Kat Mokrynski - Page 7

Cook is passionate about bathroom graffiti, and she’s not afraid to tell the world about it. Her thesis for her Master’s degree at Oxford was over 300 pages on bathroom stall graffiti, defining it as the oldest form of art and proving it through cave paintings and other examples.

Larry Dean: Dodger begins with Dean joking about what he thinks will be the first thing that people notice about him - his appearance. The audience is introduced to one of the central characters in his story, his nan, with her description of Dean, saying that he looks “left-handed.”

As soon as you enter the venue for Michelle Brasier: Legacy, you are greeted by Brasier herself, who welcomes you with a smile and asks for your name. She then asks others entering if they have the same name and, if so, what their last name is, hoping to find two that match.

Erin Farrington-Think Better: Manifesting Money, Real Estate and Hot People is a seminar in which audience members will “learn how to manifest a better life by simply just thinking hard and good.” Led by Farrington, we are going to learn how to properly manifest and become one with the universe, able to achieve whatever we want with thought alone.

Kathleen Hughes: Cryptid begins with a presentation on cryptids, including Bigfoot, Mothman, Loch Ness Monster and aliens. We learn a bit about each of the different creatures, including their strengths and weaknesses, as well as what they are famous for. We are then introduced to one of the scariest cryptids of them all - Kathleen Hughes.

The Olivier Award-winning comedy, The Play That Goes Wrong, is celebrating its 10th anniversary on the West End at the Duchess Theatre. Recently, we had the chance to speak with the writers of the show, Henry Lewis, Jonathan Sayer and Henry Shields on what it is like to be celebrating this anniversary!

Recently, we had the opportunity to chat with Dean Chisnall, who has taken on the titular role of the Phantom. We discussed how he first got started in the world of theatre, what it is like becoming the Phantom and the impact the show has had for generations.

Recently, we had the chance to speak with Brian Rosenthal and Joey Richter, two members of the Tin Can Bros. We discussed what it was like to create Spies Are Forever, how the show has changed since it first premiered in 2016 and even what it was like to recently perform another one of their shows, Solve It Squad, at the Edinburgh Festival Fringe!

With soloists Leonidas Kavakos, Emmanuel Ax and Yo-Yo Ma on violin, piano and cello respectively coming together to form a mighty trio of classical musicians, audiences are in for a treat, regardless of what is being played. Indeed, I found myself thinking that the musicians could have just performed scales and I would have been left satisfied.

As you are taking your seats for Eleanor Morton: Haunted House, you are greeted by a spooky voice, reminiscent of Disney’s Haunted Mansion attraction. Some of the disembodied voice’s comments include “There’s something watching you from the darkness . . .” and “Many a tech has gone mad down here,” setting the mood for the rest of the hour.

BWW caught up with Catinca Maria Nistor about bringing The Second Coming of Joan of Arc to the 2024 Edinburgh Festival Fringe.

Six Chick Flicks, less commonly known by its full name, Six Chick Flicks . . . or a Legally Blonde Pretty Woman Dirty Danced on the Beaches while writing a Notebook on the Titanic, written and performed by Kerry Ipema and KK Apple, takes audiences through the world of some of their favourite chick flicks, lovingly parodied by two fans.

Plastic Jeezus: Leave Them Wanting Less, a musical comedy by Simon and Aaron, is an hour of the duo playing ukuleles and singing, all while keeping a deadpan expression on their face.

Walking into Bishops: Farewell Bruce Porcelain, you are greeted by the titular bishops, Chris Curran and Noah Matthews, welcoming you to the funeral of Bruce Porcelain and handing out booklets with the order of service as an organ version of Toto’s “Africa” plays. However, this might not be the kind of funeral we are expecting!

The Conductor is a piece of physical comedy by Amadeo Fusca that tells the story of Salvatore Giovanni, a famous conductor known for his over-the-top performances. Amadeo Fusca has taken the character and fleshed it out into an hour-long show, giving audiences insights into the world of the “world-renowned conductor.”

Ellie MacPherson: Babe Lincoln begins with MacPherson, dressed as Abraham Lincoln, walking into the room on a pair of stilts, attempting to replicate the height of the iconic historic figure. We then receive a rendition of Smash Mouth’s “All Star,” which is quite the surprise for a cabaret from a historical figure!

A Jaffa Cake Musical, written by Sam Cochrane, is a new musical inspired by a tribunal in 1991 that focused on the titular snack, asking a question that would change history - “Is it a cake or is it a biscuit?”

Huge Davies: Album For My Ancestors (Dead) is a musical comedy hour in which Davies takes audiences through his family tree using songs, though the stories may not be what you expect.

A Letter to Lyndon B Johnson or God: Whoever Reads This First, created and performed by Xhloe Rice and Natasha Roland, tells the story of two young Boy Scouts, nicknamed Ace and Grasshopper, who are living in the 1960s. Through physical and verbal storytelling, we are thrown into a world of rope swings and playing pranks on camp counsellors.

Séayoncé, portrayed by Dan Wye, is “the greatest mystic the world has ever known,” living in “a quiet little village in the woods” and on trial for witchcraft. She is joined by Leslie-Anne (Robyn Herfellow), her friend behind the keyboard with a tendency to use murder as a solution to their problems.