Gary Naylor - Page 37

La Strada, adapted from the Fellini movie is a play with music that captures the style and ethics of a classic movie, indeed the Neo-Realism style.

Vixen updates Leos Janacek's opera for the victims of Generation Rent moving the action into the big city of 2017 with hi tech and great singing.

Annie Get Your Gun delivers wonderful, uncynical entertainment, the romance studded with some of the finest songs ever written for the theatre.

Jam, Matt Parvin's first play, shows promise but cannot overcome its structural and narrative problems to deliver its full potential.

The Mikado is as much as ever in this all male version that showcases the great songs with some fine voices.

Othello's extraordinary tapestry of human vulnerabilities, brilliantly woven in Richard Twyman's brutal production, remains as relevant today as ever.

Teeth 'n' Smiles is an early work by Sir David Hare, tracking a punk band's disastrous night playing Jesus College Cambridge's 1978 May Ball.

Greg Hicks' Richard III twists and turns his evil until he's left with nobody to hate, screaming for a horse and escape.

110 In The Shade is both old-fashioned and bang up to date, full of pleasing songs, fine performances and a heartwarming message of love and hope.

Occupational Hazards portrays the chaos of post-Saddam Iraq through the eyes of Rory Stewart, who was there and who tried.

Continuing our series of favourite musical theatre songs is Carol Channing's version of 'Hello, Dolly!'

Cosmic Trigger The Play is an exhilarating event that entertains and educates, full of fun but never losing the serious dimension of Robert Anton Wilson's work.

Voices From Chernobyl reminds us of a largely forgotten disaster and the terrible human cost, a price still being paid today.

Home Truths nine plays paint a picture of chaotic and cruel housing policies that have shafted the poor for decades with little sign of any change coming - and it's also funny, warm and clever!

Divine Chaos Of Starry Things is so concerned about the politics of revolution, colonialism and feminism that the stuff of drama is lost.

The Braille Legacy tells the story of Louis Braille's fight for his system that allowed blind people to read by touch - music good, but book and lyrics lack excitement.

Nuclear War comprises elements of drama, dance, mime and song to create a dystopian vision of an alienating present that seemed both overly familiar and hazily unfocused.

Whisper House comprises some lovely songs beautifully sung, but lacks the narrative drive one expects in musical theatre.

It's back to the 90s at the King's Head for a show brimming with that decade's biggest hits sung wonderfully well.

Macbeth's grim pursuit of power, with his Lady prompting and then agonising in the background, is brought to life in this low budget, committed production.