Chronicle of the Grammy-winning 1995 Alanis Morissette album and the new Broadway musical it inspired. Photos (Matthew Murphy) and interviews from Morissette, bookwriter Diablo Cody, creative team members, and cast members, as well as a full annotated libretto and an exploration of the album’s cultural significance
New volume in Dan Dietz' series of books (which previously covered the 1920s, 1930s, 1940s, 1950s, 1960s, 1970s, 1980s, 1990s, 2000s). Includes detailed information about every musical that opened on Broadway from 2010 through the end of 2019. Discusses the decade's major successes, notorious failures, and musicals that closed during their pre-Broadway tryouts, and also highlights revivals and personal-appearance revues. Plot summaries; cast members; names of all important personnel, including ...
Features the words and lyrics from David Byrne's recording and subsequent theatrical concert, with artwork by Maira Kalman (who designed the art for the Broadway show’s curtain). Edited and designed by Alex Kalman/What Studio?.
Winner of the Pulitzer Prize in drama as well as Tony Awards for best play and best actor, Tracy Letts has emerged as one of the greatest playwrights of the twenty-first century. Understanding Tracy Letts, the first book dedicated to his writing, is an introduction to his plays and an invitation to engage more deeply with his work―both for its emotional power and cultural commentary.
Revised edition of 2007 book which tells the full story of the beloved Rodgers and Hammerstein musical. Now, Carter draws further on recently released sources, including the Rouben Mamoulian Papers at the Library of Congress, with additional correspondence, contracts, and even new versions of the working script used—and annotated—throughout the show's rehearsal process. Carter also focuses on the key players and concepts behind the musical, including Lynn Riggs's "Green Grow the Lilacs," and th...
Originally commissioned by The Bunker Theatre as a festival that ran in 2019. 23 letters that engage with a range of topics, from racial tensions, microaggressions and emotional labour, to queer desire, prejudice and otherness. Includes work from Zia Ahmed, Travis Alabanza, Fatimah Asghar, Nathan Bryon, Matilda Ibini, Jammz, Iman Qureshi, Anya Reiss, Somalia Seaton, Nina Segal, Tolani Shoneye, Lena Dunham, Inua Ellams, Rabiah Hussain, Mika Johnson, Jasmine Lee-Jones, Suhaiymah Manzoor-Khan, Shi...
55 recipes inspired by favorite musicals from The Sound of Music to Hamilton, including Eggrolls for Mr. Goldstone served with a side of Too Darn Hot Sauce; Another Vodka Stinger, The Wizard and Ice, Schnitzel With Noodles, Mama’s Well-Peppered Ragu, Angel (Food Cake) of Music. With illustrations and photographs.
Ann Miller (1923-2004) was an American actress, dancer, singer and author. Best known as a tap dancer, Miller practiced other forms of dance, and some of her solo routines are considered as good as any recorded in film musical history. Despite a reputation as a kook who believed she was psychic, and the potentially flat image of a "glamour girl," Miller's wit, charm and genuine ability to act gave her and her characters depth. This biography presents Ann Miller's career in the context of her fa...
The memoir begins with Wilson's earliest foray into playwriting, then on to Yale where he was a student and a professor. He was assistant to producer Lewis Allen and had a hand in the production of Big Fish, Little Fish and the film version of Lord of the Flies, directed by Peter Brook. Wilson taught at Hunter College and later at the CUNY Graduate Center for more than forty years. He was theatre critic for the Wall Street Journal from April 21, 1972, through the next twenty-three years, and th...
Offers a detailed and engaging critical analysis of the plays and films of Conor McPherson, considering issues of gender and class disparity, violence and wealth in the cultural and political contexts in which the work is written and performed, as well as the inclusion of song, sound, the supernatural, religious and pagan festive sensibilities through which initial genre perceptions are nudged elsewhere, towards the unconscious and ineffable. Supplemented by a number of contributed critical and...
Originally published in 2003 as a comprehensive history of the previous twenty-five years in musical theater, on and off Broadway, this new edition of Ever After extends the narrative, taking readers from 2004 to the present.
