Gary Naylor - Page 7

Tonight we're going to party like it's 1989

The annual CFT summer blockbuster delivers West End quality again at considerably more affordable prices - time to book a train or set the satnav

Old actors play young characters and find new nuances in familiar speeches

Familiar and safe it may be, but the show delivers spectacle and entertainment as only theatre can

In the light this week's report into exclusion and racism in cricket, this lovely one man show could not be more timely.

Unique production defies easy categorisation, but thrills and appals to live long in the memory

The National Theatre invites the nation's young people to its Dorfman Theatre and is all the better for it

With humour and sympathy, James Graham's play gives the nation the leader it needs

Two men bond over a shared love of dogs and discover they have rather more in common than first appears.

Wild but tuneful adaptation of Shakespeare's comedy

Blazing new production of strange and unsettling musical that leaves you with much to consider

Whether we need another visit to the carnival of transgression that was 1920s/30s Berlin is perhaps open to question, but there's plenty of interest to be had in this new musical

Eddie Izzard's Broadway smash comes to the West End to capture the hearts and minds of a new audience

Good performances illuminate a show that a bold new production tackles with confidence, if not complete success

Entertaining from first to last, this less well-known play sparkles for three hours and finishes with a heartfelt plea for harmony

Martin Blackburn's comedy starts like a whirlwind but can't quite sustain its promise

Crowdpleasing production based on the printing of Shakespeare's plays (harder than you think!) makes for a diverting and pleasant couple of hours in the theatre

The longtime secret story of the double-life of one of Italy's favourite sons is brought to the stage in a bold new musical

Ryan Calais Cameron follows up the runaway success of For Black Boys... with a very different play that goes to the weighing of principles and pragmatism in a dysfunctional society

An 18th century insurance case inspired one black man to tell the world of the horrors of the slave trade and, more than two hundred years later, another to do the same thing