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Kat Mokrynski - Page 5

Kat Mokrynski

Kat Mokrynski is currently a writer for BroadwayWorld UK, having previously written for BroadwayWorld as a part of the Student Blogger program from November 2019 to September 2022. Some of her favourite shows include Les Misérables, Come From Away, The Play That Goes Wrong, and David Byrne's American Utopia. She enjoys interviewing people involved in the theatre industry and reviewing a range of shows, from one-hour comedies to four-hour immersive experiences. Kat recently graduated from King's College London with a Master's Degree in Arts and Cultural Management. 

When she's not working or seeing as many shows as possible across London, you can usually find Kat wandering around historic sites, watching TikToks, or traveling around the UK.

You can follow Kat on Twitter @larkofparis






Review: ERIN FARRINGTON: THINK BETTER: MANIFESTING MONEY, REAL ESTATE AND HOT PEOPLE, Pleasance Courtyard
Review: ERIN FARRINGTON: THINK BETTER: MANIFESTING MONEY, REAL ESTATE AND HOT PEOPLE, Pleasance Courtyard
September 3, 2024

Erin Farrington-Think Better: Manifesting Money, Real Estate and Hot People is a seminar in which audience members will “learn how to manifest a better life by simply just thinking hard and good.” Led by Farrington, we are going to learn how to properly manifest and become one with the universe, able to achieve whatever we want with thought alone.

Review: EDINBURGH 2024: KATHLEEN HUGHES: CRYPTID, Gilded Balloon Patter House
Review: EDINBURGH 2024: KATHLEEN HUGHES: CRYPTID, Gilded Balloon Patter House
September 3, 2024

Kathleen Hughes: Cryptid begins with a presentation on cryptids, including Bigfoot, Mothman, Loch Ness Monster and aliens. We learn a bit about each of the different creatures, including their strengths and weaknesses, as well as what they are famous for. We are then introduced to one of the scariest cryptids of them all - Kathleen Hughes.

Interview: 'We Talked About a Ten Week Run': Henry Lewis, Jonathan Sayer And Henry Shields on Celebrating 10 Years of THE PLAY THAT GOES WRONG
Interview: 'We Talked About a Ten Week Run': Henry Lewis, Jonathan Sayer And Henry Shields on Celebrating 10 Years of THE PLAY THAT GOES WRONG
September 10, 2024

The Olivier Award-winning comedy, The Play That Goes Wrong, is celebrating its 10th anniversary on the West End at the Duchess Theatre. Recently, we had the chance to speak with the writers of the show, Henry Lewis, Jonathan Sayer and Henry Shields on what it is like to be celebrating this anniversary!

Interview: 'You Have to Make it Your Own': Actor Dean Chisnall on Taking on The Phantom in THE PHANTOM OF THE OPERA
Interview: 'You Have to Make it Your Own': Actor Dean Chisnall on Taking on The Phantom in THE PHANTOM OF THE OPERA
September 4, 2024

Recently, we had the opportunity to chat with Dean Chisnall, who has taken on the titular role of the Phantom. We discussed how he first got started in the world of theatre, what it is like becoming the Phantom and the impact the show has had for generations.

Interview: 'It's Just Been So Fun': Brian Rosenthal and Joey Richter on SPIES ARE FOREVER
Interview: 'It's Just Been So Fun': Brian Rosenthal and Joey Richter on SPIES ARE FOREVER
September 2, 2024

Recently, we had the chance to speak with Brian Rosenthal and Joey Richter, two members of the Tin Can Bros. We discussed what it was like to create Spies Are Forever, how the show has changed since it first premiered in 2016 and even what it was like to recently perform another one of their shows, Solve It Squad, at the Edinburgh Festival Fringe!

Review: BBC PROMS: PROM 54: BEETHOVEN FOR THREE, Royal Albert Hall
Review: BBC PROMS: PROM 54: BEETHOVEN FOR THREE, Royal Albert Hall
September 2, 2024

With soloists Leonidas Kavakos, Emmanuel Ax and Yo-Yo Ma on violin, piano and cello respectively coming together to form a mighty trio of classical musicians, audiences are in for a treat, regardless of what is being played. Indeed, I found myself thinking that the musicians could have just performed scales and I would have been left satisfied.

Review: EDINBURGH 2024: ELEANOR MORTON: HAUNTED HOUSE, Monkey Barrel Comedy
Review: EDINBURGH 2024: ELEANOR MORTON: HAUNTED HOUSE, Monkey Barrel Comedy
September 3, 2024

As you are taking your seats for Eleanor Morton: Haunted House, you are greeted by a spooky voice, reminiscent of Disney’s Haunted Mansion attraction. Some of the disembodied voice’s comments include “There’s something watching you from the darkness . . .” and “Many a tech has gone mad down here,” setting the mood for the rest of the hour.

Q&A: EDINBURGH 2024: Catinca Maria Nistor on THE SECOND COMING OF JOAN OF ARC
Q&A: EDINBURGH 2024: Catinca Maria Nistor on THE SECOND COMING OF JOAN OF ARC
August 30, 2024

BWW caught up with Catinca Maria Nistor about bringing The Second Coming of Joan of Arc to the 2024 Edinburgh Festival Fringe.

Review: EDINBURGH 2024: SIX CHICK FLICKS . . ., Underbelly, Bristo Square
Review: EDINBURGH 2024: SIX CHICK FLICKS . . ., Underbelly, Bristo Square
September 3, 2024

Six Chick Flicks, less commonly known by its full name, Six Chick Flicks . . . or a Legally Blonde Pretty Woman Dirty Danced on the Beaches while writing a Notebook on the Titanic, written and performed by Kerry Ipema and KK Apple, takes audiences through the world of some of their favourite chick flicks, lovingly parodied by two fans.

