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FULTON THEATRE CO. 2018-19 LORT SEASON **Revised Dates** Equity Principal Auditions - Fulton Theatre Company Auditions

Posted January 23, 2018
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FULTON THEATRE CO. 2018-19 LORT SEASON **Revised Dates** - Fulton Theatre Company

Fulton Theatre Co. 2018-19 LORT Season - Lancaster PA EPA

Fulton Theatre Company


**The 2/3 audition date has been changed to 2/7 and the times will now be 9am to 5pm**

AUDITION DATES

Tue, Feb 06, 2018

10:00 am - 6:00 pm (EST)

Lunch 2 to 3

Wednesday, February 7, 2018
9:00 AM - 5:00 PM
Lunch 2 to 3


APPOINTMENTS

Visit www.thefulton.org, and click on the auditions link in the bottom left hand corner of the website, to sign up for a timeslot. AEA members without appointments seen as time permits.


CONTRACT

LORT Non-Rep LORT B; $914/week AEA minLORT Experimental Contract; $540.80/week


SEEKING

Actors, Singers, and Dancers for our upcoming 2018/2019 season. See breakdown.

PREPARATION

Prepare either 1) a brief song, or 2) a brief monologue; or 3) 16 bars of a song and a one minute monologue. Bring picture and resume.


LOCATION

Fulton Theatre Clubhouse

18 N. Water St.

Lancaster, PA 17603

Clubhouse is located behind the theatre directly across Water St.

PERSONNEL

Randall Frizado, Associate Casting Director, expected to be in attendance


OTHER

An Equity Monitor will not be provided. The producer will run all aspects of this audition.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.


BREAKDOWN

Fulton Theatre 2018-19 Season
All roles currently available for all shows

TREASURE ISLAND
Music by Marc Robin
Book and Lyrics by Marc Robin and Curt Dale Clark
Based on the novel by Robert Louis Stevenson
Previews Begin: 9/16/2018
Opening: 9/21/2018
Closing: 10/14/2018
Start of Rehearsal: On or about 8/23/18
_________________

42ND STREET
Music by Harry Warren
Lyrics by Al Dubin, Johnny Mercer
Previews Begin: 11/11/2018
Opening: 11/16/2018
Closing: 12/30/2018
Rehearsals Begin: on or about 10/18/2018

________________

CHICAGO
Music by John Kander
Lyrics by Fred Ebb
Book by Bob Fosse and Fred Ebb
Previews Begin: 1/20/2019
Opening: 1/25/2019
Closing: 2/17/2019
Rehearsals Begin: on or about 12/28/2018
_________________

ONCE
Music and Lyrics by Glen Hansard and Marketa Irglova
Book by Enda Walsh
Previews Begin: 3/17/2019
Opening: 3/22/2019
Closing: 4/14/2019
Rehearsals begin: On or about 2/25/2019
__________________

SHOW TBD
Previews Begin: 4/28/2019
Opening: 5/3/2019
Closing: 5/25/2019
Rehearsals begin: On or about 4/8/2019
__________________

MAMMA MIA
Music and Lyrics by Benny Andersson and Bjorn Ulvaeus
Book by Catherine Johnson
Previews Begin: 6/2/2019
Opening: 6/7/2019
Closing: 7/21/2019
Rehearsals begin: on or about 5/13/2019
_________________

Ellen Arnold Groff Series (Exp. Contract $540.80 per week)

THE MYSTERY OF IRMA VEP
Written by Charles Ludlam
Previews Begin: 10/16/2018
Opening: 10/19/2018
Closing: 11/4/2018
Rehearsals begin: on or about 9/26/2018
_______________

THE GLASS MENAGERIE
by Tennessee Williams
Previews Begin: 2/12/2019
Opening: 2/15/2019
Closing: 3/3/2019
Rehearsals begin: on or about 1/22/2019
________________

I AM MY OWN WIFE
by Doug Wright
Previews begin: 4/2/2019
Opening: 4/4/2019
Closing: 4/28/2019
Rehearsals begin: on or about 3/15/2019
_______________

NEXT TO NORMAL
Music by Tom Kitt
Book and Lyrics by Brian Yorkey
Previews begin: 5/14/2019
Opening: 5/17/2019
Closing: 6/2/2019
Rehearsals begin: on or about 4/29/2019


Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.

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