Rosanna Liuski - Page 4

Q-teatterin Toksinen Kabaree tuo viihtyvyyttä, kiihtyvyyttä ja kiintymistä korona-arkeen.

Thank you Virus for this piece. I do can recommand the multiartistic show as soon as the restrictions are over and we can go meet the talented team in the flesh.

The performance and spesifically the script ended up presentgin two maleficent work communities in clear, could I say compressed characters with clear objects and satirical straits.

Comedic acting is not for everyone. It needs a distinct, different type of view of life as well. One has to see the amusement in oneself and in life situations. You have to be able to set yourself to be laughed at, to see yourself as a comedic character so to speak.

Agatha Christie was a genius and it was nothing else but a proper time to celebrate her talent during a dimming, windy Autumn evening. The tickets are quite in demand for this mysterious whodunnit, which at least held me in its suspenseful grip from the very beginning all the way to the end.

On 17.10. I went to see the very premiere of Tämä on ryöstö (Comedy about bank robbery - Play by Henry Lewis, Henry Shields, and Jonathan Sayer). It was my first visit to Kouvola Theatre and gosh was I delighted.

All in all Cabaret is a fresh interpretation of the old classic with distincitve Höglund-aesthetic. The music leaves to play in your head and lights to blink in your eyes - though you'd close them.

Syvä into ja rakkaus tekemiseen näkyi myös tässä produktiossa

I went to see the Gypsy camp goes to Heaven at Vuohensaari's Summer theatre. First I have to say that the promo pictures by Mikko Pääkkönen are really good and present the atmosphere of the show quite well. I love the hues and some what dreamy atmosphere they have.

Teemu nauttii 'straight manin' esittämisen haasteista Helpossa Erossa.

'We did this project in coorporation with musical artists of Finland, who because of covid-19 got unemployed. We wanted to come together as a team to cheer everyone up during these difficult times by doing what we love the most. As they say: we are all in this together - Don't stop believin'!' WATCH THE VIDEO

Hitler ja Blondi on esityksenä muotoutuva ja vaatii herkkyyttä ja heittäytymiskykyä katsojassa. Ei siis kannata odottaa jotain helppoa dialogia tai selkeää alkua, keskikohtaa ja loppua. Välillä roolihenkilöt asettuvat katsojan asemaan ja kerronnassa hypitään asioista toiseen, onneksi selkeässä järjestyksessä, 'laulujen muodossa', jotka heijastetaan seinälle, jopa numeroituna yhdestä kolmeentoista.

'Speksillä tarkoitetaan opiskelijoiden toteuttamaa musiikkinäytelmää, jossa yhdistyvät draamalliset elementit, musiikki, tanssi, laulu ja improvisaatio. Speksiin kuuluvana improvisaatioelementtinä mukana ovat yleisön omstart-huudot, joiden avulla katsojat voivat vaikuttaa lavan tapahtumiin.' /valtsikanspeksi.com

Sapiens got its premiere in Autumn 2019 but was so succesfull that it got more shows in Spring 2020. To put it short I totally recommend this experience, especially if you loved the book or if you love the endearing documentaries narrated by Jarmo Heikkinen.

Maijalan ohjauksessa nautittavia yksityiskohtia on lukuisia. Tietynlaisia fyysisiä eleitäkin on rajatusti, mikä tuo selkeyttä ja yhtenäisyyttä esitykseen: sormella tasapainoteltavaa alkoholia, naaman vääntelyä käsillä, lintuja ja niiden höyheniä sekä kiljuntaa. 

Teatteri Jurkan pieni teatteritila on lavastettu olohuonemaisesti. Muuttolaatikoista hohkaa valoa. Lattialla on kasa kirjoja, joissa komeilee suurmiehien nimiä: Loiri, Jussi Parviainen, Tauno Palo, Dostojevski, Stanislavski, Turkka. Turkan kirja on punainen.

All in all Annie is fairly good musical full of surprises, not to mention its humane approach to life: Magical things can happen to us, but if the little details you've longed for so long don't match, it's more than okay to feel sad, though it might feel wrong in the first hand. In the end, tomorrow's only a day away anyways. I love you, tomorrow... And I love you, Vaskivuori!

Kinves Out has just recently hit the cinemas. It has gained great reviews from critics and audiences. Unfortunately, there was one fellow who left the cinema with a great sigh. Me, who just two hours earlier had waited for an interesting murder-mystery that would have kept me on the edge of my seat from the beginning to the end like The Prestige (Nolan, 2006) did.