Auditioning in a large city can be incredibly frustrating for any performer- especially when you can never seem to meet the age limits.
Turning eighteen is a milestone in any teenager's life. It brings a newfound sense of freedom to the world, allows young people to try new things, and helps us get a grip on adult life. However, as a college student and performer in a large city, this otherwise small milestone is much more important. I graduated a year early in high school, and went straight to college at seventeen to pursue musical theatre and comedy. For the most part, my age wasn't a problem and I could live college life to its fullest. However, as soon as I began to audition for productions in my area, I ran into a tough issue.
Eighteen plus. Those two words plagued every audition call I could find, from tiny community theatres to equity productions. I was at a point in my life where, despite my age, I needed to find opportunities as an actor- and even though I completely understood why these companies were looking for adults, I was seventeen and a half and desperately trying to find my place in the acting world. I started simple, and labeled my age specifically in auditions in hopes that a director wouldn't mind. However, I was rejected consistently and knew I needed to be more sure of which auditions might consider me. This is when I had to use some tools in communication- I found auditions, scrolled to the bottom of the listing, and found the email addresses of the casting directors for each show. From there, I sent individual emails to each director and asked if they would accept my submission given my age.
From the point I started clearly and directly communicating, my entire audition experience greatly improved. Directors would thank me for reaching out, then give me a straightforward answer on whether or not I could audition under their policy. This not only saved me hours of time in creating audition tapes for roles I had no chance of being seen for, but it also relieved me of the stress over an audition going poorly because of my age. With a large portion of my audition anxiety gone, I could focus on performing to the best of my ability rather than constantly trying to look or seem older than I am. Although the process took longer, this system truly helped me take a calm and thoughtful approach to auditioning in Chicago as a minor.
Now, as I'm just less than two months away from my eighteenth birthday, I couldn't be more relieved. I'm currently in an all-adult repertory comedy group, and I'll be able to enter the age-restricted theatre we're performing in by the time of opening night. I would never have auditioned for this group if I hadn't used direct communication, and I'm so glad I did- Everyone I perform with accepts me as a professional regardless of my age, and they've even jokingly proposed a special comedic performance where people pay to see me get registered to vote onstage. I can joke, act, write, and connect with every person in my cast without ever feeling out of place, and it's all thanks to direct questions and taking a calculated risk. I feel truly at ease with where I'm at in my career, and I'm so incredibly excited for the world of opportunities that will be opening up to me so soon.
Videos