Kat Mokrynski - Page 4

Recently, we had the chance to speak with Amy Di Bartolomeo, who plays Emily Charlton, Miranda’s first assistant. We discussed how she first got started in the world of theatre, the world of The Devil Wears Prada and even what it has been like to contribute to this new version of Emily on the stage!

This is the story of a shirtless boy who lived underground in Spain. In Tom Lawrinson: Buried Alive and Loving It, the comedian is getting a bit more personal with his audiences, telling them about his childhood and how he believes it has had an effect on him as an adult.

Bullring Techno Makeout Jamz, written by Nathan Queeley-Dennis and directed by Dermot Daly, is described as “a love letter to Birmingham through Beyonce lyrics, techno raves and the deeply intimate relationship between a man and his barber.”

Recently, we had the chance to speak with Adam Gillen about taking on the role of The Emcee in Cabaret on the West End. We discussed how he first got started in the world of theatre, his love for Cabaret and even how he has developed the character of The Emcee in his own way.

Emma Sidi is Sue Gray may be considered by some to be a satirical take on the former Downing Street Chief of Staff under Prime Minister Keir Starmer, but how can something be a satire if barely anything is known about the woman of the hour?

How to Mate: The Second Ted XXX Talk begins with an absolute banger of a preshow playlist, which tends to be a good sign of things to come at the Soho Theatre. The show, directed by Mpilo May, marks the return of Steve Porters, AKA “Lockup Ur Daughter,” a character created and performed by drag king Daisy Doris May.

Tarot: Shuffle begins a bit differently than your average sketch show. Walking into the theatre, audience members are greeted by three performers, all wearing white nighties. Everyone is given a piece of paper with a personality test on it, with questions ranging from your ability to recognise patterns to requiring an essay of 1,000 words.

The Sound of Philadelphia, a celebration of “50 years of Philly Soul,” hosted by Sir Lenny Henry, celebrated the Philly soul genre, which is 'characterised by funk influences and lush string and horn arrangements,' so it only makes sense that the music of the night would be performed by the BBC Concert Orchestra.

I Am Harvey Milk, with music and lyrics by Andrew Lippa, will be making its European premiere at Cadogan Hall on 27 October. Joel Harper-Jackson will star alongside Sierra Boggess. The work, part choral and part theatre piece, tells the story of Harvey Milk, a gay-rights activist and politician in the United States who was assassinated.

Sophie Duker: But Daddy I Love Her starts on a high, with music blasting and the lights flashing as Duker jumps into the audience, running around and dancing her heart out, encouraging the crowd to cheer even more for her. Duker then jumps back on stage and, with a grin, tells us the one thing we need to know about her - “I am delusional.”

Richard O’Brien’s Rocky Horror Show, “the world’s favourite rock n’ roll musical, is currently touring the UK. Recently, we had the chance to talk with Nathan Caton, who is playing the role of The Narrator. We discussed his journey from standup comedy to becoming a part of Rocky Horror Show and even audience interaction moments that have happened!

Musical Con, the world’s biggest musical theatre fan convention, is returning to London for its third year. Recently, we had the chance to talk with Shanay Holmes, one of the creators of Musical Con. We discussed how she first became a producer, the creation of Musical Con and what panels she is most looking forward to!

Recently, we had the opportuinty to talk with Glen Ballard and Oliver Tompsett about the upcoming production of Ghost the Musical in Concert. We discussed the creation of Ghost the Musical, what it is like to be returning to the show after time away and what they hope audiences take away from the concert!

Have you ever been sitting on a stool on a stage, being asked to load a confetti cannon with five containers, one of which containing push pins, that will be shot into the unguarded face of a drag queen? Not many will be able to say they have, but those who attend Ginger Johnson Blows Off! may have the opportunity. 

If you’re afraid of flying, this may not be the right show for you. Flight, one of two Darkfield shows playing at the Edinburgh Festival Fringe in 2024, originally ran in 2018 and had been performed at the Fringe in 2022.

Murder, She Didn’t Write is an improvised murder mystery show that has been welcoming audiences for the past ten years at the Edinburgh Festival Fringe. As someone who has a love for both improvisational comedy and murder mysteries who had yet to see the show, I was very interested in seeing it at this year’s Fringe.

Written by Matt Chiorini and Travis Newton, Kafka's Metamorphosis: The Musical! With Puppets! is pretty much what is written on the tin - an adaptation of Franz Kafka’s The Metamorphosis told using songs and puppets. Audience members are greeted by a performer sitting on stage, facing away from them towards artwork of a cockroach.

Imagine this, if you will. Scientists have discovered that they are capable of cloning humans, giving them the ability to bring deceased geniuses back through new life. They have chosen to clone Mozart, but, in a twist, the hair retrieved from Mozart is actually his pubic hair, leading to the clone being a much more immature version of the man.

Ania Magliano: Forgive Me, Father begins with a bit of relatable comedy - stalking people on Instagram you aren’t able to follow. For Magliano, the person she stalks is her partner’s ex, and she tells us about the different posts she has seen from her.

Celya AB: Of All People begins with a topic that some might see as taboo - money. Celya declares that she is going to be very open about money. In keeping with the themes of money and value, Celya guarantees the audience 100 jokes throughout the show, each one worth sixteen pence, though she warns that some may be more valuable than others.