With notes by Professor Knowlson. Samuel Beckett directed Krapp's Last Tape on four separate occasions: this volume offers a facsimile of his 1969 Schiller-Theater notebook.
In this insightful joint working diary, the creative powerhouse of a couple, Lolita Chakrabarti and Adrian Lester, chronicle 16 months of their fascinating working lives, including their experiences working on the stage adaptation of Life of Pi, an original series of monologues about the NHS, the film adaptation of Red Velvet and the TV series The Rook, among many other projects. As readers, we experience, first-hand, their experiences as two of the most proactive and versatile theatre makers t...
In Peter Brook's collection of essays, the director reflects on the role of music in theatre and performance and revisits some of the best-known productions from his career, including Titus Andronicus, Don Giovanni, The Magic Flute, and The Prisoner. Topics range from how to evoke "true listening" to the relationship between words and music to the "living presence" of silence. 80 pages.
A wide-ranging interdisciplinary study of live stage musicals from the mid- to late twentieth century adapted from British literature written between 1837 and 1886. Investigates musical dramatizations of works by Charles Dickens, Charlotte Brontë, Christina Rossetti, Robert Louis Stevenson, and others ... reveals what these musicals teach us about the Victorian books from which they derive and considers their enduring popularity and impact on our modern culture. Explores themes of race, religio...
The only collection of Tynan's star-studded profiles, selected and edited by his widow and biographer, Kathleen Tynan, with a foreword by Simon Callow.
Kenneth Tynan was the 20th century's most influential writer on theatre and performance. Over the course of his life he wrote a series of brilliant and incisive pen-portraits of many of the most significant performers and writers of his day.
Amongst the fifty assembled here are profiles of actors such as Garbo, Bogart, Cagney, Olivier and ...
Offers analysis of both the Victor Hugo novel itself and its adaptations: more than 60 international film and television variations, numerous radio dramatizations, animated versions, comics, stage plays, and the world's longest running musical, which itself has generated a wealth of fan-made and online content. Draws together essays from across a variety of fields, combining readings of Les Misérables with reflections on some of its multimedia afterlives, including musical theater and film from...
A major hit on Broadway, on film West Side Story became immortal-a movie different from anything that had come before, but this cinematic victory came at a price. In this engrossing volume, film historian Richard Barrios recounts how the drama and rivalries seen onscreen played out to equal intensity behind-the-scenes, while still achieving extraordinary artistic feats.
The making and impact of West Side Story has so far been recounted only in vestiges. In the pages of this book, the backsta...
From the beginning of theater on the Cape in 1916 when a group of artists and writers in Provincetown mounted a production of a one-act play, Bound East for Cardiff, by a little-known playwright, Eugene O'Neill. It grew into the constantly expanding theater universe it is today. The theatrical descendants of O'Neill and the Provincetown Players continue to present classical drama, contemporary hits and new, experimental works to audiences that have come to expect the best. A tour of the theater...
Memoir of a dancer who got his start with Martha Graham. A rare firsthand view of the dance world in the 1940s and through the end of the twentieth century. He danced as Graham's partner in Appalachian Spring, Deaths and Entrances, Every Soul Is a Circus, and Errand into the Maze. Hodes shares his delight in dance as both hard work and a fantastic adventure.
Examines in detail the unique vocal and nonvocal requirements for professional performance within the genre of cabaret. Includes interviews from Michael Feinstein, Ann Hampton Callaway, Roy Sander, Sidney Myer, Jeff Harner and others. Produced in partnership with the National Association of Teachers of Singing and features online supplemental material, including style-specific exercises, audio and video files, on the NATS website.
This is the first book to dedicate scholarly attention to the work of Tarell Alvin McCraney (Choir Boy, Head of Passes, The Brother/Sister Plays). Featuring essays, interviews, and commentaries by scholars and artists, who consider McCraney’s innovations as a playwright, adapter, director, performer, teacher, and collaborator, bringing fresh and diverse perspectives to their observations and analyses.
