Rosanna Liuski - Page 3

The Regional State Administrative Agency of Finland (shortly AVI in Finnish) has gone between closing and restricting the audience capacity for performances, concerts and shows which has been - to put it mildly - tough to the countless of professionals of the industry.

Svenska teatterin nuorten Nya Tadam ryhmä täytti 25-vuotta. Juhlanäytös Momentum kasasi yhteen kappaleita esityksistä, joita on nähty Nya Tadamin matkalla, mutta omilla sanoituksillaan.

näyttämöllä: Oskari Eskola, Roope Kovalainen, Heidi Lalli, Miika Luukko, Linda Manelius, Suvi Mäkinen, Tiina Romppainen, Clarissa Rosi, Sulo Siikaranta, Netta Simola, Velma Tiusanen, Fanni Vihersaari ja Maria Viitanen

'I’m never in a situation where I’m thinking that now I’m gonna direct a pause. I answer the same way as in the previous one that if it makes sense to me then I let it be. But if it doesn’t make sense I start discussing with the actor why are you doing like this? What are you thinking, what are you feeling? And then you go through that' - Harjanne

'RÈvolution is here and ready to give the stage to the Invisible Ones! RÉvolution is the second performance from the clown-duo Babylon and RÉ. The performance studies the meaning of being seen through clownery and comedy. How one finds an own voice and how to make it heard? Whose responsibility is it to talk about oppression and can guilt be the force of change?' - rednose.fi

A performance starts as early as in the green room (lämpiö). Everything was lit with a subtle, almost unnoticeable red light. It's the color of bravery and the femininity, a color of a sacrifice - though before the 1940s it was the color of the masculine.

My journey to this work started by Turku City theatre's Teosavaus, a preview panel with the director Snoopi Siren and two of the actors, old-timer Taneli Mäkelä and newcomer Elias Keränen, interviewed by the head of art department Mikko Kouki. It was a good set of people in terms of hearing about the rehearsal process from different perspectives.

Ilokseni sain viikko sitten kutsun Helsingin Kellariteatteriin, How to synchronize and decompose in this world -teoksen ensi-iltaan, mikä oli ensikosketukseni Kellariteatteriin.

Näyttelijäntaiteen kolmannen vuosikurssin opiskelijat ovat työstäneet pitkään tanssiteatteriproduktiotaan window clo­sed. sad, big cri­sis, i want to dance. plea­se let me in. T-NB10304, Tanssiteatteriteos on osa näytteljäntaiteen koulutusohjelmaa. Sain kunnian arvioida tämän ryhmän teoksen ja myös pikaisesti haastatella opettajia, joilla oli teoksesta ja sen kautta oppimisesta myös pedagoginen sekä ohjauksellinen vastuu.

UA Talks X Kansis is an 'Artist café and discussion club open to all', an event organized by Urban Apa. This time it was located at Vallila's Kansallisteatteri, Finnish National Theatre. I took part as an audience member (later as a questioner) and now want to share some bits of the evening's discussions on art, theatre, collective and institutions - the fears and dreams of them.

Sakari Hokkanen ohjasi Baskervillen Koiran Helsingin Kaupunginteatterille, mutta millaisin keinoin ja painotuksin?

Baskervillen Koira went easily to my top 5 favorite shows of alltime. Read thick analysis why it succeeded!

The show is much, but bearable and moreover brings you into the world of a sick person.

In a nutshell Frankenstein is an entertaining, though minimalistic show with simple, yet important themes. Its target audience is children, though adults can enjoy it alike for there are recognisable songs and scenic jokes on living in a student studio.

The evening of theatre consisted o two performances: Agatha Christie syytettynä murhasta (A. C. accused of murder) and Satyyrinäytelmä: Seireenit sukkahousuissa (A Satire play: Siren's in Stockings (wow that translated well!))

Monologue collage on loneliness

If you’re ready to sit on your seat and enjoy the imagination the crew has put on stage in terms of bringing philosophy and philosophers to life, through them wondering the meta-meaning of everything you see and hear… This is for you!

Tuukka Vasama and Timo Ruuskanen are the clown pair on stage, named Mike and Zin. They have also done the dramaturgy work and are clearly professionals in clownery. Their movements and gestures are polished and they have good connection with each other. Also the improv parts are quite in flow, though you can see a little smirk every now and then.

I really hope that in the following episodes Bad Apples would slow down its hurry and absorb us into its lure that clearly hides beneath all the fuzz.

Tim Minchin the original composer of Matilda the Musical Tweeted: “This Finnish 'Revolting Children' is frickin AWESOME.