Gary Naylor - Page 37

The Wipers Times tells the story of an underground magazine, written on the Western Front by soldiers for soldiers, the articles packed with good humour and a touch of irreverence.

Philip Ridley's dystopian nightmare has moments of poetry and humour but is ultimately just too relentlessly grim and must be endured rather than enjoyed.

Naples is brought to London, as we track the extraordinary lives of Lila and Lenu in an adaptation of Elena Ferrante's Neapolitan novels that overreaches itself.

Threesome is often crude, sometimes boldly empowering and occasionally shows a glimpse of something more sophisticated emerging, but ultimately falls a little short on laughs.

Extraordinary, astonishing, unmissable five star production that brings three of Shakespeare's plays up to date in an electrifying production that should not be missed.

After Party sees tensions, long since buried, bubble to the surface, as one of the old gang returns from prison to settle old scores and reclaim what he believes to be his.

Seventeen captures a cathartic moment in young people's lives - the last day at school - but does not reach its potential due to a largely lacklustre script.

Limehouse focuses on the events concerning the founding of the Social Democratic Party (the SDP) and the drafting of the Limehouse Declaration that led to it. Many, many parallels with today's fractured polity.

Daniel and Laura Curtis showcase their current album, Overture, and give us a glimpse or two of emerging work, the songs belted out by A list West End performers.

Wisdom of a Fool resurrects the much loved Norman Wisdom in Jack Lane's respectful and entertaining show that charts his rags-to-riches story.

Handbagged imagines what was said by Mrs Thatcher and The Queen in their weekly meetings to hilarious effect in Moira Buffini's award-winning satire.

Three short plays introduce the writing of BS Johnson, a revered man of English letters whose influence resonates through the last 50 years.

Ionesco's absurd theatre brought to life in a handsome production that is full of wit and humour, but never loses its avant garde character.

Swifties examines the obsessive nature of fandom, as dress-up and role play turns into something much more sinister in this reinvention of Jean Genet's The Maids.

Ventoux tells the story of the battle between Lance Armstrong and Marco Pantani on the slopes of the famous mountain. 2 Magpies Theatre's Tom Barnes tells BWW more about the project.

Hamlet anew in this technology infused but oh so human production of Shakespeare's great tragedy in which Andrew Scott gives us a warm, flawed, and eventually mad Prince.

Gary Naylor sees an energetic, loud and often charming tale of love in a wartime POW Camp.

The Cherry Orchard retains its power to reach across decades and tell us harsh truths about a changing world.

The Sorrows of Satan delights from beginning to end, packing in witty songs, wonderful performances and a laughs per minute ratio as high as any in the West End.

The Wild Party is plenty wild enough, but its overly ambitious book and parade of cookie-cutter characters means that it never lands a knockout punch - or song.