An overview of British musicals that made their way to Broadway, covering their entire history up to the present day. Covers 110 British musicals, ranging from 1750 to the present day. Each London musical is discussed first as a success in England and then how it fared in America. The plots, songs, songwriters, performers, and producers for both the West End and the Broadway (or Off-Broadway) production are identified and described
In 1936 Orson Welles directed a celebrated all-black production of Macbeth that was hailed as a breakthrough for African Americans in the theater. For over a century, black performers had fought for the right to perform on the American stage, going all the way back to an 1820s Shakespearean troupe that performed Richard III, Othello, and Macbeth, without relying on white patronage.
It’s a summer’s morning in 1988 and Tory politician Robin Hesketh has returned home to the idyllic Cotswold house he shares with his wife of 30 years, Diana. But all is not as blissful as it seems. Diana has a stinking hangover, a fox is destroying the garden, and secrets are being dug up all over the place. As the day draws on, what starts as gentle ribbing and the familiar rhythms of marital sparring quickly turns to blood-sport.
A historical narrative of a group of musicals that cost millions, were created by world-renowned writers and directors, and that had spectacular potential... but bombed anyway.
Gives readers an overview of the work from its inception through revisions and stagings in regional theatres and Broadway, exploring its use of African American vernacular genres - blues music, folk songs, folk tales, and dance - and 19th Century Southern post-Reconstruction history. Ladrica Menson-Furr presents Joe Turner's Come and Gone as a historical drama, blues drama, American drama, great migration drama, and the finest example of Wilson's gift for re-locating the African American experi...
The novel, in verse, that inspired the West End/Broadway play by Stefano Massini. Spanning three generations and 150 years, a moving epic that tells the story of modern capitalism through the saga of the Lehman brothers and their descendants. A story of immigration, ambition, and success.
The sun always comes out tomorrow for the shelter animals Bill Berloni rescues—sometimes from death’s door—and then trains to meet the demands of the stage. Berloni was a nineteen-year-old theater apprentice more then three decades ago when he was offered his first big break: find and train a dog to appear in the original production of the Broadway hit Annie. Defying the odds, he rescued a down-on-his-luck dog from a local shelter and, together, they redefined what animal performers could do. S...
Paperback version of 2018 book by Robert Shaughnessy about the National Theatre's most Shakespearean period in its history, 1963-1975, one which included Laurence Olivier's Othello and Shylock, a radical all-male As You Like It, the Berliner Ensemble's Coriolanus and Tom Stoppard's Rosencrantz and Guildenstern are Dead. Tells the interlinked stories of the National's relationship with Shakespeare through a series of production case studies.
When she was fifteen years old, Heidi Schreck earned money for her college tuition by giving speeches about the U.S. Constitution. Decades later, she traces the effect this document has had on four generations of women in her family. Deftly examining how the United States’ founding principles are inextricably linked with our personal lives, Schreck also explores the ways in which their misuse has engendered violence and inherited trauma. With passion and wit, this galvanizing new play acknowled...
Features original monologues by writers such as David Lindsay-Abaire, Clare Barron, Hilary Bettis, Hansol Jung, Stephen Adly Guirgis, Christopher Oscar Peña, Jesse Eisenberg and Monique Moses. A rich collection that can be enjoyed by actors, writers and those looking for creative responses to the global COVID-19 crisis. 144 pages.
New biography of one of the key composers of 20th-century American popular song, Eubie Blake, who created Shuffle Along with Noble Sissle and went on to compose for films and other Broadway shows, eventually finding a second career as a ragtime raconteur in the 1960s. His skills as a pianist, gifts as a storyteller and entertainer, and appearances on major TV shows from Johnny Carson and David Frost to the Today Show led him to a new career as a concert artist. The authors also illustrate the w...
All five scripts from the 43rd annual cycle of world premieres: Everybody Black by Dave Harris; The Thin Place by Lucas Hnath; The Corpse Washer, adapted for the stage by Ismail Khalidi and Naomi Wallace, from the novel of the same name by Sinan Antoon; How to Defend Yourself by Liliana Padilla; and We've Come to Believe, a collaboratively-written play by Kara Lee Corthron, Emily Feldman, and Matthew Paul Olmos
Play anthology featuring five docudramas originally commissioned by L.A. Theatre Works that each explore pivotal moments in 20th century U.S history: The Great Tennessee Monkey Trial by Peter Goodchild; The Real Dr. Strangelove by Peter Goodchild; RFK: The Journey to Justice by Murray Horwitz and Jonathan Estrin; The Chicago Conspiracy Trial by Peter Goodchild; Top Secret: The Battle for the Pentagon Papers by Geoffrey Cowan and Leroy Aarons.
