Gary Naylor - Page 6

The thrill of operatic voices singing up close and personal in a radical re-interpretation of an opera ripe for bringing into the 21st century

Hannah Kumari's warm, funny and ultimately disquieting monologue tells the story of a girl who doesn't fit into other people's idea of boxes, but becomes a lifelong fan of Coventry City

Beautiful production that expands on its source material but adds confusion as a result.

Beautifully sung South American opera flawed a little by its overpowering religious messaging.

Boutique opera now 72 years old but could have been written yesterday in terms of its music, its themes and its relevance, performed with verve and confidence

Super show, a little slow at first, but blossoming into an escapist entertainment that can be enjoyed as much in the 2020s as it was in the 1880s

Jonathan Dove's music underpins and enhances the tale of a teen suddenly thrust into a world of corporate power and environmental exploitation

Gillian Slovo brings the heart and soul of Grenfell to the Dorfman Theatre, honouring those who live and those who do not.

Tonight we're going to party like it's 1989

The annual CFT summer blockbuster delivers West End quality again at considerably more affordable prices - time to book a train or set the satnav

Old actors play young characters and find new nuances in familiar speeches

Familiar and safe it may be, but the show delivers spectacle and entertainment as only theatre can

In the light this week's report into exclusion and racism in cricket, this lovely one man show could not be more timely.

Unique production defies easy categorisation, but thrills and appals to live long in the memory

The National Theatre invites the nation's young people to its Dorfman Theatre and is all the better for it

With humour and sympathy, James Graham's play gives the nation the leader it needs

Two men bond over a shared love of dogs and discover they have rather more in common than first appears.

Wild but tuneful adaptation of Shakespeare's comedy

Blazing new production of strange and unsettling musical that leaves you with much to consider

Whether we need another visit to the carnival of transgression that was 1920s/30s Berlin is perhaps open to question, but there's plenty of interest to be had in this new musical