Review: Hannigan is a ‘Double Threat’ - Singing/Conducting LA VOIX HUMAINE at the NY Philharmonic
by Richard Sasanow - Apr 25, 2026
There was a time early in this century when conductor Lorin Maazel led Massenet’s opera THAIS, surprising audiences by picking up a violin during Act II to play the work’s famous “Meditation” himself—usually the realm of the concertmaster. At the NY Philharmonic’s performance of Poulenc’s monodrama, LA VOIX HUMAINE, on Thursday, soprano/conductor Barbara Hannigan did him one better.
Review: DiDonato Brings Dickinson Poems to Life through Brilliant Song Cycle by Puts at Carnegie
by Richard Sasanow - Feb 23, 2026
Though only a handful of Emily Dickinson’s hundreds of poems were published during her lifetime (more than 1700 others were found posthumously), she is best known as a risk-taking writer whose work straddled the line between the straightforward and the more abstract. Inaddition, she has long been an inspiration to composers who clearly found the music in her work. The most recent of these was heard at Carnegie Hall late last week in the local premiere of EMILY—NO PRISONER BE, a song cycle by Kevin Puts that looks long and deep into the eyes of the poet.
Interview: JonAvery Worrell, Knuck in HELL'S KITCHEN at The Fox Theatre
by Joseph Harrison - Jan 2, 2026
The first national tour of the Tony and Grammy Award winning HELL’S KITCHEN, the hit Broadway musical from Alicia Keys, is set to ignite Atlanta’s Fox Theatre from January 6–11 as part of the 2025/2026 Regions Bank Broadway in Atlanta season. To celebrate this electrifying new musical, I caught up with JonAvery Worrell, who stars as Knuck, to talk about his journey from Georgia to the stage, the heart of HELL’S KITCHEN, and what it means to perform for his hometown crowd.
Review: Warhorses? Hi Yo, Silver, With Sierra, Grigorian, Radvanovsky, Jagde at Carnegie Hall
by Richard Sasanow - Dec 29, 2025
The program said “Christmas Night Opera” but it didn’t happen till the 27th at Carnegie Hall. The date didn’t matter, with such a grand evening for hearing Puccini, Tchaikovsky, Delibes, Verdi and others with some top voices, including Grigorian, Sierra, Radvanovsky and Jagde seeming to have fun while giving their all.
Review: YUNCHAN LIM STUNS WITH GOLDBERG VARIATIONS at Carnegie Hall
by Peter Danish - May 2, 2025
Yunchan Lim’s performance of Bach’s Goldberg Variations at Carnegie Hall was a masterclass in both technique and emotional depth, showcasing his extraordinary maturity and artistry for such a young performer. From the moment he began, it was clear that Lim was not just playing the piece; he was telling a story. Through his interpretation, he transformed the Goldberg Variations from a set of intricate variations into a profound narrative of a man’s life, from youth to old age.