Review: EDINBURGH 2024: PLASTIC JEEZUS: LEAVE THEM WANTING LESS, Underbelly, Bristo Square
Review: EDINBURGH 2024: PLASTIC JEEZUS: LEAVE THEM WANTING LESS, Underbelly, Bristo Square
August 30, 2024

Plastic Jeezus: Leave Them Wanting Less, a musical comedy by Simon and Aaron, is an hour of the duo playing ukuleles and singing, all while keeping a deadpan expression on their face.

Review: EDINBURGH 2024: BISHOPS: FAREWELL BRUCE PORCELAIN, Underbelly, Cowgate
Review: EDINBURGH 2024: BISHOPS: FAREWELL BRUCE PORCELAIN, Underbelly, Cowgate
August 30, 2024

Walking into Bishops: Farewell Bruce Porcelain, you are greeted by the titular bishops, Chris Curran and Noah Matthews, welcoming you to the funeral of Bruce Porcelain and handing out booklets with the order of service as an organ version of Toto’s “Africa” plays. However, this might not be the kind of funeral we are expecting!

Review: EDINBURGH 2024: THE CONDUCTOR, ZOO Playground
Review: EDINBURGH 2024: THE CONDUCTOR, ZOO Playground
August 30, 2024

The Conductor is a piece of physical comedy by Amadeo Fusca that tells the story of Salvatore Giovanni, a famous conductor known for his over-the-top performances. Amadeo Fusca has taken the character and fleshed it out into an hour-long show, giving audiences insights into the world of the “world-renowned conductor.”

Review: EDINBURGH 2024: ELLIE MACPHERSON: BABE LINCOLN, Pleasance Courtyard
Review: EDINBURGH 2024: ELLIE MACPHERSON: BABE LINCOLN, Pleasance Courtyard
August 30, 2024

Ellie MacPherson: Babe Lincoln begins with MacPherson, dressed as Abraham Lincoln, walking into the room on a pair of stilts, attempting to replicate the height of the iconic historic figure. We then receive a rendition of Smash Mouth’s “All Star,” which is quite the surprise for a cabaret from a historical figure!

Review: EDINBURGH 2024: A JAFFA CAKE MUSICAL, Pleasance Courtyard
Review: EDINBURGH 2024: A JAFFA CAKE MUSICAL, Pleasance Courtyard
August 30, 2024

A Jaffa Cake Musical, written by Sam Cochrane, is a new musical inspired by a tribunal in 1991 that focused on the titular snack, asking a question that would change history - “Is it a cake or is it a biscuit?”

Review: EDINBURGH 2024: HUGE DAVIES: ALBUM FOR MY ANCESTORS (DEAD), Pleasance Courtyard
Review: EDINBURGH 2024: HUGE DAVIES: ALBUM FOR MY ANCESTORS (DEAD), Pleasance Courtyard
August 30, 2024

Huge Davies: Album For My Ancestors (Dead) is a musical comedy hour in which Davies takes audiences through his family tree using songs, though the stories may not be what you expect.

Review: EDINBURGH 2024: A LETTER TO LYNDON B JOHNSON OR GOD: WHOEVER READS THIS FIRST, TheSpace @Niddry St
Review: EDINBURGH 2024: A LETTER TO LYNDON B JOHNSON OR GOD: WHOEVER READS THIS FIRST, TheSpace @Niddry St
August 30, 2024

A Letter to Lyndon B Johnson or God: Whoever Reads This First, created and performed by Xhloe Rice and Natasha Roland, tells the story of two young Boy Scouts, nicknamed Ace and Grasshopper, who are living in the 1960s. Through physical and verbal storytelling, we are thrown into a world of rope swings and playing pranks on camp counsellors.

Review: EDINBURGH 2024: SEAYONCE: SHE MUST BE HUNG!, Assembly George Square Gardens
Review: EDINBURGH 2024: SEAYONCE: SHE MUST BE HUNG!, Assembly George Square Gardens
August 29, 2024

Séayoncé, portrayed by Dan Wye, is “the greatest mystic the world has ever known,” living in “a quiet little village in the woods” and on trial for witchcraft. She is joined by Leslie-Anne (Robyn Herfellow), her friend behind the keyboard with a tendency to use murder as a solution to their problems.

Review: EDINBURGH 2024: ALEX KEALY: THE FEAR, Monkey Barrel Comedy (The Hive)
Review: EDINBURGH 2024: ALEX KEALY: THE FEAR, Monkey Barrel Comedy (The Hive)
August 29, 2024

Alex Kealy: The Fear begins with Kealy talking about politics, discussing not only the low bar that has been set for the Labour government but also his concerns about the American election, having a conversation with an audience member about Trump’s chances of winning this year’s presidential election.

Review: EDINBURGH 2024: WILLY'S CANDY SPECTACULAR, Pleasance Dome
Review: EDINBURGH 2024: WILLY'S CANDY SPECTACULAR, Pleasance Dome
August 29, 2024

Willy’s Candy Spectacular, written by Richard Kraft and Andy Fickman is a musical parody of the infamous Willy Wonka immersive experience in Glasgow back in February, in which families paid £35 for tickets and were greeted with an empty warehouse, two jellybeans for each child and a bizarre character known as The Unknown.

Review: EDINBURGH 2024: THE EMU WAR: A NEW MUSICAL, Pleasance Courtyard
Review: EDINBURGH 2024: THE EMU WAR: A NEW MUSICAL, Pleasance Courtyard
August 29, 2024

The Emu War: A New Musical, written by Lotte Pearl, tells the true story of the Great Emu War of 1932, in which the Australian military tried to stop emus from eating the crops of farmers using Lewis guns. These efforts were unsuccessful and seen as a failure, as the emus continued to destroy crops after the month-long “battle.”






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