The journey of a musical from potential disaster to success, and the Broadway industry that managed to stay alive during the pandemic shutdown of 2020-22. Told through personal stories, anecdotes from the cast, production shots, behind-the-scenes photos, and insights from the creators. 280 pages.
Tells the stories of over 300 inspiring women who wrote Broadway and Off-Broadway musicals that Publishers Weekly calls "an exhaustive tribute to women whose contributions to Broadway musical history have often been overlooked." Covers prolific and celebrated Broadway writers like Betty Comden and Jeanine Tesori, women who have written musicals but gained fame elsewhere like Dolly Parton and Sara Bareilles, and dramatists you’ve never heard of—but definitely should have. 408 pages.
Author Richard Schloch makes the case that Sondheim's greatness–beyond the clever lyrics and adventurous music–rests in his ability to tell stories that relate to us all. From Louise's desire for freedom to Sweeney Todd's thirst for revenge, we as an audience relate easily to Sondheim's characters. Follows the arc of Sondheim's career and includes stories about productions and iconic performers, deep readings of his music and lyrics, and insights into his creative process. 304 pages.
2nd edition of 2011 book by William Everett. More than 1,400 annotated entries; includes reference works, monographs, articles, anthologies, and websites related to the musical. Separate sections devoted to sub-genres (such as operetta and megamusical), non-English language musical genres in the U.S., traditions outside the U.S., individual shows, creators, performers, and performance. This second edition reflects the notable increase in musical theater scholarship since 2000. Also includes mul...
Each of four chapters is dedicated to one of the Yale Rep's artistic directors to date: Robert Brustein, Lloyd Richards, Stan Wojewodski Jr., and James Bundy. Numerous sidebars are dedicated to the spaces used by the theater, the playwrights produced most often, casting, the prop shop, the costume shop, artist housing, and other topics. Illustrated. Based in part on interviews with some of America’s most respected actors about their experiences at the Rep. 400 pages.
About the remarkable mid-Roaring Twenties stagecraft to have been truly transnational, with a stellar cast of producers, performers and creators boldly experimenting worldwide. Revues, musical comedies, zarzuelas and operettas formed part of a thriving theatrical ecosystem, with many works - and their leading artists - now unpredictably defying genres. Demonstrates how fresh approaches became highly successful, with established leads like Marie Tempest and Fred Stone appearing in new production...
Looks at the Great American Songbook's craft and its mastery through essential elements of the beloved songs, investigating the qualities that make the songbook a unique staple of American culture. With anecdotes, each chapter looks at a variety of songs thematically and dives into the lives of songwriters. 210 pages.
Explores the relationship between professional baseball and professional theater in the late nineteenth and early twentieth centuries. Examines case studies of five representative players from baseball's pre–Babe Ruth “deadball” era: Cap Anson, Mike “King” Kelly, Christy Mathewson, Ty Cobb, and Rube Waddell, with a concluding study of Babe Ruth himself. A historical study of baseball, theater, and the relationship between the two ... also shares insight into the creation of celebrity in early t...
By Richard Pilbrow (British pioneer of stage lighting; appointed by Sir Laurence Olivier to help create the National Theatre of Great Britain as a member of the building committee). An eye-witness account of the birth and subsequent triumph of one of the world's most famous theatres. The theatre architecture has challenged generations of theatre makers, leading to innovation that has changed theatre worldwide. With insight from leading players in British theatre and the minutes of the deliberat...
Chronicles the sixty-six-year (and counting) partnership of Richard Maltby Jr. and David Shire, with behind-the-scenes accounts of their musicals interspersed with analyses of standout individual numbers. 304 pages.
Part of the Broadway Legacies series. In the first book on Cohan in fifty years, Craft situates Cohan as a central figure of his day. Examining his multifaceted contributions and the various sociocultural identities he came to embody, Craft shows how Cohan and his works indelibly shaped the American cultural landscape. 288 pages.
. Examines the history and influence of the Group Theatre, which presented the first plays of Clifford Odets, Sidney Kingsley, and William Saroyan, and launched the careers of Franchot Tone, John Garfield, Elia Kazan, Lee J. Cobb, Karl Malden, Martin Ritt, and Luther Adler. 339 pages.
