Gary Naylor - Page 62

Gary Naylor finds that hell does indeed hath no fury like a woman scorned.

Like a bad night in Sauciehall Street, Jon Gun Thor's version of Macbeth is packed with scheming, macho violence and blood. Well, it is The Scottish Play after all. Pared back to 90 minutes and with a cast of six, many playing multiple roles, there's so much brawling and calling out that it sometimes feels like the a medieval Wrestlemania

Gary Naylor sees a version of a classic that's never, well, hardly ever, been done before.

Towards the end of Keeler (at the Charing Cross Theatre until 14th December) old newspaper photos flash on the big screen behind the stage and it all becomes clear.

Gary Naylor finds out more about a Macbeth that incorporates multiple languages and dance to supplement the dark, familiar text.

Gary Naylor revisits an old friend of sorts - both the man and the show.

Gary Naylor sees an emotional play.

Gary Naylor sees the wit and wisdom of Jane Austen brought to the stage.

Gary Naylor goes on an emotional rollercoaster with definitely not the kids from Fame.

Gary Naylor sees a play with potential fail to realise it.

Gary Naylor sees a music / comedy / performance art version of Oedipus Rex - oh yes he does!

Gary Naylor sees a musical for a second time - 28 years on.

Gary Naylor sees a show pushed just a bit too far.

Gary Naylor sees an energetic crowdpleaser please the crowd.

Gary Naylor sees a new opera on the London stage. Yes, you read it right!

Gary Naylor sees a classic revived - in a version discovered.

Gary Naylor sees a beautiful version of a hideous play

Gary Naylor sees an uncompromising presentation of an uncompromising play.

Gary Naylor sees three slices of contemporary London life.

Gary Naylor enjoys another piece of innovative, site-specific, London theatre.