions | San Francisco, CA

CONTRACT

Bay Area Theatre

$462 weekly minimum (Intro) - Stage manager

$424 weekly minimum (Intro) - Assistant stage manager

SEEKING

Equity stage managers for Golden Thread's 2025 Season.

SUBMISSION

INSTRUCTIONS

Please submit your cover letter and resume for consideration. Also send your submissions to:
salim@goldenthread.org

Deadline: 02/28/2025

SUBMIT TO


sahar@goldenthread.org

PERSONNEL

Salim Razawi, Casting Director, Artistic Producer

Sahar Assaf, Executive Artistic Director

Wendy Reyes, Production Associate

OTHER DATES

See breakdown for production specific dates.

OTHER

For other questions, reach out to
auditions@goldenthread.org

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

BREAKDOWN

Golden Thread 2025 Season

Workshop Presentation part of New Threads Reading Series:

ORIENTAL by Evren Odcikin
Rehearsal begins: 5/27
Performances: 6/7 and 6/8
SYNOPSIS: Kaan has been commissioned to make an adaptation of 1001 Nights from a Very Important Theater Company, and asked to bring his immigrant, Muslim, queer perspective to it. Unfortunately, he is not sure what all that means. As his characters revolt and refuse to tell the stories that he requires of them, can Kaan face his demons, change the minds and hearts of his audience, and save all the women of the kingdom in the process? ORIENTAL is an absurdist look at the hilarious knots SWANA creatives must tie themselves in to tell their stories and make a career in the American theatre.

THE RETURN by Hanna Eady and Edward Mast
Rehearsals begin: July 1 (20 hours per week)
Performances: July – August 24th
SYNOPSIS: THE RETURN is a one-act, 70-minute play that starts simply with two people meeting in an auto-body shop in the mid-sized city Herzliya. They might or might not have known each other in the past. One of them is Palestinian, one of them is Israeli Jewish, and by the end of the play, both of their lives will be changed forever by the realities that surround them.

PILGRIMAGE by Humaira Ghilzai and Bridgette Dutta Portman
Rehearsals start: 9/15 (20 hours per week)
Opening: 10/27
Run: 10/31 through 11/8
SYNOPSIS: Five women embark on a pilgrimage to Mecca. Noor, an Afghan American immigrant, must fulfill her sister’s last wish. Her daughter, Maryam, a tech CEO, seeks to evade her legal woes, while Noor’s nieces—estranged sisters Sosan and Nadia—must complete the pilgrimage to claim their inheritance. Meanwhile, Fatima, a Black Muslim convert and Nadia’s best friend, hopes to find her biological mother. Will this pilgrimage bring the five women closer, or will secrets, rivalries, and old wounds tear them apart?

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