History of the multi-award winning Off-Broadway Irish Repertory Theatre Company, from its beginning in 1988 to its thirty-fifth season in 2023. Considers how the Irish Rep's plays and musicals reflect the Irish diaspora, the relationship between Ireland and America, and what it means to be Irish and Irish American, both historically, and in the twenty-first century. 185 pages.
"investigates both the history and current realities of life and work in professional theatrical production in the United States and explores labor practices that are equitable, accessible, and sustainable." 352 pages.
In-depth account of Cleveland's Playhouse Square (originally the State, Ohio, Hanna, Allen, and Palace theaters) history, beginning with the 1921 opening, through the darkening of four of their marquees by the end of the 1960s, the renovation and renaissance from the 1970s, and the effects of the COVID-19 pandemic. Illustrated and featuring interviews with the central figures involved in saving the Square. 240 pages.
Charts the progress of American showtunes alongside popular music forms as songs evolved from the waltz and ragtime to jazz, rock, rap and hip-hop. Factual analysis and historical context combine to offer a rich picture of the American songbook from Irving Berlin to Elton John. 440 pages.
A show business romance crossing 7000 miles and 70 years, Broadway Melody lands securely in the confines of Times Square and the Theater District, as a crackerjack trumpet player and a blue-collar spotlight operator vie for the love of an aspiring ingenue who holds them both in thrall for their entire lifetimes. Filled with theater lore and history, vivid characters both real and imagined, and a great number of songs in its heart, this novel delivers the ultimate valentine to Broadway then and n...
A portrait of the American musical's artistic evolution over the course of seven distinct, newly defined eras, with a perspective gleaned from research at more than twenty different archives across the United States. 416 pages.
Content from sixty years of essays, speeches, and manifestos by the founding mother of the resident professional theatre movement. Founder and artistic director of Arena Stage in Washington, D.C., and chair of New York University’s Graduate Acting program. Gathers Fichandler’s most prescient writing about that movement, ranging over such topics as The Institution as Art-Work, the Profit in NonProfit, Race and a Deepening Aesthetic, and Creativity and the Public Mind. Also includes intimate port...
Foreword by Sam Mendes. Afterword by Adam Redfield. William Redfield's (Guildenstern) series of letters describing the daily happenings and his impressions of them during the three months of preparation for the 1964 Hamlet, from rehearsals through out-of-town tryouts to the gala opening night on Broadway. New edition brings Redfield's classic back into print, as The Motive and the Cue, the Sam Mendes-directed play about the Gielgud production that is based in part on the book, continues its run...
The author traces Edward Albee's Who's Afraid of Virginia Woolf? from its origins in Greenwich Village's bohemian enclave, through its tormented production process, to its explosion onto screens across America and a permanent place in the canon of cinematic marriages. 368 pages.
A look at how the Broadway musical travels the world, influencing and even transforming local practices and traditions. Focuses on recent musicals but also looks back through the twentieth century to plot the evolution of musical theatre in South Korea and Germany. 312 pages.
The author looks back over the last 30 years and writes about how his musical Thrill Me: The Leopold & Loeb Story became a Drama Desk and Outer Critics Circle Award nominee and went on to have over two hundred productions spanning twenty-five countries and seventeen languages. 312 pages.
By Stephen Cole, who has "taken his real-life friendships with Ethel Merman and Mary Martin, the two undisputed queens of Broadway, tossed them into a blender and come up with a fantasy about a nerdy super-fan in the early 1980s who, while visiting his dying idol Ethel Merman, stumbles into a time portal in her closet and exits on the other side in Sophie Tucker's star dressing room at the Imperial Theatre in 1939." 216 pages.
Fifty articles (from the the Guardian, the Observer, the Financial Times, and the Evening Standard) arranged in chronological order of each actor’s demise, constituting a vivid history of postwar theatre through the lives of the actors. There are happy/sad juxtapositions of shooting stars Robert Stephens and Alan Bates; tragic niece and aunt, Natasha Richardson and Lynn Redgrave; classical queens Diana Rigg and Barbara Jefford; and versatile showtime hoofers Una Stubbs and Lionel Blair. 256 pag...