Charlie Savoy was once Hollywood’s hottest A-lister. Now, ten years later, she’s pushing forty, exiled from the film world and back at the summer Shakespeare theater in the Berkshires that launched her career—and where her old flame, Nick, is the artistic director.
A rollicking tale of love, magic, madness, and murder, Shakespeare for Squirrels is a Midsummer Night’s noir—a wicked and brilliantly funny good time conjured by the singular imagination of Christopher Moore.
David Friedman's 2017 book, now in audiobook format, with Nancy LaMott singing Friedman's "We Can Be Kind." Foreword by Lucie Arnaz. Through story, meditation and suggestions on how we can be kind not only to others, but to ourselves as well, Friedman encourages us to create new ways of building community
Basis for Mike Birbiglia's Drama Desk-winning 2018 Broadway show The New One. Sharing some of his darkest and funniest thoughts about the decision to have a child, his wife's pregnancy, and that first year with their child. 256 pages.
This is Not My Memoir tells the life story of André Gregory, iconic theatre director, writer, and actor. For the first time, Gregory shares memories from a life lived for art, including stories from the making of My Dinner with André. Taking on the dizzying, wondrous nature of a fever dream, This is Not My Memoir includes fantastic and fantastical stories that take the reader from wartime Paris to golden-age Hollywood, from avant-garde theaters to monasteries in India. Along the way we meet Jer...
Two-volume set of 14 plays and two silent film screenplays by turn-of-the-20th century American playwright George Ade. Many of these works have never been published before and some do not exist in complete form anywhere else. Ade’s plays offer a valuable and funny commentary on politics, community and social norms in the late 1800s/early 1900s.
Explores this rich, decades-long history by traversing musicals, stars, and sounds from film, Broadway, and Las Vegas to the small screen. From Rodgers and Hammerstein's appearance on the first Toast of the Town telecast and Mary Martin's iconic Peter Pan airings to Barbra Streisand's 1960s CBS specials, "The Carol Burnett Show," "Cop Rock," "Smash," "Galavant," "My Crazy Ex-Girlfriend," Great Performances, and a string of one-off musical episodes of sitcoms, nighttime soaps, fantasy shows, and...
Through an archive-driven investigation of the musical Pal Joey and its music, author Lindberg offers insight into the historical moment during which Joey was born, and to the process of genre classification, canon formation, and the ensuing critical debates related to musical and theatrical maturity. More broadly, the book argues that the critique and commentary on class and gender conventions in Pal Joey reveals a uniquely American concern over status, class mobility, and progressive gender r...
Meet Alex, a photographer on a holiday with his family in the south of France. Meet Abe, a music producer with a baby on the way. Two men - both fathers, husbands, and sons - take us on a journey you will never forget. The finest actors of their generation, Academy Award nominee Jake Gyllenhaal (Sunday in the Park with George) and Tony Award nominee Tom Sturridge (1984), had audiences roaring to their feet during the sold-out Broadway engagement. Now Sea Wall / A Life, a dramatic exploration of...
Chronicle of the history of Broadway through firsthand accounts from actors, directors, producers, stagehands, designers, ushers and others. Each chapter represents one Broadway theater. Volume 1 covers The Al Hirschfeld, August Wilson, Lyceum, Mark Hellinger, Marquis, Neil Simon, Richard Rodgers and Winter Garden Theatres. Free through March 27
The Humana Festival of New American Plays has been a leading home for extraordinary playwrights and their imaginations for more than four decades, making Actors Theatre of Louisville one of the nation’s preeminent powerhouses for new play development. For six weeks every spring, Louisville exerts a gravitational pull on producers and theatre lovers from around the country, who travel from far and wide for the adventure of seeing a diverse slate of fully-produced new plays. Many Humana Festival ...
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