Detailed account of the life of the musical from 1969–1973. Behind the scenes look at the evolution of Jesus Christ Superstar from an album to a Broadway musical, exploring the breakthroughs, the frustrations, and the pitfalls. Never-before-seen photos and new interviews. 232 pages.
By David Mamet, with illustrations by David Mamet. The author " shares scandalous and laugh-out-loud tales from his four decades in Hollywood where he worked with some of the biggest names in movies." Audiobook narrated by Jim Frangione. 256 pages.
By Arnold Aronson. Looks at the history of theatrical scenography by examining the work and contributions of fifty set, costume, lighting, and projection designers since the Renaissance ... including opera, dance, Broadway and West End commercial theatre, avant-garde performance, and even Olympic spectacles. Each chapter features one designer, with basic biographical information and a discussion of that artist's style, aesthetics, and contributions. 330 pages.
Explores the shifting representations of schoolteachers and professors in plays and performances primarily from the twentieth and twenty-first centuries in the United States. Examining various historical and recurring types, such as spinsters, schoolmarms, presumed sexual deviants, radicals and communists, fascists, and emasculated men teachers, the author shines the spotlight on both well-known and nearly-forgotten plays. 230 pages.
By Sean Mayes. Unveils the untold stories and perspectives of artists of color shaping the stage today, through interviews drawn from Broadway and regional productions, including André De Shields, Alex Lacamoire, Baayork Lee, and many more. 168 pages.
To celebrate the 40th anniversary of the Pulitzer Prize–winning masterpiece "The Color Purple," as well as the acclaimed 1985 film from Steven Spielberg, the Tony-winning Broadway musical, and the all-new film adaptation. An exploration of the novel’s enduring legacy, featuring contributions from Alice Walker, Oprah Winfrey, Steven Spielberg, Colman Domingo, Fantasia Barrino, Danny Glover, and more. Oral histories and fresh anecdotes based on more than fifty original interviews, as well as vibr...
Tells the story of Theatre-in-Limbo, a downtown band of actors formed in 1984 by director Kenneth Elliott and playwright and drag legend Charles Busch. Elliott narrates the company's Cinderella tale of fun, heartbreak, and dishy drama. 226 pages.
Graphic artist David Edward Byrd pioneered the iconic visual styles that have come to define rock 'n' roll graphics through his poster, concert, and album art designs. He also created the iconic imagery for many Broadway shows, including Follies, Godspell, Jesus Christ Superstar, Little Shop of Horrors, and more. 176 pages.
A comprehensive study of this 1950 motion picture, from start to finish and after its release. The authors discuss in detail the contributions of the cast (which included Gloria DeHaven, Eddie Bracken, Phil Silvers, and Marjorie Main), the director (Charles Walters), the producer (Joe Pasternak), the script writers (George Wells and Sy Gomberg), the songwriters (which included Harry Warren and Mack Gordon), and top MGM executives (Louis B. Mayer and Dore Schary). Features extensive interviews, ...
Traces what made shows like Oliver!, Me and My Girl, The Dancing Years, Bless the Bride and Expresso Bongo successes in the West End and how their qualities define a uniquely British interpretation of the genre. Detailed case studies, such as The Boy Friend and Bitter Sweet. 208 pages. Released 10/5/23.
An account of stage musicals' engagement with historically significant theories about mental distress, illness, disability, and human variance in the United States. Shows how theater dramatized serious medical conditions and social problems. Among the many Broadway productions discussed are Next to Normal, A Strange Loop, Sweeney Todd, Man of La Mancha, Dear World, Anyone Can Whistle, Gypsy, Oklahoma!, and Lady in the Dark.
Series of photographs by Simon Annand behind the scenes in London theaters, capturing actors before they go on stage. Foreword by Cate Blanchett. 256 pages.
Pop history of audiences through the ages. Walks us through the different types of audiences and the history of their changing behaviors, what science has to say about how our brains respond to what we experience, how technology will continue to shape audiences, and why, during COVID-19, people risked a deadly virus to be part of a crowd. Drawing on perspectives from critics, performers, scholars, and many others. 256 pages.
Interlocking story of the lives and careers American songbook interpreters Bing Crosby, Billie Holiday, Frank Sinatra, Ella Fitzgerald, Judy Garland, and Barbra Streisand. 384 pages.
Chronicles Cohen's decade-long quest to bring No Way to Treat a Lady to the stage–writing, re-writing, and shepherding it across the US and Europe amidst all manner of adversity and plain rotten luck. A portrait of passion, persistence, and resilience. Cast of characters includes an Oscar-winning screenwriter who invites Cohen to his personal screening room for a marathon midnight writing session; a Tony Award-winning director making his comeback after a horrific accident renders him a quadripl...
The early drama of Eugene O’Neill, with its emphasis on racial themes and conflicts, opened up extraordinary opportunities for Black performers to challenge racist structures in modern theater and cinema. By adapting O’Neill’s dramatic writing—changing scripts to omit offensive epithets, inserting African American music and dance, or including citations of Black internationalism--theater artists of color have used O’Neill’s texts to raze barriers in American and transatlantic theater.
About the creation of the musical that opened at the Manchester Opera House in February 2020, music and lyrics by Alan Silvestri and Glen Ballard and a book by Robert Zemeckis and Bob Gale (adapted from their original screenplay). Pairs exclusive, in-depth interviews with previously unpublished photography; excerpts from Bob Gale's personal journal; and a foreword by Gale to reveal and detail the years long process, and the creative ingenuity and technical innovation. 224 pages.
Gives his account of how Evita, Cats, Starlight Express, Les Misérables, The Phantom of the Opera, Chess, and Miss Saigon changed the business of musical theater in the 1980s. With insightful, personal stories from cast members, set designers, musical supervisors, dancers, lighting designers, production managers, singers, and choreographers ... and the backstage drama, production nightmares, and financial woes that threatened to derail the shows at multiple points. 268 pages.
Chronological review of the long journey to bring the culture of gay men and women onto the American stage. From the genteel female impersonators of the 1910s to the raucous drag queens of La Cage aux Folles, from the men of The Normal Heart to the women of Fun Home, and from Eva Le Gallienne and Tallulah Bankhead to Tennessee Williams and Nathan Lane .. chronicles the plays and people that brought gay culture to Broadway. 240 pages.
Chronicles the development of dance, with an emphasis on musicals and the Broadway stage, in the United States from its colonial beginnings to performances of the present day. 304 pages.
Foreword by Blythe Danner. National network of Rehearsal Club "Cinderellas" (coined by TV Guide in the 1950s) came together to tell their stories, spanning four decades, 1940s - 1970s. Captures New York City and Broadway history while charting the journey leading to The Rehearsal Club's incorporation in 2019. Carol Burnett, Blythe Danner and others are recognizable, well-known RC Alums. 264 pages. Hardcover released 4/15/23. Audiobook on CD and Audible Audiobook with bonus materials to be relea...
Lavishly illustrated hands-on account of the creation of new theatre spaces spanning a century. A compelling history that is part memoir, part impassioned call to rethink the design of our theatre spaces and the future of live theatre. 256 pages.
An exploration of the cultural impact of Blanche DuBois, examining Tennessee Williams's most enduring creation through the performances of seven brilliant actresses who have taken on the role: Jessica Tandy, Vivien Leigh, Ann-Margret, Jessica Lange, Patricia Clarkson, Cate Blanchett, and Jemier Jackson. Exploring themes of womanhood, sexuality, mental illness, and the idealized South, Blanche is an engrossing cultural history of a rich and complex character that sheds light on who we are. Photo...
. "... argues that Sondheim firmly belongs to the Broadway aspirational tradition, in that many of his characters are defined by their dreams: to abandon one's dream (as Ben does in Follies, Frank does in Merrily We Roll Along, and Addison does in Road Show) is to lose one's soul. 192 pages.
Examines the careers of seven award-winning playwrights: David Adjmi, Julia Cho, Jackie Sibblies Drury, Will Eno, Martyna Majok, Dominique Morisseau and Anna Ziegler. Covering all their plays, including several as yet unpublished, nothing their critical reception while drawing on their own commentary on their approach to writing and the business of developing a career. 256 pages.
